Meditating Death In Medieval And Early Modern Devotional Writing
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| Author | : Mark Chinca |
| Publisher | : Oxford University Press |
| Total Pages | : 450 |
| Release | : 2020-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 0192606565 |
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue—in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science—but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. Meditating about death and the afterlife was one of the most important techniques that Christian societies in medieval and early modern Europe had at their disposal for developing a sense of individual selfhood. Believers who regularly and systematically reflected on the inevitability of death and the certainty of eternal punishment in hell or reward in heaven would acquire an understanding of themselves as a unique persons defined by their moral actions; they would also learn to discipline themselves by feeling remorse for their sins, doing penance, and cultivating a permanent vigilance over their future thoughts and deeds. This book covers a crucial period in the formation and transformation of the technique of meditating on death: from the thirteenth century, when a practice that had mainly been the preserve of a monastic elite began to be more widely disseminated among all segments of Christian society, to the sixteenth, when the Protestant Reformation transformed the technique of spiritual exercise into a bible-based mindfulness that avoided the stigma of works piety. It discusses the textual instructions for meditation as well as the theories and beliefs and doctrines that lay behind them; the sources are Latin and vernacular and enjoyed widespread circulation in Roman Christian and Protestant Europe during the period under consideration.
| Author | : Timothy G. Fehler |
| Publisher | : Manchester University Press |
| Total Pages | : 187 |
| Release | : 2023-07-25 |
| Genre | : History |
| ISBN | : 1526162466 |
For nearly two millennia, Christians have tried to make sense of the Bible’s reminder that the poor are ‘always among us’. This volume explores the diverse range of ideas, institutions, and experiences early modern Europeans brought to bear in response to this biblical adage. Do good unto all traces the concept and practice of charity across the four major early modern Christian confessions – Catholic, Lutheran, Calvinist, and Anabaptist – and over a wide range of geographical areas from Scotland to Switzerland and the Spanish Atlantic World. By bringing such a diverse set of localised studies into concert for the first time, this volume exposes the many intersections and tensions that arose between and within communities as they attempted to translate the ideal of charity into practice. This comparative approach shifts the focus from binary definitions of ‘deserving’ and ‘undeserving’ poor or ‘Catholic’ and ‘Protestant’. Instead, Do good unto all charts a new course for the study of charity beyond institutional poor relief, where the matrix of individual ideas and experiences can be fully appreciated.
| Author | : Thomas M. Izbicki |
| Publisher | : CUA Press |
| Total Pages | : 249 |
| Release | : 2023 |
| Genre | : Religion |
| ISBN | : 0813237351 |
The focus of this volume is on ministry to the sick and dying in the later Middle Ages, especially providing them with the sacraments. Medieval writers linked illness to sin and its forgiveness. The priest, as physician of souls, was expected to heal the soul, preparing it for the hereafter. His ministry might also effect healing of bodies, when that healing did not endanger the soul. This book treats how a priest prepared to visit sick persons and went to them in procession with the Eucharist and oil of the sick. The priest was to comfort the patient and, if death was imminent, prepare the soul for the hereafter. Canon law, theology, and ritual sources are employed. Three sacraments, penance, viaticum, (final communion) and extreme unction (anointing of the sick) are treated in detail. Sickbed confession was designed to forgive the ailing person's mortal sins. A priest could absolve a dying person of all sins, even those reserved to a bishop or the pope. Viaticum was to strengthen a suffering Christian for life's last conflict, that between angels and demons for the soul of the dying person. The deathbed thus was a spiritual battlefield. Extreme unction was reserved for those in danger of death, relieving the soul of venial sins or "the remains of sin," even after confession and absolution. The commendatio animae (commendation of the soul) used with the dying was to usher the soul into the afterlife. Many works have been written about attitudes toward death, dying, and the afterlife in the Middle Ages. Likewise, there is a good deal of literature about individual sacraments. This study aims at bridging between these literatures, with a focus on the priest and parishioner in both theory and practice at the sickbed.
| Author | : Elaine Stratton Hild |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 2023 |
| Genre | : Music |
| ISBN | : 0197685919 |
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
| Author | : Mark Chinca |
| Publisher | : Cambridge University Press |
| Total Pages | : 357 |
| Release | : 2022-08-25 |
| Genre | : Literary Criticism |
| ISBN | : 1108808433 |
How did new literatures begin in the Middle Ages and what does it mean to ask about such beginnings? These are the questions this volume pursues across the regions and languages of medieval Europe, from Iceland, Scandinavia, and Iberia through Irish, Welsh, English, French, Dutch, Occitan, German, Italian, Czech, and Croatian to Medieval Greek and the East Slavonic of early Rus. Focusing on vernacular scripted cultures and their complicated relationships with the established literary cultures of Latin, Greek, and Church Slavonic, the volume's contributors describe the processes of emergence, consolidation, and institutionalization that make it possible to speak of a literary tradition in any given language. Moreover, by concentrating on beginnings, the volume avoids the pitfalls of viewing earlier phenomena through the lens of later, national developments; the result is a heightened sense of the historical contingency of categories of language, literature, and territory in the space we call 'Europe'.
| Author | : Peter Marshall |
| Publisher | : Oxford University Press |
| Total Pages | : 425 |
| Release | : 2022-09 |
| Genre | : Reformation |
| ISBN | : 0192895265 |
'a vital resource'TLS'Compelling collection'Literary ReviewThe Reformation was a seismic event in history whose consequences are still unfolding in Europe and across the world.Martin Luther's protests against the marketing of indulgences in 1517 were part of a long-standing pattern of calls for reform in the Christian Church. But they rapidly took a radical and unexpected turn, engulfing first Germany, and then Europe, in furious arguments about how God's will was to be'saved'.However, these debates did not remain confined to a narrow sphere of theology. They came to reshape politics and international relations; social, cultural, and artistic developments; relations between the sexes; and the patterns and performances of everyday life. They were also the stimulus forChristianity's transformation into a truly global religion, as agents of the Roman Catholic Church sought to compensate for losses in Europe with new conversions in Asia and the Americas.Covering both Protestant and Catholic reform movements, in Europe and across the wider world, this compact volume tells the story of the Reformation from its immediate, explosive beginnings, through to its profound longer-term consequences and legacy for the modern world. The story is not one of aninevitable triumph of liberty over oppression, enlightenment over ignorance. Rather, it tells how a multitude of rival groups and individuals, with or without the support of political power, strove after visions of 'reform'. And how, in spite of themselves, they laid the foundations for the pluraland conflicted world we now inhabit.
| Author | : Unn Falkeid |
| Publisher | : BRILL |
| Total Pages | : 377 |
| Release | : 2023-12-18 |
| Genre | : Religion |
| ISBN | : 9004540040 |
Saint Birgitta of Sweden (d. 1373), one of the most famous visionary women of the late Middle Ages, lived in Rome for the last 23 years of her life. Much of her extensive literary work was penned there. Her Celestial Revelations circulated widely from the late 14th century to the 17th century, copied in Italian scriptoria, translated into vernacular, and printed in several Latin and Italian editions. In the same centuries, an extraordinary number of women writers across the peninsula were publishing their work. What echoes might we find of the foreign widow’s prophetic voice in their texts? This volume offers innovative investigations, written by an interdisciplinary group of experts, of the profound impact of Birgitta of Sweden in Renaissance Italy. Contributors include: Brian Richardson, Jane Tylus, Isabella Gagliardi, Clara Stella, Marco Faini, Jessica Goethals, Anna Wainwright, Eleonora Cappuccilli, Eleonora Carinci, Virginia Cox, Unn Falkeid, and Silvia Nocentini.
| Author | : Jeremy L. Smith |
| Publisher | : Boydell & Brewer |
| Total Pages | : 285 |
| Release | : 2023-04-18 |
| Genre | : History |
| ISBN | : 1837650454 |
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.
| Author | : Arthur Gibson |
| Publisher | : Springer Nature |
| Total Pages | : 490 |
| Release | : 2020-12-13 |
| Genre | : Philosophy |
| ISBN | : 3030360873 |
In this volume we witness Wittgenstein in the act of composing and experimenting with his new visions in philosophy. The book includes key explanations of the origin and background of these previously unknown manuscripts. It investigates how Wittgenstein’s philosophical thought-processes are revealed in his dictation to, as well as his editing and revision with Francis Skinner, in the latter’s role of amanuensis. The book displays a considerable wealth and variety of Wittgenstein’s fundamental experiments in philosophy across a wide array of subjects that include the mind, pure and applied mathematics, metaphysics, the identities of ordinary and creative language, as well as intractable problems in logic and life. He also periodically engages with the work of Newton, Fermat, Russell and others. The book shows Wittgenstein strongly battling against the limits of understanding and the bewitchment of institutional and linguistic customs. The reader is drawn in by Wittgenstein as he urges us to join him in his struggles to equip us with skills, so that we can embark on devising new pathways beyond confusion. This collection of manuscripts was posted off by Wittgenstein to be considered for publication during World War 2, in October 1941. None of it was published and it remained hidden for over two generations. Upon its rediscovery, Professor Gibson was invited to research, prepare and edit the Archive to appear as this book, encouraged by Trinity College Cambridge and The Mathematical Association. Niamh O’Mahony joined him in co-editing and bringing this book to publication.
| Author | : David J. Davis |
| Publisher | : Oxford University Press |
| Total Pages | : 238 |
| Release | : 2022-06-17 |
| Genre | : England |
| ISBN | : 0198834136 |
Experiencing God in Late Medieval and Early Modern England demonstrates that experiences of divine revelation, both biblical and contemporary, were central to late medieval and early modern English religion. The book sheds light on previously under-explored notions about divine revelation andthe role these notions played in shaping large portions of English thought and belief. Bringing together a wide variety of source materials, from contemplative works and accounts of revelatory experiences to biblical commentaries, devotionals, and religious imagery, David J. Davis argues that in theperiod there was a collective representation of divine revelation as a source of human knowledge, which transcended other religious and intellectual divisions. Not only did most people think that divine revelation, through a ravishing encounter with God, was possible, but also divine revelation wasunderstood to be the pinnacle of religious experience and a source of pure understanding. The book highlights a common discourse running through the sources that underpinned this collective representation of how human beings experienced the divine, and it demonstrates a continual effort across largeswathes of English religion to prepare an individual's soul for an encounter with the divine, through different spiritual disciplines and devotional practices. Over a period of several centuries this discourse and the larger culture of revelation provided an essential structure and legitimacy bothto contemporary claims of divine revelation and the biblical precedents that contemporary experiences were modelled after. This discourse detailed the physical, metaphysical, and epistemological features of how a human being was understood to experience divine revelation, providing a means todelimit and define what happened when an individual was rapture by God. Finally, the book situates the experience of revelation within the wider context of knowledge and identifies the ways that claims to divine revelation were legitimated as well as stigmatized based on this common understanding ofthe experience of rapture.
