Marxism And The History Of Art
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| Author | : Andrew Hemingway |
| Publisher | : Pluto Press |
| Total Pages | : 0 |
| Release | : 2006-07-20 |
| Genre | : Art |
| ISBN | : 9780745323299 |
This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels’s thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
| Author | : Maynard Solomon |
| Publisher | : Wayne State University Press |
| Total Pages | : 724 |
| Release | : 1979 |
| Genre | : Art |
| ISBN | : 9780814316214 |
Marxism and Art is a collection of basic readings in Marxist criticism and aesthetics. Marxism and Art is a book of basic readings in Marxist criticism and aesthetics. Maynard Solomon, through his selections and critical introductions, shows connections between the arts and society, between imagination nd history, and between art and revolution. He selects from thirty-six authors to reveal the range of opinion from dogma to heresy, beginning with excerpts from the works of Marx and Engels that are pertinent to an understanding of Marxist philosophy. The book traverses a wide range of subjects from the origins of art to the nature of creativity, the aesthetic experience, the dialectics of consciousness, the psychology of art, and the evolution of art forms. The sources of art in ritual, in the labor process, in the play drive, and in social conflict are explored.
| Author | : Dave Beech |
| Publisher | : BRILL |
| Total Pages | : 402 |
| Release | : 2015-05-12 |
| Genre | : Philosophy |
| ISBN | : 9004288155 |
Art and Value is the first comprehensive analysis of art's political economy throughout classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art's economic exceptionalism, of art as a merit good, and of the theories of art's commodification, the culture industry and real subsumption. Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the 'cost disease' of artistic production, and neoliberal and post-Marxist theories of art's incorporation into capitalism, are examined in detail. Subjecting mainstream and Marxist theories of art's economics to an exacting critique, the book concludes with a new Marxist theory of art's economic exceptionalism.
| Author | : Andrew Hemingway |
| Publisher | : Yale University Press |
| Total Pages | : 380 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780300092202 |
Examination of the relation between visual artists and the American communist movement in the first half of the twentieth century, from the rise in prestige of the party during the Great Depression to its decline in the 1950s. Account of how left-wing artists responded to the party's various policy shifts: the communist party exerted a powerful force in American culture.
| Author | : Warren Carter |
| Publisher | : Art / Books |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Communism and art |
| ISBN | : 9781908970121 |
From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis there has been a resurgence of interest in Marx. Now available in paperback, this collection of essays, a festschrift in honor of leading Marxist art historian Andrew Hemingway, brings together 30 academics who are reshaping art history along Marxist lines. The essayists include Matthew Beaumont, Warren Carter, Michael Corris, Gail Day, Paul Jaskot, Stewart Martin, Frederic J. Schwartz, Caroline Arscott, Steve Edwards, Charles Ford, Brian Foss, Tom Gretton, Alan Wallach, Michael Bird, Martin I. Gaughan, Barnaby Haran and Fred Orton, among others.
| Author | : Andrew Hemingway |
| Publisher | : Pluto Press (UK) |
| Total Pages | : 296 |
| Release | : 2006-07-20 |
| Genre | : Art |
| ISBN | : |
The first comprehensive introduction to Marxist approaches to art history. 'The best in the field.' --Esther Leslie
| Author | : Gen Doy |
| Publisher | : Berg 3pl |
| Total Pages | : 296 |
| Release | : 1998-05 |
| Genre | : Art |
| ISBN | : |
Item discusses Marxist art history in relation to the social history of art.
| Author | : John Molyneux |
| Publisher | : Haymarket Books |
| Total Pages | : 241 |
| Release | : 2020-08-04 |
| Genre | : Art |
| ISBN | : 1642592137 |
To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.
| Author | : Ernst Fischer |
| Publisher | : Verso Books |
| Total Pages | : 293 |
| Release | : 2020-05-05 |
| Genre | : Art |
| ISBN | : 1789600995 |
"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.
| Author | : Alan Woods |
| Publisher | : Wellred Books |
| Total Pages | : 346 |
| Release | : |
| Genre | : Philosophy |
| ISBN | : |
Alan Woods outlines the development of philosophy from the ancient Greeks, all the way through to Marx and Engels who brought together the best of previous thinking to produce the Marxist philosophical outlook, which looks at the real material world, not as a static immovable reality, but one that is constantly changing and moving according to laws that can be discovered. It is this method which allows Marxists to look at how things were, how they have become and how they are most likely going to be in the future, in a long process which started with the early primitive humans in their struggles for survival, through to the emergence of class societies, all as part of a process towards greater and greater knowledge of the world we live in. This long historical process eventually created the material conditions which allow for an end to class divisions and the flowering of a new society where humans will achieve true freedom, where no human will exploit another, no human will oppress another. Here we see how philosophy becomes an indispensable tool in the struggle for the revolutionary transformation of society.
