Ming Shu For Those Born In The Year Of The Horse
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Author | : Malvin Artley |
Publisher | : eBookIt.com |
Total Pages | : 475 |
Release | : 2014-06-12 |
Genre | : Body, Mind & Spirit |
ISBN | : 1456622277 |
The Full Moons is an exploration of the Sun the Moon, the Truth and their interrelation, and it is the culmination of over ten years of letters the author has written on esoteric astrology. A compendium of topics in esoteric astrology, it explores the emerging universal spirituality, gradually unfolding through the current decades as seen from the perspective of topical world events, even though the principles investigated therein are timeless. The twelve astrological signs each give a unique insight into various aspects of spirituality, and each one has its own story to tell on the great evolutionary path of the soul. Because the soul is so dear to us, even though the subject matter of the book is esoteric in its presentation, there is something in its pages for everyone, whether or not you have an astrological background. Ultimately, this book can be used as reference material for the times of the full moon each month and for specified times in between. The book is extensively indexed for ease of reference and it contains abundant reference material in the appendices, along with a glossary of esoteric terminology.
Author | : Gary Price |
Publisher | : Xlibris Corporation |
Total Pages | : 89 |
Release | : 2021-12-06 |
Genre | : Body, Mind & Spirit |
ISBN | : 1669802760 |
No information added at this time.
Author | : Sasha Fenton |
Publisher | : Red Wheel/Weiser |
Total Pages | : 256 |
Release | : 2018-02-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1571747966 |
PBaffled by Chinese astrology? Confused by Feng Shui? Author Sasha Fenton delves into 11 major divination systems based on ancient Chinese practices, providing easily accessible introductions and instructions so the beginner can put these methods to use./PPIncluded are the following:BRULLIChinese astrology/LILIFeng Shui/LILII Ching/LILIChinese hand reading/LILIFace reading/LILILunar oracle/LILIMah Jong reading/LILILo Shu Square/LILIWeighing the bones/LILIYarrow stick divination/LILIFour Pillars of Destiny/LI/UL/P
Author | : Susan Levitt |
Publisher | : Simon and Schuster |
Total Pages | : 183 |
Release | : 1997-06-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1620550636 |
This guide brings Chinese astrology back to its ancient roots, providing all the information you need for understanding one of the world's oldest systems of divination. The ancient Chinese people developed a sophisticated science of astrology that continues to have profound influence in China today. Rooted in the fundamentals of Taoism, it evolved into a system vastly different from Western astrology. Rather than determining personality by the time of the year in which you are born, in Taoist astrology it is the year itself that determines your character. The years form a twelve-year cycle of signs, each named after an animal. Additionally, your personality depends on which of the five traditional Taoist elements you are born under--water, wood, fire, earth, or metal. This makes for a cycle of sixty unique signs. Taoist Astrology includes information for each sign's personality, compatibility, child-parent relations, and rising and falling fortunes during the twelve-year cycle. Discussions of yin and yang, Confucianism and Buddhism, Taoist alchemy, and the connection between Taoist astrology and Western astrology give you all the background you need for understanding one of the oldest systems of divination known to humanity. Taoist Astrology differs from other books on the subject by grounding its concepts in the ancient traditions from which it originated.
Author | : Lisa See |
Publisher | : A&C Black |
Total Pages | : 353 |
Release | : 2011-10-17 |
Genre | : Fiction |
ISBN | : 1408821621 |
Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless. In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the power to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a very special friend, Snow Flower. But a bitter reversal of fortune is about to change everything.
Author | : |
Publisher | : |
Total Pages | : 1114 |
Release | : 1911 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Ellen Johnston Laing |
Publisher | : University of Michigan Press |
Total Pages | : 555 |
Release | : 2020-08-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 0472901486 |
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
Author | : Li Shi |
Publisher | : DeepLogic |
Total Pages | : 165 |
Release | : |
Genre | : History |
ISBN | : |
The book is the volume of “History of Literature in the Yuan Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Author | : |
Publisher | : Cornell University Press |
Total Pages | : 295 |
Release | : 2019-05-31 |
Genre | : Art |
ISBN | : 1501766724 |
Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution. Open access edition funded by the National Endowment for the Humanities.
Author | : Jerome Silbergeld |
Publisher | : University of Hawaii Press |
Total Pages | : 474 |
Release | : 2016-10-31 |
Genre | : Art |
ISBN | : 0824872568 |
China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.