Masterworks Of American Painting At The De Young
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Author | : Timothy Anglin Burgard |
Publisher | : |
Total Pages | : 596 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
"Published on the occasion of the reopening of the de Young in Golden Gate Park, San Francisco, California, October 2005"--T.p. verso.
Author | : Timothy Anglin Burgard |
Publisher | : Yale University Press |
Total Pages | : 258 |
Release | : 2013-07-28 |
Genre | : Art |
ISBN | : 0300190786 |
A beautiful exploration of the pivotal years in Diebenkorn's career
Author | : Sarah L. Burns |
Publisher | : Yale University Press |
Total Pages | : 205 |
Release | : 2016-01-01 |
Genre | : Art |
ISBN | : 0300214855 |
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 182 |
Release | : 2010 |
Genre | : Photography |
ISBN | : 0300169019 |
"This volume is published in conjunction with the exhibition "Stieglitz, Steichen, Strand," held at The Metropolitan Museum of Art, New York, from November 10, 2010, to April 10, 2011."
Author | : Helene Barbara Weinberg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 242 |
Release | : 2009 |
Genre | : Exhibitions |
ISBN | : 1588393364 |
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
Author | : Eleanor Jones Harvey |
Publisher | : Yale University Press |
Total Pages | : 353 |
Release | : 2012-12-03 |
Genre | : Art |
ISBN | : 0300187335 |
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 72 |
Release | : 1979 |
Genre | : Art |
ISBN | : |
Author | : Alexis L. Boylan |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 313 |
Release | : 2017-04-20 |
Genre | : Art |
ISBN | : 1501325779 |
Arriving in New York City in the first decade of the twentieth century, six painters-Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle-faced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan Art, Whiteness, and the Unspectacular Man maps how Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.
Author | : Laura Dassow Walls |
Publisher | : University of Chicago Press |
Total Pages | : 421 |
Release | : 2011-11-15 |
Genre | : History |
ISBN | : 0226871835 |
Humboldt offered the world a vision of humans & nature as integrated halves of a single whole. He espoused the idea that while the univerise of nature exists apart from human purpose, its beauty & order are human achievements. Laura Dassow Walls traces the emergence of this philosophy to Humboldt's 1799 journey to America.
Author | : Colm Tóibín |
Publisher | : Penn State the History of the |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9780271078526 |
Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing.