Mihko Kiskisiwin
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| Author | : Indigenous Poets Society |
| Publisher | : FriesenPress |
| Total Pages | : 346 |
| Release | : 2024-04-16 |
| Genre | : Literary Collections |
| ISBN | : 1039182038 |
Thomas King said, “The truth about stories is . . . stories are all that we are.” Colonization has tried to erase and eradicate Indigenous narratives for centuries. Even mainstream literature features the same kinds of stories told by the same voices. It fails to recognize the diversity of voices across Turtle Island. Stories exist and persist in diverse and divergent forms. mihko kiskisiwin is a collection of Indigenous North American voices, from incarcerated and diversified Indigenous community members, elders, and youth to people with dis/abilities and 2SLGBTTQQIA+ people. This anthology by the Indigenous Poets Society (Saskatchewan–Ontario) showcases spoken and written poetry, fiction, and creative non-fiction from emerging and established artists, writers, and performers. Testimony is at the heart of this collection. With vulnerability and urgency, these writers illuminate the complexities of trauma, identity, and healing. By empowering diverse and divergent Indigenous voices, intersectional awareness and diversity flourish. We see how one story can’t possibly encapsulate the breadth of Indigenous North American cultures and experiences. In Cree, “mihko kiskisiwin” means “blood memory.” It’s the idea that our ancestral knowledge is in our blood’s memory, and calls for right relationship - cultural restoration and resilience, inter-related respectfulness, and interconnected reciprocity. This anthology is our stories in our own words - as a revolutionary act of remembering, reclamation & resurgence for future generations to come.
| Author | : Indigenous Poets Society |
| Publisher | : FriesenPress |
| Total Pages | : 346 |
| Release | : 2024-04-16 |
| Genre | : Literary Collections |
| ISBN | : 103918202X |
Thomas King said, “The truth about stories is . . . stories are all that we are.” Colonization has tried to erase and eradicate Indigenous narratives for centuries. Even mainstream literature features the same kinds of stories told by the same voices. It fails to recognize the diversity of voices across Turtle Island. Stories exist and persist in diverse and divergent forms. mihko kiskisiwin is a collection of Indigenous North American voices, from incarcerated and diversified Indigenous community members, elders, and youth to people with dis/abilities and 2SLGBTTQQIA+ people. This anthology by the Indigenous Poets Society (Saskatchewan–Ontario) showcases spoken and written poetry, fiction, and creative non-fiction from emerging and established artists, writers, and performers. Testimony is at the heart of this collection. With vulnerability and urgency, these writers illuminate the complexities of trauma, identity, and healing. By empowering diverse and divergent Indigenous voices, intersectional awareness and diversity flourish. We see how one story can’t possibly encapsulate the breadth of Indigenous North American cultures and experiences. In Cree, “mihko kiskisiwin” means “blood memory.” It’s the idea that our ancestral knowledge is in our blood’s memory, and calls for right relationship - cultural restoration and resilience, inter-related respectfulness, and interconnected reciprocity. This anthology is our stories in our own words - as a revolutionary act of remembering, reclamation & resurgence for future generations to come.
| Author | : Indigenous Poets Society |
| Publisher | : FriesenPress |
| Total Pages | : 346 |
| Release | : 2024-04-23 |
| Genre | : Literary Collections |
| ISBN | : 1039182046 |
Thomas King said, “The truth about stories is . . . stories are all that we are.” Colonization has tried to erase and eradicate Indigenous narratives for centuries. Even mainstream literature features the same kinds of stories told by the same voices. It fails to recognize the diversity of voices across Turtle Island. Stories exist and persist in diverse and divergent forms. mihko kiskisiwin is a collection of Indigenous North American voices, from incarcerated and diversified Indigenous community members, elders, and youth to people with dis/abilities and 2SLGBTTQQIA+ people. This anthology by the Indigenous Poets Society (Saskatchewan–Ontario) showcases spoken and written poetry, fiction, and creative non-fiction from emerging and established artists, writers, and performers. Testimony is at the heart of this collection. With vulnerability and urgency, these writers illuminate the complexities of trauma, identity, and healing. By empowering diverse and divergent Indigenous voices, intersectional awareness and diversity flourish. We see how one story can’t possibly encapsulate the breadth of Indigenous North American cultures and experiences. In Cree, “mihko kiskisiwin” means “blood memory.” It’s the idea that our ancestral knowledge is in our blood’s memory, and calls for right relationship - cultural restoration and resilience, inter-related respectfulness, and interconnected reciprocity. This anthology is our stories in our own words - as a revolutionary act of remembering, reclamation & resurgence for future generations to come.
| Author | : Neal McLeod |
| Publisher | : |
| Total Pages | : 325 |
| Release | : 2016-06-11 |
| Genre | : |
| ISBN | : 9780889774292 |
In 100 Days of Cree Neal McLeod offers a portal into another way of understanding the universe-and our place within it-while demonstrating why this funny, vibrant, and sometimes salacious language is "the sexiest" of them all (according to Tomson Highway).
