Memoirs of William Tell. Transl. To which is added a biographical sketch of the author
Author | : Jean Pierre CLARIS DE FLORIAN |
Publisher | : |
Total Pages | : 172 |
Release | : 1820 |
Genre | : |
ISBN | : |
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Author | : Jean Pierre CLARIS DE FLORIAN |
Publisher | : |
Total Pages | : 172 |
Release | : 1820 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : Farrar, Straus & Giroux (BYR) |
Total Pages | : 32 |
Release | : 1996 |
Genre | : Juvenile Fiction |
ISBN | : 0374384363 |
Recounts how the legendary Swiss folk hero was forced to shoot an apple from his son's head by the tyrannical Austrian governor Gessler.
Author | : William L. Andrews |
Publisher | : University of Illinois Press |
Total Pages | : 372 |
Release | : 2022-10-17 |
Genre | : Social Science |
ISBN | : 0252054636 |
To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
Author | : German Emperor William II |
Publisher | : Library of Alexandria |
Total Pages | : 353 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465590048 |
Prince Bismarck's greatness as a statesman and his imperishable services to Prussia and Germany are historical facts of such tremendous significance that there is doubtless no man in existence, whatever his party affiliations, who would dare to place them in question. For this very reason alone it is stupid to accuse me of not having recognized the greatness of Prince Bismarck. The opposite is the truth. I revered and idolized him. Nor could it be otherwise. It should be borne in mind with what generation I grew up—the generation of the devotees of Bismarck. He was the creator of the German Empire, the paladin of my grandfather, and all of us considered him the greatest statesman of his day and were proud that he was a German. Bismarck was the idol in my temple, whom I worshiped. But monarchs also are human beings of flesh and blood, hence they, too, are exposed to the influences emanating from the conduct of others; therefore, looking at the matter from a human point of view, one will understand how Prince Bismarck, by his fight against me, himself destroyed, with heavy blows, the idol of which I have spoken. But my reverence for Bismarck, the great statesman, remained unaltered. While I was still Prince of Prussia I often thought to myself: "I hope that the great Chancellor will live for many years yet, since I should be safe if I could govern with him." But my reverence for the great statesman was not such as to make me take upon my own shoulders, when I became Emperor, political plans or actions of the Prince which I considered mistakes. Even the Congress of Berlin in 1878 was, to my way of thinking, a mistake, likewise the "Kulturkampf." Moreover, the constitution of the Empire was drawn up so as to fit in with Bismarck's extraordinary preponderance as a statesman; the big cuirassier boots did not fit every man. Then came the labor-protective legislation. I most deeply deplored the dispute which grew out of this, but, at that time, it was necessary for me to take the road to compromise, which has generally been my road both on domestic and foreign politics. For this reason I could not wage the open warfare against the Social Democrats which the Prince desired. Nevertheless, this quarrel about political measures cannot lessen my admiration for the greatness of Bismarck as a statesman; he remains the creator of the German Empire, and surely no one man need have done more for his country than that. Owing to the fact that the great matter of unifying the Empire was always before my eyes, I did not allow myself to be influenced by the agitations which were the commonplaces of those days. In like manner, the fact that Bismarck was called the majordomo of the Hohenzollerns could not shake my trust in the Prince, although he, perhaps, had thoughts of a political tradition for his family. As evidence of this, he felt unhappy, for instance, that his son Bill felt no interest in politics and wished to pass on his power to Herbert.
