Best Memes 2017 Again!
| Author | : Jack Jokes |
| Publisher | : PeteyRF Creative |
| Total Pages | : 51 |
| Release | : 2017-02-17 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
Best Memes 2017 Again!
Memes The Best Memes 2017
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Many More Best Memes 2017
| Author | : Jack Jokes |
| Publisher | : PeteyRF Creative |
| Total Pages | : 51 |
| Release | : 2017-02-17 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
Many More Best Memes 2017
Best Funny Memes 2017
| Author | : Jack Jokes |
| Publisher | : PeteyRF Creative |
| Total Pages | : 51 |
| Release | : 2017-02-19 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
Best Funny Memes 2017
Keep Walking, This Doesn’t Concern You
| Author | : |
| Publisher | : Random House |
| Total Pages | : 130 |
| Release | : 2016-08-25 |
| Genre | : Humor |
| ISBN | : 1473529859 |
Struggling to explain what you mean? Can’t find the words to do you justice? Think a picture could say it better? Keep Walking, This Doesn't Concern You brings together some of the internet’s laugh-out-loud and ridiculously stupid memes to help you make sense... #parenting, #relationships, #winning, #fails, #work, #drinking and #lols whatever the occasion, you’ll never have to worry about expressing yourself again. #TheresaMemeforThat
Me and My Higher Self
| Author | : Bunny Michael |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2017-11-21 |
| Genre | : |
| ISBN | : 9781979784399 |
Based on the viral Instagram account of Bunny Michael, this book of over 100 conceptual and artistic memes provides motivational support and promotes a message of healing and self love, flecked with humor, wisdom, candid truth and quotable mantras for everyday struggles.
Memes in Digital Culture
| Author | : Limor Shifman |
| Publisher | : MIT Press |
| Total Pages | : 211 |
| Release | : 2013-10-04 |
| Genre | : Computers |
| ISBN | : 0262317702 |
Taking “Gangnam Style” seriously: what Internet memes can tell us about digital culture. In December 2012, the exuberant video “Gangnam Style” became the first YouTube clip to be viewed more than one billion times. Thousands of its viewers responded by creating and posting their own variations of the video—“Mitt Romney Style,” “NASA Johnson Style,” “Egyptian Style,” and many others. “Gangnam Style” (and its attendant parodies, imitations, and derivations) is one of the most famous examples of an Internet meme: a piece of digital content that spreads quickly around the web in various iterations and becomes a shared cultural experience. In this book, Limor Shifman investigates Internet memes and what they tell us about digital culture. Shifman discusses a series of well-known Internet memes—including “Leave Britney Alone,” the pepper-spraying cop, LOLCats, Scumbag Steve, and Occupy Wall Street's “We Are the 99 Percent.” She offers a novel definition of Internet memes: digital content units with common characteristics, created with awareness of each other, and circulated, imitated, and transformed via the Internet by many users. She differentiates memes from virals; analyzes what makes memes and virals successful; describes popular meme genres; discusses memes as new modes of political participation in democratic and nondemocratic regimes; and examines memes as agents of globalization. Memes, Shifman argues, encapsulate some of the most fundamental aspects of the Internet in general and of the participatory Web 2.0 culture in particular. Internet memes may be entertaining, but in this book Limor Shifman makes a compelling argument for taking them seriously.
Memes to Movements
| Author | : An Xiao Mina |
| Publisher | : Beacon Press |
| Total Pages | : 250 |
| Release | : 2019-01-08 |
| Genre | : Political Science |
| ISBN | : 080705660X |
A global exploration of internet memes as agents of pop culture, politics, protest, and propaganda on- and offline, and how they will save or destroy us all. Memes are the street art of the social web. Using social media–driven movements as her guide, technologist and digital media scholar An Xiao Mina unpacks the mechanics of memes and how they operate to reinforce, amplify, and shape today’s politics. She finds that the “silly” stuff of meme culture—the photo remixes, the selfies, the YouTube songs, and the pun-tastic hashtags—are fundamentally intertwined with how we find and affirm one another, direct attention to human rights and social justice issues, build narratives, and make culture. Mina finds parallels, for example, between a photo of Black Lives Matter protestors in Ferguson, Missouri, raising their hands in a gesture of resistance and one from eight thousand miles away, in Hong Kong, of Umbrella Movement activists raising yellow umbrellas as they fight for voting rights. She shows how a viral video of then presidential nominee Donald Trump laid the groundwork for pink pussyhats, a meme come to life as the widely recognized symbol for the international Women’s March. Crucially, Mina reveals how, in parts of the world where public dissent is downright dangerous, memes can belie contentious political opinions that would incur drastic consequences if expressed outright. Activists in China evade censorship by critiquing their government with grass mud horse pictures online. Meanwhile, governments and hate groups are also beginning to utilize memes to spread propaganda, xenophobia, and misinformation. Botnets and state-sponsored agents spread them to confuse and distract internet communities. On the long, winding road from innocuous cat photos, internet memes have become a central practice for political contention and civic engagement. Memes to Movements unveils the transformative power of memes, for better and for worse. At a time when our movements are growing more complex and open-ended—when governments are learning to wield the internet as effectively as protestors—Mina brings a fresh and sharply innovative take to the media discourse.
