Microphone Engineering Handbook
Author | : M. L. Gayford |
Publisher | : |
Total Pages | : 449 |
Release | : 1994-01-01 |
Genre | : Technology & Engineering |
ISBN | : 9780750611992 |
Download Microphone Engineering Handbook full books in PDF, epub, and Kindle. Read online free Microphone Engineering Handbook ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : M. L. Gayford |
Publisher | : |
Total Pages | : 449 |
Release | : 1994-01-01 |
Genre | : Technology & Engineering |
ISBN | : 9780750611992 |
Author | : John Eargle |
Publisher | : CRC Press |
Total Pages | : 391 |
Release | : 2012-10-02 |
Genre | : Music |
ISBN | : 1136118063 |
The Microphone Book is the only guide you will ever need to the latest in microphone technology, application and technique. This new edition features, more on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround; expanded advice on studio set up, recording and mic selection; improved layout for ease of reference; even more illustrations. John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint. This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.
Author | : Bobby Owsinski |
Publisher | : Hal Leonard Corporation |
Total Pages | : 388 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9781932929003 |
Working as a recording engineer presents challenges from every direction of your project. From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.
Author | : John Eargle |
Publisher | : Elar Publishing Company, Incorporated |
Total Pages | : 268 |
Release | : 1982 |
Genre | : Technology & Engineering |
ISBN | : |
OUVRAGE SUR LES DIFFERENTS ASPECTS DE L'UTILISATION DU MICROPHONE.
Author | : Gary Davis |
Publisher | : Hal Leonard Corporation |
Total Pages | : 438 |
Release | : 1989 |
Genre | : Music |
ISBN | : 9780881889000 |
(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.
Author | : David Miles Huber |
Publisher | : CRC Press |
Total Pages | : 673 |
Release | : 2012-09-10 |
Genre | : Music |
ISBN | : 1136117989 |
As the most popular and authoritative guide to recording Modern Recording Techniques provides everything you need to master the tools and day to day practice of music recording and production. From room acoustics and running a session to mic placement and designing a studio Modern Recording Techniques will give you a really good grounding in the theory and industry practice. Expanded to include the latest digital audio technology the 7th edition now includes sections on podcasting, new surround sound formats and HD and audio. If you are just starting out or looking for a step up in industry, Modern Recording Techniques provides an in depth excellent read- the must have book
Author | : Jerry C. Whitaker |
Publisher | : McGraw Hill Professional |
Total Pages | : 918 |
Release | : 2001-10-17 |
Genre | : Technology & Engineering |
ISBN | : 9780071414883 |
More than 70% all-new material! THE #1 ON-THE-JOB AUDIO ENGINEERING GUIDE--NOW UPDATED WITH THE LATEST DIGITAL TECHNOLOGIES Get clear answers to your every question on every aspect of audio engineering in the updated reference of choice of audio and video engineers and technicians, Standard Handbook of Audio Engineering, Second Edition. You'll find no other source that covers such a broad range of audio principles and technologies--with an emphasis on practical applications, including design, production, installation, operation, and maintenance of recording studios, broadcast centers, and multimedia operations. Now fully updated for the first time in a decade, this trusted guide brings you completely up to speed with: *CD, DVD, and other hot technologies *Audio compression schemes, including MP3 *Sound transmission, reproduction, amplification, modification, detection, and storage equipment *Broadcasting, music industry, multimedia, and Internet audio methods and tools *Editing, voice-over, and post-production systems *Noise reduction *Test and measurement procedures and practices Accompanying CD-ROM packs extensive data files--sound, industry specs, standards, diagrams, photos, and more, all keyed to relevant passages in the book.
Author | : Tim Dittmar |
Publisher | : Taylor & Francis |
Total Pages | : 258 |
Release | : 2013-02-11 |
Genre | : Technology & Engineering |
ISBN | : 1136111735 |
Audio Engineering 101 is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you! Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101 will help you succeed in the exciting, but tough and confusing, music industry. Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry.
Author | : Ian Corbett |
Publisher | : Routledge |
Total Pages | : 441 |
Release | : 2020-12-29 |
Genre | : Music |
ISBN | : 1000289176 |
Capture great sound in the first place and spend less time "fixing it in the mix" with Ian Corbett’s Mic It! With this updated and expanded second edition, you’ll quickly understand essential audio concepts as they relate to microphones and mic techniques and learn how to apply them to your recording situation. Mic It! gives you the background to explore, discover, and design your own solutions, enabling you to record great source tracks that can be developed into anything from ultra-clean mixes to massive, organic soundscapes. Beginning with essential audio theory and a discussion of the desirable characteristics of "good sound", Mic It! covers microphones, mono and stereo mic techniques, the effect of the recording space or room, and large classical and jazz ensemble recording. This second edition also features new chapters on immersive audio, immersive recording concepts, drum tuning, and recording techniques for audio for video. Mic It! provides in-depth information on how different mic techniques can be used, modified, and fine-tuned to capture not only the best sound, but the best sound for the mix, as well as how to approach and set up the recording session, prepare for mixing, and avoid common recording and mixing mistakes. • Train your ears with practical audio examples on the companion website. • Develop and test your knowledge as you learn, with concise, applicable exercises and examples that cover the concepts presented. • Record the best sound possible in any situation with Mic It! Corbett’s expert advice ranges from vital knowledge no novice should be without, to advanced techniques that more experienced engineers can explore to benefit and vary the sound of their recordings. Whether you only ever buy one microphone, are equipping a studio on a budget, or have a vast selection of great mics to use, with Mic It! you’ll learn how to make the most of the tools you have.
Author | : John M. Eargle |
Publisher | : Springer Science & Business Media |
Total Pages | : 413 |
Release | : 2012-12-06 |
Genre | : Science |
ISBN | : 9401093660 |
The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.