| Author | : Kim Anderson |
| Publisher | : Canadian Scholars’ Press |
| Total Pages | : 362 |
| Release | : 2016-05-02 |
| Genre | : Social Science |
| ISBN | : 0889615799 |
Over 15 years ago, Kim Anderson set out to explore how Indigenous womanhood had been constructed and reconstructed in Canada, weaving her own journey as a Cree/Métis woman with the insights, knowledge, and stories of the forty Indigenous women she interviewed. The result was A Recognition of Being, a powerful work that identified both the painful legacy of colonialism and the vital potential of self-definition. In this second edition, Anderson revisits her groundbreaking text to include recent literature on Indigenous feminism and two-spirited theory and to document the efforts of Indigenous women to resist heteropatriarchy. Beginning with a look at the positions of women in traditional Indigenous societies and their status after colonization, this text shows how Indigenous women have since resisted imposed roles, reclaimed their traditions, and reconstructed a powerful Native womanhood. Featuring a new foreword by Maria Campbell and an updated closing dialogue with Bonita Lawrence, this revised edition will be a vital text for courses in women and gender studies and Indigenous studies as well as an important resource for anyone committed to the process of decolonization.
| Author | : Greg Sestero |
| Publisher | : Simon and Schuster |
| Total Pages | : 288 |
| Release | : 2014-10-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476730407 |
"In 2003, an independent film called The room ... made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head,' the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The room is an international cult phenomenon ... In [this book], actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans ... as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made?"--
| Author | : Maria Campbell |
| Publisher | : McClelland & Stewart |
| Total Pages | : 226 |
| Release | : 2019-11-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 077102410X |
A new, fully restored edition of the essential Canadian classic. An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indominatable spirit. This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.
| Author | : Helen Humphreys |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 144 |
| Release | : 2022-03-08 |
| Genre | : Pets |
| ISBN | : 0374603898 |
And a Dog Called Fig is the story of one writer’s life with dogs (including a frisky new puppy), how they are uniquely ideal companions for building a creative life, and some delightful tales about dogs and their famous writers Into my writer's isolation will come a dog, to sit beside my chair or to lie on the couch while I work, to force me outside for a walk, and suddenly, although still lonely, this writer will have a companion. An artist’s solitude is a sacred space, one to be guarded from the chaos of the world, where the sparks of inspiration can be kindled into fires of creation. But within this quiet also lie loneliness, self-doubt, the danger of collapsing too far inward. An artist needs a familiar, a companion with emotional intelligence, innate curiosity, an enthusiasm for the world beyond, but also the capacity to rest contentedly for many hours. What an artist needs, Helen Humphreys would say, is a dog. And a Dog Called Fig is a memoir of the writing life told through the dogs Humphreys has lived with and loved over a lifetime, including Fig, her new Vizsla puppy. Interspersed are stories of other writers and their own irreplaceable companions: Virginia Woolf and Grizzle, Gertrude Stein and Basket, Thomas Hardy and Wessex—who walked the dining table at dinner parties, taking whatever he liked—and many more. A love song to the dogs who come into our lives and all that they bring—sorrow, mayhem, reflection, joy—this is a book about steadfast friendship and loss, creativity and craft, and the restorative powers of nature. Every work of art is different; so too is every dog, with distinctive needs and lessons. And if we let them guide us, they will show us many worlds we would otherwise miss. Includes Black-and-White Photographs
| Author | : Gord Bruyere (Amawaajibitang) |
| Publisher | : Fernwood Publishing |
| Total Pages | : 265 |
| Release | : 2020-05-06T00:00:00Z |
| Genre | : Social Science |
| ISBN | : 1773633163 |
Wícihitowin is the first Canadian social work book written by First Nations, Inuit and Métis authors who are educators at schools of social work across Canada. The book begins by presenting foundational theoretical perspectives that develop an understanding of the history of colonization and theories of decolonization and Indigenist social work. It goes on to explore issues and aspects of social work practice with Indigenous people to assist educators, researchers, students and practitioners to create effective and respectful approaches to social work with diverse populations. Traditional Indigenous knowledge that challenges and transforms the basis of social work with Indigenous and other peoples comprises a third section of the book. Wícihitowin concludes with an eye to the future, which the authors hope will continue to promote the innovations and creativity presented in this groundbreaking work.
| Author | : Rahaf Mohammed |
| Publisher | : Macmillan Publishers Aus. |
| Total Pages | : 231 |
| Release | : 2022-03-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1761260855 |
In January 2019, then 18-year-old Saudi woman Rahaf Mohammed escaped from her family while holidaying in Kuwait. She was fleeing systematic abuse of her human rights as a woman growing up in Saudi Arabia and, specifically, her family's threats to kill her because she desired the freedoms Western women take for granted. She boarded a plane bound for Bangkok, en route to Australia where she intended to seek asylum. But on her arrival the Thai authorities, acting on the instructions of Saudi officials, detained Rahaf with the aim of returning her to her family. Knowing this would mean her death, Rahaf barricaded herself in an airport hotel room and appealed for help through social media, creating a Twitter storm and capturing the attention of government leaders, human rights advocates and media around the world. Rahaf was eventually taken under the protection of the United Nations High Commissioner for Refugees and granted refugee status. When Australian authorities failed to respond with the urgency the situation required, she was granted asylum in Canada. Seven days after her ordeal began, she arrived in Toronto to begin a new life. Rebel is a passionate story by a woman who refused to allow a system to define who she was and what she could be. It shines a light on the rampant and dangerous inequalities that persist in Saudi society, and inspires women everywhere to dream of a better future for themselves, and their daughters. Praise for Rebel: 'Rebel makes it clear that the cultural honour/shame dynamic and the male guardianship system continue to weigh heavily on the daily lives of Saudi women ... Rahaf ultimately fled the Kingdom, under cover of darkness by the skin of her teeth, in order to spread her wings.' - Ayaan Hirsi Ali, author of Infidel 'The astonishing story of how one incredibly courageous teenager took on Saudi Arabia's archaic male guardianship system and won! An inspiring read that will leave you shaking with fury, and then cheering in solidarity.' - Sophie McNeill, Human Rights Watch
