Milton And Music
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| Author | : David Ainsworth |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2019-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 0429603622 |
Milton, Music and Literary Interpretation: Reading through the Spirit constructs a musical methodology for interpreting literary text drawn out of John Milton’s poetry and prose. Analyzing the linkage between music and the Holy Spirit in Milton’s work, it focuses on harmony and its relationship to Milton’s theology and interpretative practices. Linking both the Spirit and poetic music to Milton’s understanding of teleology, it argues that Milton uses musical metaphor to capture the inexpressible characteristics of the divine. The book then applies these musical tools of reading to examine the non-trinitarian union between Father, Son, and Spirit in Paradise Lost, argues that Adam and Eve’s argument does not break their concord, and puts forward a reading of Samson Agonistes based upon pity and grace.
| Author | : Andrew Mead |
| Publisher | : Princeton University Press |
| Total Pages | : 335 |
| Release | : 2014-07-14 |
| Genre | : Music |
| ISBN | : 1400863333 |
In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure. Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Michael Bryson |
| Publisher | : Open Book Publishers |
| Total Pages | : 380 |
| Release | : 2017-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 1783743514 |
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
| Author | : Cary Ginell |
| Publisher | : U of Nebraska Press |
| Total Pages | : 416 |
| Release | : 1994 |
| Genre | : Music |
| ISBN | : 9780252020414 |
"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University
| Author | : Seth Herbst |
| Publisher | : Taylor & Francis |
| Total Pages | : 124 |
| Release | : 2023-04-03 |
| Genre | : Literary Criticism |
| ISBN | : 1000881547 |
Milton and Music is the first study to juxtapose John Milton’s poetry on music with later musical adaptations of his work. In Part I: Milton on Music, Seth Herbst shows that writing about music galvanized Milton’s intellectual development towards animist materialism, the belief that everything in the universe—even the human soul—is made of matter. The Milton who emerges is a forward-thinking visionary who leaped past his contemporaries in conceiving music as a material phenomenon that exists simultaneously as sound and metaphor. Part II: Milton in Music follows two daring composers in investigating whether Milton’s visionary concept of music can be realized in actual musical sound. In Samson, an oratorio adaptation of Milton’s Samson Agonistes, Handel resists Miltonic music theory, suggesting that music struggles to function as both sound and metaphor. By contrast, the twentieth-century Polish composer Krzysztof Penderecki composes an iconoclastic opera of Paradise Lost that develops a soundworld of fractured dissonance in which music acts as both sound and metaphor. Recovering Milton’s own high estimation of music from a critical tradition that has subordinated it to the poet’s political and religious convictions, Herbst reveals Milton as an interdisciplinary thinker and overlooked figure in the study of words and music. Driven by bold claims about the comparative treatment of literature and music, Milton and Music revises our understanding of what makes this canonical poet an intellectual revolutionary.
| Author | : Blair Hoxby |
| Publisher | : Yale University Press |
| Total Pages | : 332 |
| Release | : 2008-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 0300129637 |
The commercial revolution of the seventeenth century deeply changed English culture. In this ambitious book, Blair Hoxby explores what that economic transformation meant to the century’s greatest poet, John Milton, and to the broader literary tradition in which he worked. Hoxby places Milton’s work—as well as the writings of contemporary reformers like the Levellers, poets like John Dryden, and political economists like Sir William Petty—within the framework of England’s economic history between 1601 and 1724. Literary history swerved in this period, Hoxby demonstrates, as a burgeoning economic discourse pressed authors to reimagine ideas about self, community, and empire. Hoxby shows that, contrary to commonly held views, Milton was a sophisticated economic thinker. Close readings of Milton’s prose and verse reveal the importance of economic ideas in a wide range of his most famous writings, from Areopagitica to Samson Agonistes to Paradise Lost.
| Author | : Zachary Bernstein |
| Publisher | : Oxford University Press |
| Total Pages | : 325 |
| Release | : 2021 |
| Genre | : Music |
| ISBN | : 0190949236 |
On Milton Babbitt, Schenkerian -- Construction, Cognition, and the Role of the Surface -- The Seam in Babbitt's Compositional Development : Composition for Tenor and Six Instruments -- The Surface and the Series in Composition for Four Instruments -- Poetic Form and Psychological Portraiture in Babbitt's Early Texted Works -- Completeness and Temporality -- Babbitt's Gestural Dialectics -- Afterword. "Anything Vital is Problematical".
