Medieval Writings On Female Spirituality
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Author | : Various |
Publisher | : Penguin |
Total Pages | : 321 |
Release | : 2002-05-28 |
Genre | : Religion |
ISBN | : 1440633401 |
Biographies, poetic compositions, works that are mystical, prophetic, visionary, or meditative: the selections here reflect the developments in medieval piety, particularly in the link between female spirituality and the body. Included are the dramatic visionary writings of Hildegard of Bingen; letters and poems by Hadewijch expressing passionate love for God; and Marguerite Porete's allegorical poem "The Mirror of Simple Souls," a dialogue between Love and Soul that was condemned as heretical. Also included are biographies written by male ecclesiastics of women such as Christine the Astonishing, whose extraordinary behavior included being resurrected at her own funeral; revelations received by Bridget of Sweden, the first woman to found a religious order; and excerpts from The Book of Margery Kempe, in which Margery imagines herself as a servant caring for the Virgin Mary in her childhood. This volume, edited by Elizabeth Spearing, who also prepared some of the translations, features a rich introduction to the lives and religious experiences of its subjects, as well as full explanatory notes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author | : Various |
Publisher | : Penguin |
Total Pages | : 324 |
Release | : 2002-05-28 |
Genre | : Religion |
ISBN | : 9780140439250 |
Biographies, poetic compositions, works that are mystical, prophetic, visionary, or meditative: the selections here reflect the developments in medieval piety, particularly in the link between female spirituality and the body. Included are the dramatic visionary writings of Hildegard of Bingen; letters and poems by Hadewijch expressing passionate love for God; and Marguerite Porete's allegorical poem "The Mirror of Simple Souls," a dialogue between Love and Soul that was condemned as heretical. Also included are biographies written by male ecclesiastics of women such as Christine the Astonishing, whose extraordinary behavior included being resurrected at her own funeral; revelations received by Bridget of Sweden, the first woman to found a religious order; and excerpts from The Book of Margery Kempe, in which Margery imagines herself as a servant caring for the Virgin Mary in her childhood. This volume, edited by Elizabeth Spearing, who also prepared some of the translations, features a rich introduction to the lives and religious experiences of its subjects, as well as full explanatory notes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author | : Caroline Walker Bynum |
Publisher | : Princeton University Press |
Total Pages | : 440 |
Release | : 1991 |
Genre | : History |
ISBN | : |
Arguing that historians must write in a comic mode, aware of history's artifice, risks, and incompletion, Caroline Walker Bynum here examines diverse medieval texts to show how women were able to appropriate dominant social symbols in ways that allowed for the emergence of their own creative voices. By arguing for the positive importance attributed to the body, these essays give a new interpretation of gender in medieval texts and of the role of asceticism and mysticism in Christianity.
Author | : Elizabeth Petroff |
Publisher | : Oxford University Press on Demand |
Total Pages | : 235 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780195084559 |
Opening a window onto a long-neglected world of women's experience, this text features eleven essays that examine the writings of medieval women mystics from England, France, Germany, Italy, and the Low Countries, providing close readings of a number of important texts from the viewpoint ofdifferent literary theories. Surveying various styles of hagiographical writing, the author offers ground-breaking scholarship on a broad range of topics such as how medieval holy women may have appeared to their contemporaries, medieval antifeminism, comparisons between earlier and later Christianmystical writing, the relationship between male confessors and female penitents in the Middle Ages, and the process by which these extraordinary women produced their work. For courses in religious, medieval, or women's studies, this unique text fills a conspicuous gap in an important and fascinatingfield of literature.
Author | : Margery Kempe |
Publisher | : Penguin UK |
Total Pages | : 449 |
Release | : 1985 |
Genre | : Biography & Autobiography |
ISBN | : 0140432515 |
The story of the eventful and controversial life of Margery Kempe - wife, mother, businesswoman, pilgrim and visionary - is the earliest surviving autobiography in English. Here Kempe (c.1373-c.1440) recounts in vivid, unembarrassed detail the madness that followed the birth of the first of her fourteen children, the failure of her brewery business, her dramatic call to the spiritual life, her visions and uncontrollable tears, the struggle to convert her husband to a vow of chastity and her pilgrimages to Europe and the Holy Land. Margery Kempe could not read or write, and dictated her remarkable story late in life. It remains an extraordinary record of human faith and a portrait of a medieval woman of unforgettable character and courage.
