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| Author | : Smith College. Museum of Art |
| Publisher | : Hudson Hills |
| Total Pages | : 344 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9781555951832 |
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
| Author | : Smith College. Museum of Art |
| Publisher | : Hudson Hills |
| Total Pages | : 252 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9781555951948 |
Smith College art professors Davis and Leshko showcase 100 paintings and sculptures from their institution's vaunted collection, encompassing Americans from Gilbert Stuart to Louise Nevelson and Europeans from Corot to Henry Moore. In the introduction, how and why Smith became steward of such a fine body of work is ascribed to the school's high-minded mission and its generous alumni donors. The rest of the book is divided into two sections, one American and the other European. Each individual full-color reproduction is accompanied by an informative one-page essay and a brief reading list. During several years of renovations at Smith, the items featured in this book are traveling to diverse sites, which should increase the book's appeal. 118 colour & 1 b/w illustrations
| Author | : National Endowment for the Arts |
| Publisher | : |
| Total Pages | : 190 |
| Release | : |
| Genre | : |
| ISBN | : |
Reports for 1980- include also the Annual report of the National Council on the Arts.
| Author | : Jacob Bean |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 459 |
| Release | : 1971 |
| Genre | : Drawing |
| ISBN | : 0870990217 |
"This is the third in a series of catalogues published jointly by The Metropolitan Museum of Art and The Pierpont Morgan Library to record exhibitions of drawings from the two institutions and from distinguished private collections. The exhibitions and the books that illustrate them will ultimately document the finest traditions of European draughtsmanship, from the Renaissance through the nineteenth century. The Eighteenth Century in Italy, which follows The Italian Renaissance and The Seventeenth Century in Italy, contains reproductions of 300 drawings, presented one to a page. The book brings together, chronologically, brilliant works by G. B. Tiepolo, Canaletto, Francesco Guardi, Giovanni Battista Piranesi, and Domenico Tiepolo—as well as drawings of fifty-one other masters of the Settecento. As in the preceding catalogues, the photographic reproductions have been made directly from the drawings themselves in order to retain, as much as possible, the original tonalities. Each of the 300 drawings has a commentary, record of provenance and exhibitions, technical description, and bibliography. And, for the first time in the series, many watermarks have been drawn and reproduced photographically"--Publisher's description.
| Author | : Angela Bartram |
| Publisher | : Routledge |
| Total Pages | : 273 |
| Release | : 2016-04-08 |
| Genre | : Architecture |
| ISBN | : 1317070003 |
Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
| Author | : Timothy Verdon |
| Publisher | : Hudson Hills |
| Total Pages | : 252 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780971298194 |
This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.
| Author | : William Griswold |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 284 |
| Release | : 1994 |
| Genre | : Drawing |
| ISBN | : 0870996886 |
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Yale University (New Haven, Conn.). Art Gallery |
| Publisher | : Yale University Press |
| Total Pages | : 316 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 0300114338 |
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
| Author | : New York Public Library. Art and Architecture Division |
| Publisher | : |
| Total Pages | : 554 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Cleveland Museum of Art |
| Publisher | : Hudson Hills |
| Total Pages | : 148 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9780940717909 |
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
