Michel de L'Hospital
| Author | : Christopher Thomas Atkinson |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 1900 |
| Genre | : France |
| ISBN | : |
Michel De Lhospital
Download Michel De Lhospital full books in PDF, epub, and Kindle. Read online free Michel De Lhospital ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
The Oxford Handbook of Montaigne
| Author | : Philippe Desan |
| Publisher | : Oxford University Press |
| Total Pages | : 841 |
| Release | : 2016-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 0190215348 |
In 1580, Michel de Montaigne (1533-1592) published a book unique by its title and its content: Essays"R. A literary genre was born. At first sight, the Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend toward a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective. The chapters of this Handbook offer a sweeping study of Montaigne across different disciplines and in a global perspective. One section covers the historical Montaigne, situating his thought in his own time and space, notably the Wars of Religion in France. The political, historical and religious context of Montaigne's Essays requires a rigorous presentation to inform the modern reader of the issues and problems that confronted Montaigne and his contemporaries in his own time. In addition to this contextual approach to Montaigne, the Handbook also establishes a connection between Montaigne's writings and issues and problems directly relevant to our modern times, that is to say, our age of global ideology. Montaigne's considerations, or essays, offer a point of departure for the modern reader's own assessments. The Essays analyze what can be broadly defined as human nature, the endless process by which the individual tries to impose opinions upon others through the production of laws, policies or philosophies. Montaigne's motto -- "What do I know?" -- is a simple question yet one of perennial significance. One could argue that reading Montaigne today teaches us that the angle defines the world we see, or, as Montaigne wrote: "What matters is not merely that we see the thing, but how we see it."
Montaigne's Politics
| Author | : Biancamaria Fontana |
| Publisher | : Princeton University Press |
| Total Pages | : 216 |
| Release | : 2010-02-20 |
| Genre | : Philosophy |
| ISBN | : 1400824516 |
Michel de Montaigne (1533-92) is principally known today as a literary figure--the inventor of the modern essay and the pioneer of autobiographical self-exploration who retired from politics in midlife to write his private, philosophical, and apolitical Essais. But, as Biancamaria Fontana argues in Montaigne's Politics, a novel, vivid account of the political meaning of the Essais in the context of Montaigne's life and times, his retirement from the Bordeaux parliament in 1570 "could be said to have marked the beginning, rather than the end, of his public career." He later served as mayor of Bordeaux and advisor to King Henry of Navarre, and, as Fontana argues, Montaigne's Essais very much reflect his ongoing involvement and preoccupation with contemporary politics--particularly the politics of France's civil wars between Catholics and Protestants. Fontana shows that the Essais, although written as a record of Montaigne's personal experiences, do nothing less than set forth the first major critique of France's ancien régime, anticipating the main themes of Enlightenment writers such as Voltaire and Diderot. Challenging the views that Montaigne was politically aloof or evasive, or that he was a conservative skeptic and supporter of absolute monarchy, Fontana explores many of the central political issues in Montaigne's work--the reform of legal institutions, the prospects of religious toleration, the role of public opinion, and the legitimacy of political regimes.
Shipwreck in French Renaissance Writing
| Author | : Jennifer H. Oliver |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2019-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 0192567551 |
In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships—both real and symbolic—are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck—imagined through the Lucretian suave mari magno commonplace—is constantly undermined, not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story.
The Lit de Justice of the Kings of France
| Author | : Sarah Hanley |
| Publisher | : Princeton University Press |
| Total Pages | : 404 |
| Release | : 2014-07-14 |
| Genre | : Law |
| ISBN | : 1400855365 |
In this study of the Lit de Justice assembly, Sarah Hanley draws on history, legend, ritual, and discourse to show how constitutional ideologies were propagated in the Grand-chambre of the Parlement of Paris during the sixteenth and seventeenth centuries. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The School of Montaigne in Early Modern Europe
| Author | : Warren Boutcher |
| Publisher | : Oxford University Press |
| Total Pages | : 565 |
| Release | : 2017 |
| Genre | : Literary Collections |
| ISBN | : 0198739664 |
The second volume of a major two-volume study of the fortunes of Michel de Montaigne's Essais in both the early modern (1580-1725) and modern periods (1900-2000). Volume Two focuses on the reader/writers across Europe who used the Essais to make their own works.
The New Poet
| Author | : Richard Danson Brown |
| Publisher | : Liverpool University Press |
| Total Pages | : 308 |
| Release | : 1999-01-01 |
| Genre | : Poetry |
| ISBN | : 9780853238133 |
This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection, "Mother Hubberd’s Tale" and "Muiopotmos", Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature of poetry and the auspices for writing in a modern world, distancing itself from the traditions of the immediate past. The strength of this work lies both in the originality of its project and in the precision and enterprise of the close reading that informs its argument. Interest in the concern of Spenser’s poetry with the nature of poetry is in the current critical mainstream, but here the attentiveness is both unusually focused and unusually sustained. Brown garners more than would be expected from the translations in the Complaints, while at the same time including striking and individual chapters on the better known "Mother Hubberd’s Tale" and "Muiopotmos"; he advances understanding of these extremely subtle texts and fully justifies his wider approach to the collection as a whole. Arguing that Spenser’s relationship to literary tradition is more complex than is often thought, Brown suggests that Spenser was a self-conscious innovator whose gradual move away from traditional poetics is exhibited by the different texts in the Complaints. He further suggests that the Complaints are a "poetics in practice", which progress from traditional ideas of poetry to a new poetry that emerges through Spenser’s transformation of traditional complaint.
