Miniatura fiorentina del Rinascimento, 1440-1525
Author | : Annarosa Garzelli |
Publisher | : |
Total Pages | : 628 |
Release | : 1985 |
Genre | : Illumination of books and manuscripts |
ISBN | : |
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Author | : Annarosa Garzelli |
Publisher | : |
Total Pages | : 628 |
Release | : 1985 |
Genre | : Illumination of books and manuscripts |
ISBN | : |
Author | : Francesca Gregoratti |
Publisher | : Olschki |
Total Pages | : 200 |
Release | : 1996 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : Hoepli (Firm : Milan, Italy) |
Publisher | : |
Total Pages | : 766 |
Release | : 1925 |
Genre | : Bookbinding |
ISBN | : |
Author | : Mario Emilio Cosenza |
Publisher | : |
Total Pages | : 960 |
Release | : 1962 |
Genre | : Authors, Italian |
ISBN | : |
Author | : Ilaria Serra |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 315 |
Release | : 2009 |
Genre | : History |
ISBN | : 0838641989 |
Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.
Author | : Angela Nuovo |
Publisher | : BRILL |
Total Pages | : 492 |
Release | : 2013-06-17 |
Genre | : History |
ISBN | : 9004208496 |
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Author | : Susan Vandiver Nicassio |
Publisher | : University of Chicago Press |
Total Pages | : 257 |
Release | : 2009-10-15 |
Genre | : History |
ISBN | : 0226579743 |
In 1798, the armies of the French Revolution tried to transform Rome from the capital of the Papal States to a Jacobin Republic. For the next two decades, Rome was the subject of power struggles between the forces of the Empire and the Papacy, while Romans endured the unsuccessful efforts of Napoleon’s best and brightest to pull the ancient city into the modern world. Against this historical backdrop, Nicassio weaves together an absorbing social, cultural, and political history of Rome and its people. Based on primary sources and incorporating two centuries of Italian, French, and international research, her work reveals what life was like for Romans in the age of Napoleon. “A remarkable book that wonderfully vivifies an understudied era in the history of Rome. . . . This book will engage anyone interested in early modern cities, the relationship between religion and daily life, and the history of the city of Rome.”—Journal of Modern History “An engaging account of Tosca’s Rome. . . . Nicassio provides a fluent introduction to her subject.”—History Today “Meticulously researched, drawing on a host of original manuscripts, memoirs, personal letters, and secondary sources, enabling [Nicassio] to bring her story to life.”—History