Masters of the American Cinema
Author | : Louis D. Giannetti |
Publisher | : Prentice Hall |
Total Pages | : 492 |
Release | : 1981 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Louis D. Giannetti |
Publisher | : Prentice Hall |
Total Pages | : 492 |
Release | : 1981 |
Genre | : Performing Arts |
ISBN | : |
Author | : Roy Paul Madsen |
Publisher | : |
Total Pages | : 428 |
Release | : 1990 |
Genre | : Performing Arts |
ISBN | : 9780534118808 |
Author | : Karina Longworth |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2012-09-17 |
Genre | : Performing Arts |
ISBN | : 9782866429041 |
George Lucas (born 1944) is a producer, screenwriter and director, who played a major role in the anti-establishment New Hollywood movement of the 1970s and helped define the blockbuster era of the 1980s. He is best known as the creator of the Star Warsspace opera and the producer of the iconic Indiana Jonesadventure film series. Lucas had directed THX 1138(1971) and American Graffiti(1973) before launching, in 1977, the first film in the Star Warsfranchise. Rapidly a worldwide pop culture phenomenon, this was followed by two sequels- The Empire Strikes Back(1980) and Return of the Jedi(1983). Sixteen years later a new trilogy, The Phantom Menace(1999), Attack of the Clones(2002) and Revenge of the Sith(2005), were released. The Star Warsseries has spawned a range of other media, including tv series, video games and comic books. With this simple yet powerful saga, lucas has created a brand, a business empire and a technological revolution.
Author | : Bernard Benoliel |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2010-11-10 |
Genre | : Performing Arts |
ISBN | : 9782866425708 |
Clint Eastwood (USA, b. 1930) is a veteran among the grand masters of contemporary American cinema, whose rise through the system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwood began to direct and, in the style of the great directors of the past, made masterpieces in genres ranging from the western (Unforgiven, 1992) to film noir (Mystic River, 2003), a war epic (Letters from Iwo Jima, 2006), a jazz bio-pic (Bird, 1988), a melodrama (The Bridges of Madison County, 1995) and a sports picture (Million Dollar Baby, 2004). His most recent film, Invictus, takes Eastwood to South Africa and the historic figure of Nelson Mandela, as he continues to explore the question underlying all his films: can human beings overcome experiences of violence and evil?
Author | : Thomas Sotinel |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2010-11-10 |
Genre | : Performing Arts |
ISBN | : 9782866425746 |
Martin Scorsese (USA, born 1942) is among the most prolific of American directors, having made more than 25 features in a 40-year career that has seen him garner all the highest honours the film world can bestow. He is admired and respected throughout the world for the tireless work of his Film Foundation in preserving America's film heritage.
Author | : Thierry Jousse |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2010-11-10 |
Genre | : Performing Arts |
ISBN | : 9782866425739 |
Cinema industry.
Author | : Kenneth R. Morefield |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Motion picture producers and directors |
ISBN | : 9781443832731 |
Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasisâ "it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japanâ "Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of â ~faithâ (TM) and â ~spirituality, â (TM) examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.
Author | : Randal Johnson |
Publisher | : University of Texas Press |
Total Pages | : 263 |
Release | : 1984-08-01 |
Genre | : Performing Arts |
ISBN | : 0292710917 |
With such stunning films as Dona Flor and Her Two Husbands, Bye Bye Brazil, and Pixote, Brazilian cinema achieved both critical acclaim and popular recognition in the 1970s and 1980s, becoming the premier cinema of Latin America and one of the largest film producers in the western world. But the success of Brazilian film at home and abroad came after many years of struggle by filmmakers determined to create a strong film industry in Brazil. At the forefront of this struggle were the filmmakers of Cinema Novo, the internationally acclaimed movement whose flowering in the 1960s marked the birth of modern Brazilian film. Cinema Novo x 5 places the success of Brazilian cinema in perspective by examining the films of the five leaders of this groundbreaking movement—Andrade, Diegues, Guerra, Rocha, and dos Santos. By exploring the individuality of these masters of contemporary Brazilian film, Randal Johnson reveals the astonishing stylistic and thematic diversity of Cinema Novo. His emphasis is on the films themselves, as well as their makers’ distinctive cinematic vision and views of what cinema should be and is. At the same time, he provides a wealth of valuable background information to enhance readers’ understanding of the historical, cultural, and economic context in which Cinema Novo was born and flourished.
Author | : George Stevens, Jr. |
Publisher | : Vintage |
Total Pages | : 734 |
Release | : 2009-05-27 |
Genre | : Performing Arts |
ISBN | : 0307518124 |
ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.