Masters of the Sabar

Masters of the Sabar
Author: Patricia Tang
Publisher: Temple University Press
Total Pages: 228
Release: 2007
Genre: Music
ISBN: 9781592134212

A fascinating study of Senegalese masters of the sabar drum.

Yorùbá Music in the Twentieth Century

Yorùbá Music in the Twentieth Century
Author: Bode Omojola
Publisher: University Rochester Press
Total Pages: 298
Release: 2012
Genre: History
ISBN: 1580464092

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music.

West African Drumming and Dance in North American Universities

West African Drumming and Dance in North American Universities
Author: George Worlasi Kwasi Dor
Publisher: Univ. Press of Mississippi
Total Pages: 490
Release: 2014-02-20
Genre: Performing Arts
ISBN: 1496801970

More than twenty universities and twenty other colleges in North America (USA and Canada) offer performance courses on West African ethnic dance drumming. Since its inception in 1964 at both UCLA and Columbia, West African drumming and dance has gradually developed into a vibrant campus subculture in North America. The dances most practiced in the American academy come from the ethnic groups Ewe, Akan, Ga, Dagbamba, Mande, and Wolof, thereby privileging dances mostly from Ghana, Togo, Benin, Senegal, Mali, Guinea, and Burkina Faso. This strong presence and practice of a world music ensemble in the diaspora has captured and engaged the interest of scholars, musicians, dancers, and audiences. In the first-ever ethnographic study of West African drumming and dance in North American universities, the author documents and acknowledges ethnomusicologists, ensemble directors, students, administrators, and academic institutions for their key roles in the histories of their respective ensembles. Dor collates and shares perspectives including debates on pedagogical approaches that may be instructive as models for both current and future ensemble directors and reveals the multiple impacts that participation in an ensemble or class offers students. He also examines the interplay among historically situated structures and systems, discourse, and practice, and explores the multiple meanings that individuals and various groups of people construct from this campus activity. The study will be of value to students, directors, and scholars as an ethnographic study and as a text for teaching relevant courses in African music, African studies, ethnomusicology/world music, African diaspora studies, and other related disciplines.

Folk Music: A Very Short Introduction

Folk Music: A Very Short Introduction
Author: Mark Slobin
Publisher: Oxford University Press
Total Pages: 162
Release: 2011-01-11
Genre: Music
ISBN: 0199753083

This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly interconnected, yet still localized world.

Senegal

Senegal
Author: Sean Connolly
Publisher: Bradt Travel Guides
Total Pages: 396
Release: 2015-11-05
Genre: History
ISBN: 1841629138

Senegal Travel Guide - Expert holiday tips and travel advice including Dakar hotels, restaurants, cuisine, colonial and religious architecture, museums and culture. This guide also covers suggested itineraries and tour operators, music, storytelling, wildlife and natural history, indigenous people, Sufism, Touba, Cap-Vert, Nepen Diakha and Ouakam.

The Child as Musician

The Child as Musician
Author: Gary E. McPherson
Publisher: Oxford University Press
Total Pages: 697
Release: 2015-09-24
Genre: Psychology
ISBN: 0191061875

The new edition of The Child as Musician: A Handbook of Musical Development celebrates the richness and diversity of the many different ways in which children can engage in and interact with music. It presents theory - both cutting edge and classic - in an accessible way for readers by surveying research concerned with the development and acquisition of musical skills. The focus is on musical development from conception to late adolescences, although the bulk of the coverage concentrates on the period when children are able to begin formal music instruction (from around age 3) until the final year of formal schooling (around age 18). There are many conceptions of how musical development might take place, just as there are for other disciplines and areas of human potential. Consequently, the publication highlights the diversity in current literature dealing with how we think about and conceptualise children's musical development. Each of the authors has searched for a better and more effective way to explain in their own words and according to their own perspective, the remarkable ways in which children engage with music. In the field of educational psychology there are a number of publications that survey the issues surrounding child and adolescent development. Some of the more innovative present research and theories, and their educational implications, in a style that stresses the fundamental interplay among the biological, environmental, social and cultural influences at each stage of a child's development. Until now, no similar overview has existed for child and adolescent development in the field of music. The Child as Musician addresses this imbalance, and is essential for those in the fields of child development, music education, and music cognition.

Youth and Popular Culture in Africa

Youth and Popular Culture in Africa
Author: Paul Ugor
Publisher: Boydell & Brewer
Total Pages: 419
Release: 2021
Genre: History
ISBN: 1648250246

"The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--

Africa [3 volumes]

Africa [3 volumes]
Author: Toyin Falola
Publisher: Bloomsbury Publishing USA
Total Pages: 1774
Release: 2015-12-14
Genre: History
ISBN:

These volumes offer a one-stop resource for researching the lives, customs, and cultures of Africa's nations and peoples. Unparalleled in its coverage of contemporary customs in all of Africa, this multivolume set is perfect for both high school and public library shelves. The three-volume encyclopedia will provide readers with an overview of contemporary customs and life in North Africa and sub-Saharan Africa through discussions of key concepts and topics that touch everyday life among the nations' peoples. While this encyclopedia places emphasis on the customs and cultural practices of each state, history, politics, and economics are also addressed. Because entries average 14,000 to 15,000 words each, contributors are able to expound more extensively on each country than in similar encyclopedic works with shorter entries. As a result, readers will gain a more complete understanding of what life is like in Africa's 54 nations and territories, and will be better able to draw cross-cultural comparisons based on their reading.

Globalization and Language Vitality

Globalization and Language Vitality
Author: Cécile B. Vigouroux
Publisher: A&C Black
Total Pages: 302
Release: 2008-11-05
Genre: Language Arts & Disciplines
ISBN: 1441170731

This book discusses the effects of globalization on languages in Africa. In contrast to previous studies, the contributors examine whether or not globalization is affecting African languages in the same ways and at the same rate in different countries, and how local experiences of language change vary from place to place. Rather than seeing English as the 'killer language' par excellence, the contributors probe ways in which languages are being used side by side to complement each other in some contexts while competing against European colonial languages in others. The result is a diverse canvas of language vitality in the African context, including matters of endangerment and loss, through the lense of globalization in its various interpretations. This book is a must read for students and researchers interested in language change and death and in the fate of European languages in the rest of the world.

Uptown Conversation

Uptown Conversation
Author: Robert G. O'Meally
Publisher: Columbia University Press
Total Pages: 455
Release: 2004
Genre: History
ISBN: 0231123507

'Uptown Conversation' asserts that jazz is not only a music to define, it is a culture. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers,painters and poets.