Author | : David Magee |
Publisher | : BenBella Books |
Total Pages | : 257 |
Release | : 2021-11-02 |
Genre | : Biography & Autobiography |
ISBN | : 1953295681 |
PUBLISHERS WEEKLY BESTSELLER 2022 NATIONAL INDIE EXCELLENCE AWARDS FINALIST — MEMOIR "Shot through with hope, purpose and an unflinching love, it's a story that must be read." —Newsweek "Essential, poignant, and insightful reading." —Kirkus Reviews, starred review Award-winning columnist and author David Magee addresses his poignant story to all those who will benefit from better understanding substance misuse so that his hard-earned wisdom can save others from the fate of his late son, William. The last time David Magee saw his son alive, William told him to write their family’s story in the hopes of helping others. Days later, David found William dead from an accidental drug overdose. Now, in a memoir suggestive of Augusten Burroughs meets Glennon Doyle, award-winning columnist and author David Magee answers his son's wish with a compelling, heartbreaking, and impossible to put down book that speaks to every individual and family. With honesty and heart, Magee shares his family’s intergenerational struggle with substance abuse and mental health issues, as well as his own reckoning with family secrets—confronting the dark truth about the adoptive parents who raised him and a decades-long search for identity. He wrestles with personal substance misuse that began at a young age and, as a father, he sees destructive patterns repeat and develop within his own children. While striving to find a truly authentic voice as a writer despite authoring nearly a dozen previous books, Magee ultimately understands that William had been right and their own family’s history is the story he needs to tell. A poignant and uplifting message of hope translates unimaginable tragedy into an inspirational commitment to saving others, as David founded the William Magee Institute for Student Wellbeing at the University of Mississippi. His mission to share solutions to self-medication and addiction, particularly as it touches America’s high school and college students, emphasizes that William’s story is about much more than a tragic addiction—it’s an American story of a family broken by loss and remade with love. Dear William inspires readers to find purpose, build resilience, and break the cycles that damage too many individuals and the people who love them. It’s a life-changing book revealing how voids can be filled, and peace—even profound, lasting happiness—is possible.
Author | : Thomas E. Uharriet |
Publisher | : Lulu.com |
Total Pages | : 682 |
Release | : 2015-12-13 |
Genre | : Biography & Autobiography |
ISBN | : 1329748069 |
William Shepherd ("Billy Shears") took over The Beatles and the McCartney estate on 16 September 1966, going from "Billy Pepper" of Billy Pepper and the Pepper Pots, to The Beatles' new "Sgt. Pepper" of Sgt. Pepper's Lonely Hearts Club Band. Taking creative control of the band from John made William "the new boss," saving the band, but tormenting all involved. The Memoirs is the source of the "Paul is Dead" material reprinted in Billy's Back! and of the insights in Beatles Enlightenment, but also includes the darker aspects: Paulism, Satanism, and Biblical humor--calling The Beatles the four-headed 666 Beast. The Memoirs is the first fully encoded full-length book. As part of that encoding, it contains the world's largest acrostic, and is the world's premier of word-stacking. By reading The Memoirs, you will learn the secret meanings of their songs, and will recognize Paul and William's distinct physical differences, personality differences, and vast differences in musical skills.
Author | : William Wharton |
Publisher | : Vintage |
Total Pages | : 323 |
Release | : 1992-02-04 |
Genre | : Fiction |
ISBN | : 0679734120 |
Hailed upon its publication as "a classic for readers not yet born" (Philadelphia Inquirer), Birdy is an inventive, hypnotic novel about friendship and family, dreaming and surviving, love and war, madness and beauty, and, above all, "birdness." It tells the story of Al, a bold, hot-tempered boy whose goals in life are to life weights and pick up girls, and his strange friend Birdy, the skinny, tongue-tied perhaps genius who only wants to raise canaries and to fly. While fighting in World War II, they find their dreams become all too real—and their lives are changed forever. In Birdy, William Wharton crafts an unforgettable tale that suggests another notion of sanity in a world that is manifestly insane.
Author | : William Friedkin |
Publisher | : Harper |
Total Pages | : 0 |
Release | : 2013-02-05 |
Genre | : Performing Arts |
ISBN | : 9780061775123 |
The long-awaited memoir from the Academy Award–winning director of such legendary films as The French Connection, The Exorcist, and To Live and Die in LA, The Friedkin Connection takes readers from the streets of Chicago to the suites of Hollywood and from the sixties to today, with autobiographical storytelling as fast-paced and intense as any of the auteur's films. William Friedkin, maverick of American cinema, offers a candid look at Hollywood, when traditional storytelling gave way to the rebellious and alternative; when filmmakers like him captured the paranoia and fear of a nation undergoing a cultural nervous breakdown. The Friedkin Connection includes 16 pages of black-and-white photographs.