The Golden Age of Ivory
Author | : Richard H. Randall |
Publisher | : |
Total Pages | : 168 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Definitive illustrated catalogue: every medieval ivory in America. Sets new scholarly standard.
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Author | : Richard H. Randall |
Publisher | : |
Total Pages | : 168 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Definitive illustrated catalogue: every medieval ivory in America. Sets new scholarly standard.
Author | : Ezio Bassani |
Publisher | : |
Total Pages | : 255 |
Release | : 1988-01-01 |
Genre | : Art patronage |
ISBN | : 9780945802013 |
Author | : Peter Fusco |
Publisher | : Getty Publications |
Total Pages | : 130 |
Release | : 1997-11-13 |
Genre | : Art |
ISBN | : 0892365137 |
The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.
Author | : Jean-Patrick Manchette |
Publisher | : New York Review of Books |
Total Pages | : 209 |
Release | : 2018-05-01 |
Genre | : Fiction |
ISBN | : 168137210X |
Set in Cuba's Sierra Maestra in the 1950s, in the days leading up to the Revolution--Manchette's unfinished masterpiece with a fearless female protagonist. Out of the wreckage of World War II swaggers Ivory Pearl, so named (rhymes with girl) by some British soldiers who made her their mascot, a mere kid, orphaned, survivor of God knows what, but fluent in French, English, smoking, and drinking. In Berlin, Ivy meets Samuel Farakhan, a rich closeted intelligence officer. Farakhan proposes to adopt her and help her to become the photographer she wants to be; his relationship to her will provide a certain cover for him. And she is an asset. The deal is struck... 1956: Ivy has seen every conflict the postwar world has on offer, from Vietnam to East Berlin, and has published her photographs in slick periodicals, but she is sick to death of death and bored with life and love. It’s time for a break. Ivy heads to Cuba, the Sierra Maestra. History, however, doesn’t take vacations. Ivory Pearl was Jean-Patrick Manchette’s last book, representing a new turn in his writing. It was to be the first of a series of ambitious historical thrillers about the “wrong times” we live in. Though left unfinished when Manchette died, the book, whose full plot has been filled in here from the author’s notes, is a masterpiece of bold suspense and black comedy: chilling, caustic, and perfectly choreographed.
Author | : Nancy Marie Brown |
Publisher | : Macmillan |
Total Pages | : 290 |
Release | : 2015-09 |
Genre | : Art |
ISBN | : 1137279370 |
In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Nancy Marie Brown's Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.
Author | : Walters Art Gallery (Baltimore, Md.) |
Publisher | : Viking Penguin |
Total Pages | : 338 |
Release | : 1985-01-01 |
Genre | : Art |
ISBN | : 9780933920439 |
Author | : Paul Williamson |
Publisher | : |
Total Pages | : 364 |
Release | : 2014 |
Genre | : Art |
ISBN | : |
"The first volume of a new catalogue of the Victoria and Albert Museum's collection of medieval ivory carvings, covering the years 400-1200, appeared in 2010. The present two volumes complete the catalogue, taking in every piece carved between about 1200 and 1550; and it is satisfying to report that a further volume, on the post-medieval ivories, was published by my colleague Marjorie Trusted in 2013."--Preface, p. 9.
Author | : Carolyn Loessel Connor |
Publisher | : |
Total Pages | : 129 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780691048185 |
Intrigued by barely visible traces of paint or stain, Connor subjected such ivory objects as boxes, plaques, and book covers to scientific analysis. Under the microscope, she saw that their surfaces were once ablaze with color, while tests identified the actual pigments. Her findings, presented here, demonstrate that the ivories were colored and that the paint or stain - which does not adhere well to the surface of ivory - either wore off or was cleaned away. She draws on the work of archaeologists, classicists, historians, and art historians to show that this color was almost certainly original and not, as many scholars have assumed, a medieval or later addition. The author also locates Byzantine ivories within a long tradition of colored ivory going back, for example, to a painted chest found in the tomb of the Egyptian boy-king Tutankhamen.
Author | : Ramananda Chatterjee |
Publisher | : |
Total Pages | : 770 |
Release | : 1917 |
Genre | : Electronic journals |
ISBN | : |
Includes section "Reviews and notices of books".
Author | : Eike D. Schmidt |
Publisher | : Getty Publications |
Total Pages | : 58 |
Release | : 2009 |
Genre | : Art |
ISBN | : 089236940X |
An extraordinary achievement in terms of its artistic rendering of the human body, its masterful carving of details, and its profound philosophical meaning, Balthasar Griessmann's large ivory goblet in the J. Paul Getty Museum celebrates wine and explores the benefits and risks of its consumption. Culminating with an allegory of youth, it challenges the viewer to think about the degree to which pleasure and duty play their parts in our making life choices. This handsome gift book is illustrated with stunning photographic details and includes an essay that traces the visual and literary sources that inspired Griessmann's designs. Although long considered a master of German Baroque ivory carving, Griessmann was identified by name only fifteen years ago. This photo essay and analysis is the first overview of Griessmann in the English language.