Cuba, the Media, and the Challenge of Impartiality

Cuba, the Media, and the Challenge of Impartiality
Author: Salim Lamrani
Publisher: NYU Press
Total Pages: 161
Release: 2015
Genre: Business & Economics
ISBN: 1583674713

In this concise and detailed work, Salim Lamrani addresses questions of media concentration and corporate bias by examining a perennially controversial topic: Cuba. Lamrani argues that the tiny island nation is forced to contend not only with economic isolation and a U.S. blockade, but with misleading or downright hostile media coverage. He takes as his case study El País, the most widely distributed Spanish daily. El País (a property of Grupo Prisa, the largest Spanish media conglomerate), has editions aimed at Europe, Latin America, and the U.S., making it is a global opinion leader. Lamrani wades through a swamp of reporting and uses the paper as an example of how media conglomerates distort and misrepresent life in Cuba and the activities of its government. By focusing on eight key areas, including human development, internal opposition, and migration, Lamrani shows how the media systematically shapes our understanding of Cuban reality. This book, with a preface by Eduardo Galeano, provides an alternative view, combining a scholar’s eye for complexity with a journalist’s hunger for the facts.

Media in cuba

Media in cuba
Author: Torsten Teering
Publisher: GRIN Verlag
Total Pages: 18
Release: 2003-09-29
Genre: Language Arts & Disciplines
ISBN: 3638219712

Essay from the year 2003 in the subject Communications - Journalism, Journalism Professions, grade: good, Liverpool John Moores University (Media), language: English, abstract: [...] The essay will further take a brief look at the less important television market, especially at CubaVision Internacional, broadcasting via satellite around the world. After that, it will analyse independent journalism in Cuba; providing further information about the role of the media, the essay will explain why the situation of independent journalists is one of fear and threats. The final part of the essay will evaluate the propaganda tools of the ‘enemy’, the United States, which are Radio and TV Marti. It will analyse their effectiveness, their history and the role for them in Cuba.[...]

Cuba's Digital Revolution

Cuba's Digital Revolution
Author: Ted A. Henken
Publisher:
Total Pages: 348
Release: 2021
Genre: History
ISBN: 9781683402022

"This volume argues that recent technological developments are reconfiguring the cultural, economic, social, and political spheres of Cuba's Revolutionary project in unprecedented ways"--

Radio and Television in Cuba

Radio and Television in Cuba
Author: Michael Brian Salwen
Publisher: Wiley-Blackwell
Total Pages: 266
Release: 1994
Genre: Business & Economics
ISBN:

Cuban radio and television before Fidel Castro's revolution were rich with domestically produced soap operas, live sporting events, lavish song-and-dance programs, and raucous political commentators. Cuba's 156 radio stations and 27 television stations sought the best talent from around the world. They paid large sums for exclusive rights to broadcast baseball games and boxing matches. All of these endeavors were overshadowed by Castro's revolution.

Manufacturing the Enemy

Manufacturing the Enemy
Author: Keith Bolender
Publisher: Pluto Press (UK)
Total Pages: 0
Release: 2019
Genre: Cuba
ISBN: 9780745340265

How has the US media constructed our understanding of Cuba?

Report

Report
Author: United States. Advisory Board for Cuba Broadcasting
Publisher:
Total Pages: 32
Release: 1989
Genre: International broadcasting
ISBN:

Digital Dilemmas

Digital Dilemmas
Author: Cristina Venegas
Publisher: Rutgers University Press
Total Pages: 249
Release: 2010-01-19
Genre: Social Science
ISBN: 0813549108

The contentious debate in Cuba over Internet use and digital media primarily focuses on three issuesùmaximizing the potential for economic and cultural development, establishing stronger ties to the outside world, and changing the hierarchy of control. A growing number of users decry censorship and insist on personal freedom in accessing the web, while the centrally managed system benefits the government in circumventing U.S. sanctions against the country and in controlling what limited capacity exists. Digital Dilemmas views Cuba from the Soviet Union's demise to the present, to assess how conflicts over media access play out in their both liberating and repressive potential. Drawing on extensive scholarship and interviews, Cristina Venegas questions myths of how Internet use necessarily fosters global democracy and reveals the impact of new technologies on the country's governance and culture. She includes film in the context of broader media history, as well as artistic practices such as digital art and networks of diasporic communities connected by the Web. This book is a model for understanding the geopolitic location of power relations in the age of digital information sharing.

Visions of Power in Cuba

Visions of Power in Cuba
Author: Lillian Guerra
Publisher: Univ of North Carolina Press
Total Pages: 489
Release: 2012
Genre: History
ISBN: 0807835633

In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Gue

On Location in Cuba

On Location in Cuba
Author: Ann Marie Stock
Publisher: Univ of North Carolina Press
Total Pages: 369
Release: 2009-05-15
Genre: Performing Arts
ISBN: 0807894192

The 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.