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Author | : Thomas Albrecht |
Publisher | : State University of New York Press |
Total Pages | : 179 |
Release | : 2009-12-23 |
Genre | : Psychology |
ISBN | : 1438428693 |
Examines images of horror in Victorian fiction, criticism, and philosophy. Focusing on the recurring metaphor of Medusas head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifyingfor instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another persons consciousnesscan serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threatepistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation. an elegant study in rhetorical analysis. Victorian Studies Thomas Albrecht brings a radically different approach to aestheticspsychoanalytic and poststructuralist rather than historicistin The Medusa Effect. Studies in English Literature
Author | : Justin Richards |
Publisher | : Random House |
Total Pages | : 283 |
Release | : 2012-01-31 |
Genre | : Fiction |
ISBN | : 1448131855 |
Medusa - an experimental spaceship developed by the Advanced Research Department of St Oscar's University. Missing since it was launched, presumed lost in the wars, it was a project so secret that it has never been declassified. Now, twenty years on, Medusa is coming home. After one of the investigation team dies suspiciously, Professor Bernice Summerfield is assigned to help discover what went wrong. But to do so she must solve a riddle. What is the strange link between the original crew and the team now on board the drifting ship? And why do their ghosts still haunt Medusa?
Author | : Rosie Hewlett |
Publisher | : Silverwood Books |
Total Pages | : 204 |
Release | : 2021-04-30 |
Genre | : |
ISBN | : 9781800420663 |
Gorgon. Killer. Monster. Victim. Survivor. Protector. Medusa breathes new life into an ancient story and echoes the battle that women throughout millennia have continued to wage.
Author | : Sarah Kofman |
Publisher | : Stanford University Press |
Total Pages | : 328 |
Release | : 2007 |
Genre | : Philosophy |
ISBN | : 9780804732963 |
The Sarah Kofman Reader is a comprehensive anthology of significant essays and book excerpts by the postwar French philosopher and theorist Sarah Kofman (1934-1994).
Author | : Stephen R. Wilk |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2007-11-15 |
Genre | : Literary Criticism |
ISBN | : 019988773X |
Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.
Author | : Joan Holub |
Publisher | : Simon and Schuster |
Total Pages | : 256 |
Release | : 2013-12-03 |
Genre | : Juvenile Fiction |
ISBN | : 1442485957 |
Seeking to become immortal like the other Goddess Girls, Medusa searches for a magical necklace, an effort that is compromised by her mean reputation, her snaky hair, and unexpected consequences.
Author | : Jennifer Dasal |
Publisher | : Penguin |
Total Pages | : 289 |
Release | : 2020-09-15 |
Genre | : Art |
ISBN | : 0525506403 |
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author | : Anne Bishop |
Publisher | : Penguin |
Total Pages | : 445 |
Release | : 2013-03-05 |
Genre | : Fiction |
ISBN | : 1101615052 |
Enter the world of the Others in the first novel in New York Times bestselling author Anne Bishop’s thrilling fantasy series: a place where unearthly entities—vampires and shape-shifters among them—rule the Earth and prey on the human race. As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others. Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow.
Author | : Charlotte Higgins |
Publisher | : Pantheon |
Total Pages | : 337 |
Release | : 2022-01-11 |
Genre | : Fiction |
ISBN | : 0593316274 |
A brilliantly original, landmark retelling of Greek myths, recounted as if they were actual scenes being woven into textiles by the women who feature prominently in them—including Athena, Helen, Circe and Penelope “Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting. “The stories were obviously fantastical. All the same, brothers really do war with each other. People tell the truth but aren’t believed. Wars destroy the innocent. Lovers are parted. Parents endure the grief of losing children. Women suffer violence at the hands of men. The cleverest of people can be blind to what is really going on. The law of the land can contradict what you know to be just. Mysterious diseases devastate cities. Floods and fire tear lives apart. “For the Greeks, the word muthos simply meant a traditional tale. In the twenty-first century, we have long left behind the political and religious framework in which these stories first circulated—but their power endures. Greek myths remain true for us because they excavate the very extremes of human experience: sudden, inexplicable catastrophe; radical reversals of fortune; and seemingly arbitrary events that transform lives. They deal, in short, in the hard, basic facts of the human condition.” —from the Introduction
Author | : Dawne McCance |
Publisher | : State University of New York Press |
Total Pages | : 181 |
Release | : 2012-02-01 |
Genre | : Philosophy |
ISBN | : 0791484297 |
In traditional mythology and iconography, Medusa's killing powers are attributed to visual means: the monster is slain for her looks and her effect is to kill men for looking at her. Challenging the familiar account of the modern era as ocularcentric, this book reads the Medusa-effect on the philosophy of the modern research university as rooted in an audiocentric fantasy. Author Dawne McCance links phonocentrism to an aural imaginary by tracking the trope—and terror—of the deaf ear and mute mouth in the discourse on the university that was inaugurated by Kant and that extends through Hegel and Heidegger to the present. She shows how, repeatedly, in founding texts on the modern research university, the philosopher's fearful recoil from an animal-female figure that he defines as deaf and dumb has the effect—the Medusa-effect—of cutting off his own, and therefore the institution's, ear and tongue. McCance also considers some recent efforts to shake the modern institution out of its Medusa-effect petrification.