Metalworking Through History
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| Author | : Ana M. Lopez |
| Publisher | : Greenwood |
| Total Pages | : 0 |
| Release | : 2009-04-30 |
| Genre | : Art |
| ISBN | : 0313336547 |
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
| Author | : Robert Raymond |
| Publisher | : Penn State Press |
| Total Pages | : 292 |
| Release | : 1986 |
| Genre | : Technology & Engineering |
| ISBN | : 9780271004419 |
| Author | : Ana M. Lopez |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 206 |
| Release | : 2009-04-30 |
| Genre | : Art |
| ISBN | : 0313056161 |
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
| Author | : Paul T. Craddock |
| Publisher | : |
| Total Pages | : 408 |
| Release | : 1995 |
| Genre | : Science |
| ISBN | : |
Technical advancement has for millennia been intimately linked to the mining and production of metals, and this book provides a comprehensive history of the early development of extractive metallurgy. Drawing on the latest archaeological discoveries and laboratory investigations, Paul Craddock brings together for the first time the evidence for the very inception of mining and smelting, showing that early techniques were often different from what was previously believed. The book presents much new material throughout and provides new interpretations and insights into many aspects of early metal production right through to the blast furnaces and high-temperature distillation units that heralded the Industrial Revolution. Integrating documentary evidence with metallurgical study and new information from archaeological excavations in Europe, India, North America, and China, this book gives a full and approachable synthesis of mining and metal production everywhere.
| Author | : Marcia Lewis |
| Publisher | : Lar/Mar Productions |
| Total Pages | : 80 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : |
| Author | : Peng Peng |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : Bronze founding |
| ISBN | : 9781604979626 |
"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
| Author | : Alan R. Williams |
| Publisher | : BRILL |
| Total Pages | : 974 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9004124985 |
The suit of armour distinguishes the European Middle Ages & Renaissance. This book tells its story from the 14th to the 17th century, and the making of its steel. The metallurgy of 600 armours has been analysed, and their probable effectiveness in battle assessed.
| Author | : James A. Mulholland |
| Publisher | : University of Alabama Press |
| Total Pages | : 233 |
| Release | : 1981-07-04 |
| Genre | : Business & Economics |
| ISBN | : 0817300538 |
In the struggle to create an indigenous industry, in the efforts to encourage and support the work of metals craftsmen, in the defiance of British attempts to regulate manufacturing of metals, the colonial society developed a metals technology that became the basis for future industrial growth.
| Author | : Robert Maddin |
| Publisher | : MIT Press (MA) |
| Total Pages | : 416 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : |
These thirty original essays form a landmark contribution to the history of metallurgy: together they present the first systematic survey of the beginning of the use of metals and alloys throughout the world. What distinguishes the book as a whole is the orientation of the writers toward seeing the objects they uncover in human-historical terms, reminding us that at all stages in history and in every part of the world, cultural change and advances in the use of metals are often closely intertwined. The articles are arranged in roughly chronological-geographical order; some are specific studies of sites, objects, and processes; others examine more general aspects of archaeometallurgy within a general field that has come to be called "archaeometry"; and still others are interpretive and reflective essays on human history and cultural change (a particularly fine example of this approach is Heather Lechtman's essay on Central Andean metalworking). Archaeologists, historians, metallurgists, chemists, and geologists cover topics as diverse as iron trade in northern Scandinavia, the fabrication of gold foil in Japan, copper mining in eastern India, prehistoric metallurgy in Thailand, iron bloomery in Africa, early copper smelting in Palestine, and Chinese techniques for casting old belt plaques. And in his Foreword, Cyril Stanley Smith proposes structural metaphors that describe the historical reworkings of human society in terms of the transformations of materials. Robert Maddin is Honorary Curator of Archaeological Sciences, Peabody Museum of Archaeology and Ethnology, Harvard University. The Beginning of the Use of Metals and Alloyswas derived from the second international conference on the subject, held in Zhengzhou, China in 1986.
| Author | : Maikel H.G. Kuijpers |
| Publisher | : Routledge |
| Total Pages | : 438 |
| Release | : 2017-08-03 |
| Genre | : Social Science |
| ISBN | : 1351765809 |
Material is the mother of innovation and it is through skill that innovations are brought about. This core thesis that is developed in this book identifies skill as the linchpin of – and missing link between – studies on craft, creativity, innovation, and material culture. Through a detailed study of early bronze age axes the question is tackled of what it involves to be skilled, providing an evidence based argument about levels of skill. The unique contribution of this work is that it lays out a theoretical framework and methodology through which an empirical analysis of skill is achievable. A specific chaîne opératoire for metal axes is used that compares not only what techniques were used, but also how they were applied. A large corpus of axes is compared in terms of what skills and attention were given at the different stages of their production. The ideas developed in this book are of interest to the emerging trend of ‘material thinking’ in the human and social sciences. At the same time, it looks towards and augments the development in craft-studies, recognising the many different aspects of craft in contemporary and past societies, and the particular relationship that craftspeople have with their material. Drawing together these two distinct fields of research will stimulate (re)thinking of how to integrate production with discussions of other aspects of object biographies, and how we link arguments about value to social models.