| Author | : Michael A. Milton |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 321 |
| Release | : 2024-10-18 |
| Genre | : Religion |
| ISBN | : |
“Always preach to broken hearts and you will never lack for a congregation,” an old saying goes. And for that reason, this book is for everyone—because there are many, many things that break our hearts. Sicknesses, spiritual depression, disabilities, painful memories, strained relationships... all of these weigh on Christians’ hearts at one time or another. And even when our hearts feel light, there is a longing that runs through us—a crying of the soul for eternity, for a new heavens and a new earth. Yet even in the midst of our heartache, we know there is a faith that comes from Jesus Christ that not only encourages us through our pain, but can even transform our pain... as long as we let it. And here is a collection of warm, pastoral messages, filled with personal illustration, that does just that: helps the brokenhearted Christian to locate the God of all comfort in the center of all pain. We are not left there, either; Mike Milton takes us a step further to see how the gospel actually transforms our private pain into personal praise. So read and discover how God uses the things that seek to destroy us to become the very things that bring us salvation, bring us hope, bring us to prayer, bring us together, and ultimately bring us to heaven.
| Author | : Milton Babbitt |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 220 |
| Release | : 1987 |
| Genre | : Music |
| ISBN | : 9780299107949 |
Many consider Pulitzer Prize-winning composer Milton Babbitt to be the preeminent figure in post-World War II American music. Beyond the extraordinary power of his music, he is also, as he says, "somewhat known as a talker." In fact, he is renowned as an energetic teacher and inspired lecturer. In 1983 at the University of Wisconsin-Madison, Babbitt presented a concise summary of his most essential musical insights in a series of lectures and seminars. These are gathered here, presenting for the first time in book form a comprehensive overview of the subjects that have formed the core of his teaching for the past forty years. Babbitt's central concern in these lectures is the twelve-tone tradition with which he is so closely identified. His discussion of this tradition ranges from close consideration of specific compositional problems to frank evaluation of his own position in that tradition. In his characteristically penetrating way, Babbitt discusses the most controversial issues in twentieth-century music, from serialism and atonality to the responsibility of the listener and the place of music in the university. Until now, few have had direct exposure to Babbitt's ideas. In Madison, he spoke to a variety of audiences and, because of the pedagogical context, his presentation was direct and explanatory. This volume preserves the dazzling constructions and spontaneous excitement of his spoken language. At the time of publication, Milton Babbitt was William Shubael Conant Professor of Music Emeritus at Princeton University. He has been showered with awards during his long and distinguished career, including the Pulitzer Prize (1982) and a prestigious MacArthur Fellowship (1986). He was a member of the National Institute of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.
| Author | : Joe Moshenska |
| Publisher | : Hachette UK |
| Total Pages | : 495 |
| Release | : 2021-09-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1529364302 |
'Making Darkness Light is an illumination' Adam Phillips 'His sympathetic yet challenging account will undoubtedly win Milton new readers - and for that a chorus of Hallelujahs' Spectator For most of us John Milton has been consigned to the dusty pantheon of English literature, a grim puritan, sightlessly dictating his great work to an amanuensis, removed from the real world in his contemplation of higher things. But dig a little deeper and you find an extraordinary and complicated human being. Revolutionary and apologist for regicide, writer of propaganda for Cromwell's regime, defender of the English people and passionate European, scholar and lover of music and the arts - Milton was all of these things and more. Making Darkness Light shows how these complexities and contradictions played out in Milton's fascination with oppositions - Heaven and Hell, light and dark, self and other - most famously in his epic poem Paradise Lost. It explores the way such brutal contrasts define us and obscure who we really are, as the author grapples with his own sense of identity and complex relationship with Milton. Retracing Milton's footsteps through seventeenth century London, Tuscany and the Marches, he vividly brings Milton's world to life and takes a fresh look at his key works and ideas around the nature of creativity, time and freedom of expression. He also illustrates the profound influence of Milton's work on writers from William Blake to Virginia Woolf, James Joyce to Jorge Luis Borges. This is a book about Milton, that also speaks to why we read and what happens when we choose over time to let another's life and words enter our own. It will change the way you think about Milton forever.
