Mass Theatre in Interwar Europe

Mass Theatre in Interwar Europe
Author: Thomas Crombez
Publisher: Leuven University Press
Total Pages: 785
Release: 2014-06-24
Genre: Performing Arts
ISBN: 9058679926

Ideological heterogeneity in mass plays in Flanders and the Netherlands In many European countries mass theatre was a widespread expression of ‘community art’ which became increasingly popular shortly before the First World War. From Max Reinhardt’s lavish open-air spectacles to socialist workers’ Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation. Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays in Flanders and the Netherlands had a distinctive character, displaying an ideological heterogeneity not seen elsewhere. Mass Theatre in Interwar Europe studies this peculiar phenomenon of the Low Countries in its European context and sheds light on the broader framework of mass movements in the interwar period.

The Great European Stage Directors Volume 8

The Great European Stage Directors Volume 8
Author: Luk Van den Dries
Publisher: Bloomsbury Publishing
Total Pages: 264
Release: 2021-10-07
Genre: Performing Arts
ISBN: 1474259960

This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.

The Press and Popular Culture in Interwar Europe

The Press and Popular Culture in Interwar Europe
Author: Sarah Newman
Publisher: Routledge
Total Pages: 210
Release: 2015-09-25
Genre: Language Arts & Disciplines
ISBN: 1317752058

This collection shows the importance of a comparative European framework for understanding developments in the popular press and journalism between the wars. This was, it argues, a formative and vital period in the making of the modern press. A great deal of fine scholarship on the development of modern forms of journalism and newspapers in the nineteenth and twentieth centuries has emerged within discrete national histories. Yet in bringing together essays on Britain, France, Germany, Italy and Poland, this book discerns points of convergence and divergence, and the importance of the European context in shaping how news was defined, produced and consumed. Challenging the tendency of histories of the press to foreground processes of ‘Americanisation’ and the displacement of older notions of the ‘fourth estate’ by new forms of human interest journalism, the chapters draw attention to the complex ways in which the popular press continued to be politicized throughout the interwar period. Building on this analysis, the book examines the forms, processes and networks through which newspapers were produced for public consumption. In a period of massive social, political and economic upheaval and conflict, the popular press provided a forum in which Europe’s meanings and nature could be constructed and contested. The interpersonal, material and technological links between newspapers, news corporations and news agencies in different countries served to define the outlines of Europe. Europe was called into being through the circulation of news and the practices and networks of the modern mass press traced in this volume. This publication is highly relevant to scholars of the history of journalism and cultural historians of interwar Britain and Europe. This book was originally published as a special issue of Journalism Studies.

A Handbook to the Reception of Greek Drama

A Handbook to the Reception of Greek Drama
Author: Betine van Zyl Smit
Publisher: John Wiley & Sons
Total Pages: 624
Release: 2016-02-29
Genre: Literary Criticism
ISBN: 1118347773

A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film

Directors’ Theatre

Directors’ Theatre
Author: Peter M. Boenisch
Publisher: Bloomsbury Publishing
Total Pages: 300
Release: 2019-12-11
Genre: Performing Arts
ISBN: 1352007959

This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions

The Oxford Handbook of Dance and Theater

The Oxford Handbook of Dance and Theater
Author: Nadine George-Graves
Publisher: Oxford Handbooks
Total Pages: 1057
Release: 2015
Genre: Music
ISBN: 0199917493

This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.

Clerical Fascism in Interwar Europe

Clerical Fascism in Interwar Europe
Author: Matthew Feldman
Publisher: Routledge
Total Pages: 265
Release: 2013-10-31
Genre: History
ISBN: 1317968999

This edited volume arose from an international workshop convened in 2006 by Feldman and Turda with Tudor Georgescu, supported by Routledge, and the universities of Oxford, Brookes, Northampton and CEU (Budapest). As the field of fascist studies continues to integrate more fully into pan-European studies of the twentieth century, and given the increasing importance of secular ‘political religion’ as a taxonomic tool for understanding such revolutionary movements, this collection of essays considers the intersection between institutional Christian faiths, theology and congregations on the one hand, and fascist ideology on the other. In light of recent debates concerning the intersecting secularisation of religion and (usually Christian-based) the sacralisation of politics, "Clerical Fascism" in Interwar Europe approaches such conundrums from an alternative perspective: How, in Europe between the wars, did Christian clergy, laity and institutions respond to the rise of national fascist movements? In doing so, this volume provides case studies from the vast majority of European countries with analyses that are both original in intent and comprehensive in scope. In dealing with the relationship of various interwar fascist movements and their respective national religious institutions, this edited collection promises to significantly contribute to relevant academic historiographies; and as such, will appeal to a wide readership. This book was previously published as a special issue of Totalitarian Movements and Political Religions.

British Theatre and Performance 1900-1950

British Theatre and Performance 1900-1950
Author: Rebecca D'Monte
Publisher: Bloomsbury Publishing
Total Pages: 353
Release: 2015-02-26
Genre: Performing Arts
ISBN: 1408166011

British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.

Acts and apparitions

Acts and apparitions
Author: Elizabeth Tomlin
Publisher: Manchester University Press
Total Pages: 241
Release: 2018-09-30
Genre: Performing Arts
ISBN: 1526130742

Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. This book departs significantly from existing scholarship on contemporary performance in its rejection of the dramatic/postdramatic binary and its interrogation of previous applications of Derridean poststructuralism to theatrical representation and notions of the real. It offers new perspectives on the political analysis of contemporary theatre and performance across a wide range of models from Forced Entertainment and the Wooster Group, to Roland Schimmelpfennig and Howard Barker; from verbatim theatre to audio tours and the interactive performances of Ontroerend Goed.