Author | : Caroline Walker Bynum |
Publisher | : Univ of California Press |
Total Pages | : 296 |
Release | : 2023-09-01 |
Genre | : Religion |
ISBN | : 0520907531 |
From the Introduction, by Caroline Walker Bynum: The opportunity to rethink and republish several of my early articles in combination with a new essay on the thirteenth century has led me to consider the continuity-both of argument and of approach-that underlies them. In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders. These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives. The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk--the Cistercians--and other religious groups, monastic and nonmonastic, of the twelfth century. The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression. The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth- and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now--and perhaps has never been--dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians. A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.
Author | : Dyan Elliott |
Publisher | : Princeton University Press |
Total Pages | : 366 |
Release | : 2009-01-10 |
Genre | : History |
ISBN | : 1400826020 |
Around the year 1215, female mystics and their sacramental devotion were among orthodoxy's most sophisticated weapons in the fight against heresy. Holy women's claims to be in direct communication with God placed them in positions of unprecedented influence. Yet by the end of the Middle Ages female mystics were frequently mistrusted, derided, and in danger of their lives. The witch hunts were just around the corner. While studies of sanctity and heresy tend to be undertaken separately, Proving Woman brings these two avenues of inquiry together by associating the downward trajectory of holy women with medieval society's progressive reliance on the inquisitional procedure. Inquisition was soon used for resolving most questions of proof. It was employed for distinguishing saints and heretics; it underwrote the new emphasis on confession in both sacramental and judicial spheres; and it heralded the reintroduction of torture as a mechanism for extracting proof through confession. As women were progressively subjected to this screening, they became ensnared in the interlocking web of proofs. No aspect of female spirituality remained untouched. Since inquisition determined the need for tangible proofs, it even may have fostered the kind of excruciating illnesses and extraordinary bodily changes associated with female spirituality. In turn, the physical suffering of holy women became tacit support for all kinds of earthly suffering, even validating temporal mechanisms of justice in their most aggressive forms. The widespread adoption of inquisitional mechanisms for assessing female spirituality eventuated in a growing confusion between the saintly and heretical and the ultimate criminalization of female religious expression.
Author | : Elizabeth Petroff |
Publisher | : Oxford University Press, USA |
Total Pages | : 402 |
Release | : 1986 |
Genre | : History |
ISBN | : 9780195037111 |
These pages capture a thousand years of medieval women's visionary writing, from late antiquity to the 15th century. Written by hermits, recluses, wives, mothers, wandering teachers, founders of religious communities, and reformers, the selections reveal how medieval women felt about their lives, the kind of education they received, how they perceived the religion of their time, and why ascetic life attracted them.
Author | : Laura Saetveit Miles |
Publisher | : Boydell & Brewer |
Total Pages | : 316 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 1843845342 |
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.
Author | : Katharina M. Wilson |
Publisher | : University of Georgia Press |
Total Pages | : 401 |
Release | : 1984 |
Genre | : Literary Collections |
ISBN | : 082030641X |
This is one of the first anthologies devoted to the writings of women in the Middle Ages. The fifteen women whose works are represented span seven centuries, eight languages, and ten regions or nationalities. Many are recognized, taught, and anthologized in their own countries but have been inaccessible to students in English. Others are little read today because their literary fortunes have paralleled fluctuations in literary taste and literary patronage. Katharina M. Wilson's introduction to the volume places these writers in historical context and explores the question of the female imagination and who these women were who were writing at a time when very few women were literate and most literature, sacred and secular, was penned by men. Each of the fifteen chapters has been written by a different scholar and includes a biographical and critical introduction to the writer, a representative selection of her works in translation, and a bibliography.