Three Melodramas by Pietro Metastasio

Three Melodramas by Pietro Metastasio
Author: Pietro Metastasio
Publisher: University Press of Kentucky
Total Pages: 168
Release: 2014-07-15
Genre: Drama
ISBN: 0813163870

Pietro Antonio Domenico Trapassi (1698–1782) was an Italian poet and librettist, considered the most important writer of opera seria libretti. In this volume, Pietro Metastasio presents new translations of Dido Abandoned, Demetrius, and The Olympiad that stay close to the original form and wording. Featuring an introduction that highlights the playwright's life and significant innovations in dramatic technique as well as a short bibliography, Fucilla's translations will be of interest not only to literary scholars, but also to those concerned with the history of music.

Lorenzo Da Ponte

Lorenzo Da Ponte
Author: April Fitzlyon
Publisher: Alma Books
Total Pages: 305
Release: 2018-01-01
Genre: Biography & Autobiography
ISBN: 0714544876

This is the revised edition of April FitzLyon's celebrated biography of Mozart's librettist, who provided the brilliant, witty texts for The Marriage of Figaro, Don Giovanni and Cosi fan tutte. Born a Jew in the Republic of Venice, Da Ponte became a Christian before involving himself in political and amorous intrigue and having to flee, like his friend Casanova, to Vienna, pursued by both the Inquisition and jealous husbands. As court poet to Joseph II he succeeded Metastasio and worked with many composers, until his escapades forced him to move on to London, where he managed the Theatre Royal, Haymarket. After a series of financial disasters, he moved to New York, where he worked several jobs before becoming a professor at Columbia. He helped to introduce Italian opera to the USA and in old age wrote his notoriously unreliable memoirs.This fascinating portrait provides a colourful picture of eighteenth- and nineteenth-century life in four capitals, combining musical and literary history with an account of the social life of the period.

The Letters of Dr. Charles Burney

The Letters of Dr. Charles Burney
Author: Stewart Cooke
Publisher: Oxford University Press
Total Pages: 632
Release: 2023-09-21
Genre: Literary Criticism
ISBN: 0198739842

This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.

Animation, Plasticity, and Music in Italy, 1770-1830

Animation, Plasticity, and Music in Italy, 1770-1830
Author: Ellen Lockhart
Publisher: Univ of California Press
Total Pages: 233
Release: 2017-09-19
Genre: Music
ISBN: 0520960068

This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.