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| Author | : Charles A. Perrone |
| Publisher | : University of Texas Press |
| Total Pages | : 295 |
| Release | : 2014-02-19 |
| Genre | : Music |
| ISBN | : 0292761716 |
Masters of Contemporary Brazilian Song is a critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
| Author | : Charles Perrone |
| Publisher | : University of Texas Press |
| Total Pages | : 0 |
| Release | : 1993-10-01 |
| Genre | : Music |
| ISBN | : 9780010004489 |
Masters of Contemporary Brazilian Song is a critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
| Author | : Larry Crook |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2010-11-01 |
| Genre | : Music |
| ISBN | : 113590197X |
Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. Part One, Understanding Music in Brazil, presents important issues and topics that encompass all of Brazil, and provides a general survey of Brazil’s diverse musical landscape. Part Two, Creating Music in Brazil, presents historical trajectories and contemporary examples of Afro-Brazilian traditions, Carnival music, and northeastern popular music. Part Three, Focusing In, presents two case studies that explore the ground-level activities of contemporary musicians in Northeast Brazil and the ways in which they move between local, national, and international realms. The accompanying downloadable resources offer vivid musical examples that are discussed in the text
| Author | : Ronald M. Schneider |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2018-02-22 |
| Genre | : Political Science |
| ISBN | : 0429981651 |
Myths and misconceptions about Brazil, the world's fifth largest and most populous country, are long-standing. Far from a sleeping giant, Brazil is the southern hemisphere's most important country. Entering its second decade of civilian constitutional government after a protracted period of military rule, it has also recently achieved sustained economic growth. Nevertheless, the nation's population of 157 million is divided by huge inequities in income and education, which are largely correlated with race, and crime rates have spiraled as a result of conflicts over land and resources. Ronald Schneider, a close observer of Brazilian society and politics for many decades, provides a comprehensive multidimensional portrait of this, Latin America's most complex country. He begins with an insightful description of its diverse regions and then analyzes the historical processes of Brazil's development from the European encounter in 1500 to independence in 1822, the middle-class revolution in 1930, the military takeover in 1964, and the return to democracy after 1984. Schneider goes on to offer a detailed treatment of contemporary government and politics, including the 1994 elections. His closing chapters analyze the economy and society, and explore Brazil's rich cultural heritage and assess Brazil's place in the international arena.
| Author | : M. Elizabeth Ginway |
| Publisher | : Bucknell University Press |
| Total Pages | : 296 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780838755648 |
Science fiction, because of its links to science and technology, is the consummate literary vehicle for examining the perception and cultural impact of the modernization process in Brazil. Because of the centrality of the role played by the military dictatorship (1964-85) in imposing industrialization and economic development policies on Brazil, this book examines the genre in the periods before, during, and after the dictatorship, encompassing the years 1960-2000. The analysis shows that a reading of Brazilian science fiction based on its use of paradigms of Anglo-American science fiction and myths of Brazilian nationhood provides a unique look into Brazil's modern metamorphosis as it finds itself on the periphery of the globalized world.
| Author | : Lisa Shaw |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 417 |
| Release | : 2005-01-14 |
| Genre | : Social Science |
| ISBN | : 1851095098 |
A survey of contemporary Latin American popular culture, covering topics that range from music and film to popular festivals and fashion. Like no other volume of its kind, Pop Culture Latin America! captures the breadth and vitality of pop culture in Central and South America and the Caribbean, exploring both familiar and lesser-known aspects of its unique melange of art, entertainment, spirituality, and celebrations. Written by contributors who are scholars and specialists in the cultures and languages of Latin America, the book focuses on the historical, social, and political forces that have shaped Latino culture since 1945, particularly in the last two decades. Separate chapters cover music, popular cinema, mass media, theater and performance, literature, cultural heroes, religions and festivals, social movements and politics, the visual arts and architecture, sports and leisure, travel and tourism, and language.
| Author | : Sean Stroud |
| Publisher | : Routledge |
| Total Pages | : 273 |
| Release | : 2016-03-23 |
| Genre | : Music |
| ISBN | : 1317036182 |
Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.
| Author | : Marshall C. Eakin |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2017-07-25 |
| Genre | : History |
| ISBN | : 1316813142 |
This book traces the rise and decline of Gilberto Freyre's vision of racial and cultural mixture (mestiçagem - or race mixing) as the defining feature of Brazilian culture in the twentieth century. Eakin traces how mestiçagem moved from a conversation among a small group of intellectuals to become the dominant feature of Brazilian national identity, demonstrating how diverse Brazilians embraced mestiçagem, via popular music, film and television, literature, soccer, and protest movements. The Freyrean vision of the unity of Brazilians built on mestiçagem begins a gradual decline in the 1980s with the emergence of an identity politics stressing racial differences and multiculturalism. The book combines intellectual history, sociological and anthropological field work, political science, and cultural studies for a wide-ranging analysis of how Brazilians - across social classes - became Brazilians.
| Author | : Christopher Dunn |
| Publisher | : UNC Press Books |
| Total Pages | : 273 |
| Release | : 2014-01-01 |
| Genre | : Music |
| ISBN | : 1469615703 |
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicalia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicalia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Ze created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.
| Author | : Charles A. Perrone |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 128 |
| Release | : 2022-05-19 |
| Genre | : Music |
| ISBN | : 150137981X |
Chico Buarque comprises a critical appreciation of the self-titled album (1978), which is one of the Brazilian artist's most representative. This vibrant collection displays the singer-songwriter's singular talents as a composer/poet of songs with both popular appeal and keen analytical skills. The 11 tracks include both up-beat sambas and lyrical compositions: witty tunes, dramatic laments, international items, and, especially, epochal protest songs with fascinating histories. The album embodies Chico Buarque's affective sensibilities and sociopolitical engagement, and this book situates the album in inter-related contexts: the artist's own career; the evolution of the current he represents MPB (Brazilian Popular Music); and, especially, historical conjuncture-the period of military dictatorship in Brazil, 1964-85.
