Meyer Weisgal ... So Far
Author | : Meyer Wolfe Weisgal |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 462 |
Release | : 1971 |
Genre | : Weisgal, Meyer Wolfe |
ISBN | : |
Download Meyer Weisgal So Far full books in PDF, epub, and Kindle. Read online free Meyer Weisgal So Far ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Meyer Wolfe Weisgal |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 462 |
Release | : 1971 |
Genre | : Weisgal, Meyer Wolfe |
ISBN | : |
Author | : Meyer Wolfe Weisgal |
Publisher | : Transaction Publishers |
Total Pages | : 464 |
Release | : |
Genre | : Biography & Autobiography |
ISBN | : 9781412850056 |
Author | : Naomi Graber |
Publisher | : Oxford University Press |
Total Pages | : 329 |
Release | : 2021 |
Genre | : Music |
ISBN | : 0190906588 |
"This book traces composer Kurt Weill's changing relationship with the idea of "America." Throughout his life, Weill was fascinated by the idea of America. His European works such as The Rise and Fall of the City of Mahagonny (1930), depict America as a capitalist dystopia filled with gangsters and molls. But in 1935, it became clear that Europe was no longer safe for the Jewish Weill, and he set sail for New World. Once he arrived, he found the culture nothing like he imagined, and his engagement with American culture shifted in intriguing ways. From that point forward, most his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture are somewhat unique. He was more attuned than native-born citizens to the difficult relationship America had with her immigrants. However, it took him longer to understand the subtleties in other issues, particularly those surrounding race relations. Weill worked within transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other's styles. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators"--
Author | : Foster Hirsch |
Publisher | : Knopf |
Total Pages | : 592 |
Release | : 2011-06-22 |
Genre | : Biography & Autobiography |
ISBN | : 0307489213 |
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as “Otto the Terrible.” Nothing about Otto Preminger was small, trivial, or self-denying, from his privileged upbringing in Vienna as the son of an improbably successful Jewish lawyer to his work in film and theater in Europe and, later, in America. His range as a director was remarkable: romantic comedies (The Moon Is Blue); musicals (Carmen Jones; Porgy and Bess); courtroom dramas (The Court-Martial of Billy Mitchell; Anatomy of a Murder); adaptations of classic plays (Shaw's Saint Joan, screenplay by Graham Greene); political melodrama (Advise and Consent); war films (In Harm's Way); film noir (Laura; Angel Face; Bunny Lake Is Missing). He directed sweeping sagas (from The Cardinal and Exodus to Hurry Sundown) and small-scale pictures, adapting Françoise Sagan's Bonjour Tristesse with Arthur Laurents and Nelson Algren's The Man with the Golden Arm. Foster Hirsch shows us Preminger battling studio head Darryl F. Zanuck; defying and undermining the Production Code of the Motion Picture Association of America and the Catholic Legion of Decency, first in 1953 by refusing to remove the words "virgin" and "pregnant" from the dialogue of The Moon Is Blue (he released the film without a Production Code Seal of Approval) and then, two yeras later, when he dared to make The Man with the Golden Arm, about the then-taboo subject of drug addiction. When he made Anatomy of a Murder in 1959, the censors objected to the use of the words "rape," "sperm," "sexual climax," and "penetration." Preminger made one concession (substituting "violation" for "penetration"); the picture was released with the seal, and marked the beginning of the end of the Code. Hirsch writes about how Preminger was a master of the "invisible" studio-bred approach to filmmaking, the so-called classical Hollywood style (lengthy takes; deep focus; long shots of groups of characters rather than close-ups and reaction shots). He shows us Preminger, in the 1950s, becoming the industry's leading employer of black performers—his all-black Carmen Jones and Porgy and Bess remain landmarks in the history of racial representation on the American screen—and breaking another barrier by shooting a scene in a gay bar for Advise and Consent, a first in American film. Hirsch tells how Preminger broke the Hollywood blacklist when, in 1960, he credited the screenplay of Exodus to Dalton Trumbo, the most renowed of the Hollywood Ten, and hired more blacklisted talent than anyone else. We see Preminger's balanced style and steadfast belief in his actors' underacting set against his own hot-tempered personality, and finally we see this European-born director making his magnificent films about the American criminal justice system, Anatomy of a Murder, and about the American political system, Advise and Consent. Foster Hirsch shows us the man—enraging and endearing—and his brilliant work.
Author | : Matthew Mark Silver |
Publisher | : Wayne State University Press |
Total Pages | : 288 |
Release | : 2010 |
Genre | : History |
ISBN | : 9780814334430 |
Examines the phenomenon of Leon Uris's Exodus and its largely unrecognized influence on post-World War II understandings of Israels beginnings in America and around the world.