Post Memes
| Author | : Daniel Bristow |
| Publisher | : punctum books |
| Total Pages | : 423 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 1950192431 |
Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation - memes are the inner currency of the internet's circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike, and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. POST MEMES: SEIZING THE MEMES OF PRODUCTION takes advantage of the meme's subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century's most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons. With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet's most viral phenomenon. ABOUT THE EDITORS ALFIE BOWN is the author of several books including "The Playstation Dreamworld" (Polity, 2017) and "In the Event of Laughter: Psychoanalysis, Literature and Comedy" (Bloomsbury, 2018). He is also a journalist for the Guardian, the Paris Review, and other outlets. DAN BRISTOW is a recovering academic, a bookseller, and author of "Joyce and Lacan: Reading, Writing, and Psychoanalysis" (Routledge, 2016) and "2001: A Space Odyssey and Lacanian Psychoanalytic Theory" (Palgrave, 2017). He is also the co-creator with Alfie Bown of Everyday Analysis, now based at New Socialist magazine.
She Memes Well
| Author | : Quinta Brunson |
| Publisher | : Mariner Books |
| Total Pages | : 317 |
| Release | : 2021 |
| Genre | : Biography & Autobiography |
| ISBN | : 1328638987 |
From comedian Quinta Brunson comes a deeply personal and funny collection of essays featuring anecdotes about trying to make it when you're broke, overcoming self-doubt and depression, and how she's used humor to navigate her career in unusual directions. Quinta Brunson is a master of viral Internet content: without any traditional background in media, her humorous videos were the first to break through on Instagram's platform, receiving millions of views. From there, Brunson's wryly observant POV attracted the attention of BuzzFeed's motion picture development department, leading her to produce viral videos there about topics like interracial dating, millennial malaise, and seeing your ex in public. Now, Brunson is bringing her comedic chops to the page in She Memes Well, an earnest, laugh-out-loud collection about her weird road to Internet notoriety. In her debut essay collection, Quinta applies her trademark humor and heart to discuss what it was like to go from student loan debt-broke to "halfway recognizable--'don't I know you somewhere?'" level-of-fame. With anecdotes that range from the funny and zany--like her experience trying to find her signature hairstyle--to more grounded material about living with depression, Brunson's voice is entirely authentic and eminently readable. Perfect for fans of Phoebe Robinson's You Can't Touch My Hair, Samantha Irby's We Are Never Meeting in Real Life, and Issa Rae's The Misadventures of Awkward Black Girl, She Memes Well will charm and entertain a growing, engaged audience.
Commercial Communication in the Digital Age
| Author | : Gabriele Siegert |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 387 |
| Release | : 2017-04-10 |
| Genre | : Social Science |
| ISBN | : 3110416832 |
In today’s digital age, online and mobile advertising are of growing importance, with advertising no longer bound to the traditional media industry. Although the advertising industry still has broader access to the different measures and channels, users and consumers today have more possibilities to publish, get informed or communicate – to “co-create” –, and to reach a bigger audience. There is a good chance thus that users and consumers are better informed about the objectives and persuasive tricks of the advertising industry than ever before. At the same time, advertisers can inform about products and services without the limitations of time and place faced by traditional mass media. But will there really be a time when advertisers and consumers have equal power, or does tracking users online and offline lead to a situation where advertisers have more information about the consumers than ever before? The volume discusses these questions and related issues.