Author | : Peter Kurth |
Publisher | : Plunkett Lake Press |
Total Pages | : 589 |
Release | : 2019-08-09 |
Genre | : Biography & Autobiography |
ISBN | : |
Dorothy Thompson (1893-1961) was America’s first internationally famous female foreign correspondent. Born outside of Buffalo, New York, she graduated from Syracuse University in 1914 and honed her writing and interviewing skills in the women’s suffrage movement before heading for Europe as a freelance journalist. Reporting from Vienna, Budapest and Berlin during the rise of Nazism, she was the first western journalist to be expelled from Germany by Adolf Hitler after denigrating him in a profile. Her later columns in the Ladies’ Home Journal and radio broadcasts for CBS (published as Listen, Hans) made her, next to Eleanor Roosevelt, the most influential woman in the United States. Thompson was married three times: her second marriage was to the American novelist, Nobel Prize-winner, and alcoholic Sinclair Lewis; her third and happiest, to Czech artist Maxim Kopf. She also had several lesbian relationships. Avidly interested in everything from sustainable farming to the fine arts, she divided her later years between New York City and her farm in Barnard, Vermont. “A skillful exploration of the life and personality of the formidable foreign correspondent” — New York Times “[readers] will be pleased to meet a fascinating, driven and indomitable woman who richly deserves this fine biography” — Thomas Griffith, New York Times “Sensationally good ... Kurth’s vividly detailed and dramatic portrayal of Thompson’s life fully compensates for the memoirs she planned but never lived to write. Here was a one-of-a-kind incarnation of energy, honesty and commitment; a woman we must not forget.” — USA Today “Kurth guides us through the tumultuous complexities of the time-the rise of Nazism in Germany; isolationism in America; the Second World War; the establishment of Israel and other issues that Thompson took over as her personal battleground. His daunting task is to show us a mind at work, and he pulls it off.” — Washington Post “In a day of dime-a-dozen pundits jabbering on the talk shows, Thompson’s diligence and influence are worth recalling. Mr. Kurth’s compulsively readable account allows us to re-live an age and do just that.” — Wall Street Journal “Kurth has a surprising grasp of Thompson’s emotional makeup, strictly avoiding the kind of supercilious or paternalistic attitude that such a character invites in male authors. His biography is insightful without being sentimental, warm without being sycophantic.” — Toronto Star “An important asset of this big, solid book is author Kurth’s prolific use of Thompson’s own words. She left 150 file cases of published and unpublished writings — chunks of private thoughts and musings on her three husbands and her own sexuality one would have expected her to burn... Kurth has battled through this paper blizzard and emerged with a clear-as-ice-water picture of a turbulent, complex personality.” —Baltimore Sun “Peter Kurth, author of the haunting Anastasia: The Riddle of Anna Anderson, proves once again that he is the equal of Stefan Zweig as a biographer of women. His fairness, his control of his material and his eye for the revealing quotation are such that he makes us empathize with Miss Thompson even when we feel like strangling her.” — Washington Times
Author | : |
Publisher | : |
Total Pages | : 544 |
Release | : 1973 |
Genre | : Books |
ISBN | : |
Every 3rd issue is a quarterly cumulation.
Author | : Mordechai Feingold |
Publisher | : Oxford University Press, USA |
Total Pages | : 213 |
Release | : 2015-06-25 |
Genre | : Education |
ISBN | : 0198743653 |
Volume XXVII/2 of History of Universities contains the customary mix of learned articles and book reviews which makes this publication such an indispensable tool for the historian of higher education. The volume is, as always, a lively combination of original research and invaluable reference material.
Author | : Melvin I. Urofsky |
Publisher | : State University of New York Press |
Total Pages | : 453 |
Release | : 2012-02-01 |
Genre | : History |
ISBN | : 1438422571 |
In the first half of this century, a talented and charismatic leadership restructured the American Jewish community to meet the demands and opportunities of a pluralistic, secular society. The work of this generation of titans still guides the current modes of American Jewish life. The last of these giants was the influential reformer Stephen S. Wise--a progenitor of American Zionism, creator of the American and World Jewish Congresses, and founder of the Jewish Institute of Religion. As rabbi of the Free Synagogue, Wise led the fight for a living Judaism responsive to social problems. This engrossing study is more than a chronicle of an ethnic community's adjustment to a host society. Thanks to Melvin Urofsky's painstaking research, it succeeds in revealing the true story behind a legendary and controversial figure in American Jewish history.