Manifestations Of Collective Identity In Country Music Cultural Regional National
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Author | : Stephanie Schäfer |
Publisher | : diplom.de |
Total Pages | : 117 |
Release | : 2011-12-01 |
Genre | : Music |
ISBN | : 3842823010 |
Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs is filled with new particles, as the water we drink gets its fluoride levels regulated and mineral content tweaked, it makes perfect sense that American music becomes slicker, more machinated, less like reality. We are all subject to our environs, fashioned and chiseled and sanded into shapes We have highways for arteries and clouds for brains and sticks for bones, The sounds we make are Americana. As one of the first musical expressions of the United States, country music represents the values and ideals on which the nation was founded. Country music can be seen as the epitome of the American Dream. It has its origins in the 19th century, when cowboys were working in the fields and riding through the lonely prairie, an image that has been romanticized by numerous Hollywood movies. This thesis focuses on country music as a genre as well as the identity which it represents and by which audience and performers are linked. Country music can be regarded as the music of Southern working class Americans. Since before the Civil War, the South has always been looked down upon as being primitive, simple-minded, and extremely religious. Having its roots in the South, country music has had to face substantial criticism in terms of unsophistication and over-sentimentalization. Due to a shift in national economic power, the United States have become increasingly Southernized, both culturally and musically. Southern culture and identity have become desirable. This phenomenon allowed country music to shed its dubious reputation and gain popularity across the country. This paper will shine a light on the American South as a cultural region that has more to offer than what meets the eye. Southern working class culture and its core values are going to be described and put in context with country music as a form of cultural expression. Central themes in American country music are family, love, heartbreak, work, friends, religion, and patriotism. Characteristic for the country music genre are its narrative structures, which by telling a story, enhance its ability to form a collective identity as well as a connection between the narrator, the performer, and the audience. However, country musicians are not solely messengers of the [...]
Author | : Stephanie Sch„fer |
Publisher | : Diplomica Verlag |
Total Pages | : 125 |
Release | : 2012-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 3842878451 |
Where I come from, it?s cornbread and chicken... This line from Alan Jackson?s country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true American genre loses its charm. Modern country music has become slick and professionalized and sounds more and more like common pop music to make it more profitable. This study focuses on the authentic country music identity and how it is threatened by increasing commercialization. It defines said identity and the working class culture from which it springs. It traces the history of country music and its different genres from the 19th and early 20th century cowboy music over Western Swing and Honky-Tonk of the 1930s and 1940s, the progressive movements of the 1960s and 1970s up to today?s mainstream Country Pop, and shows how its target audience has changed over time and how the opposition tries to preserve traditional sounds. Authentic Texas Country is set in contrast to the commercial Nashville recording industry and both are compared in their respective developments over the years. In the face of terrorism, which poses a threat to the American National identity, country music with its representative American values has become increasingly popular and enforces a strong collective identity on a national level. However, in doing so, it also dilutes the original identity that was once restricted to life in a small town community rather than the country as a whole. What sets country music as a genre apart is its narrative structure. Every song has a story to tell: Be it about ?The Cold Hard Facts of Life?, a prayer finally answered, or the first kiss on a Saturday night.
Author | : Sara Cohen |
Publisher | : Routledge |
Total Pages | : 429 |
Release | : 2017-09-29 |
Genre | : Music |
ISBN | : 1351218409 |
How is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.
Author | : Johanne Devlin Trew |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 340 |
Release | : 2009-10-02 |
Genre | : Social Science |
ISBN | : 1443816132 |
The Ottawa Valley is a region of Canada straddling the Ottawa River in Ontario and Québec that is well known for its rich singing, storytelling, fiddling and step dancing traditions. Settled largely by the Irish, Scots and the French over the past two hundred years, it had largest concentration of people of Irish origin in Canada by the late 19th century. Travelling through the Valley one gets the sense of coming face to face with the past. While its dramatic history is filled with incidents of extreme hardship and tragedy, the overriding impression is of a triumphant survivalism associated with its strong men of the past; the voyageurs, the coureurs du bois and the lumbermen. The legacy of this unique heritage—from fiddling and step dancing to tales of priests, lumberman, and Orange and Green rivalries—is explored in this book through the voices of Valley people themselves. The author reveals the importance of place and history in the transmission of this vibrant regional culture down to the present day.
Author | : Travis D. Stimeling |
Publisher | : Oxford University Press |
Total Pages | : 192 |
Release | : 2011-05-20 |
Genre | : Music |
ISBN | : 0199747474 |
Country music of the late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the emerging counterculture. But starting around 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to merge it with countercultural ideals to forge a distinctly Texan counterculture. Progressive country music-a hybrid of country music and rock-blossomed in this growing Austin community, as it played out the contradictions at work among its residents. The music was at once firmly grounded in the traditional Texan culture in which they had been raised, and profoundly affected by their newly radicalized, convention-flouting ways.In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks provides new insight into the inner workings of Austin's progressive country music scene-by bringing the music and musicians brilliantly to life.
Author | : Ellen Koskoff |
Publisher | : Routledge |
Total Pages | : 444 |
Release | : 2005-08-17 |
Genre | : Music |
ISBN | : 1135888817 |
Music Cultures in the United States is a basic textbook for an Introduction to American Music course. Taking a new, fresh approach to the study of American music, it is divided into three parts. In the first part, historical, social, and cultural issues are discussed, including how music history is studied; issues of musical and social identity; and institutions and processes affecting music in the U.S. The heart of the book is devoted to American musical cultures: American Indian; European; African American; Latin American; and Asian American. Each cultural section has a basic introductory article, followed by case studies of specific musical cultures. Finally, global musics are addressed, including Classical Musics and Popular Musics, as they have been performed in the U.S.. Each article is written by an expert in the field, offering in-depth, knowledgeable, yet accessible writing for the student. The accompanying CD offers musical examples tied to each article. Pedagogic material includes chapter overviews, questions for study, and a chronoloogy of key musical events in American music and definitions in the margins.
Author | : Earl Wright II |
Publisher | : Routledge |
Total Pages | : 322 |
Release | : 2016-03-09 |
Genre | : Social Science |
ISBN | : 1317044029 |
The Ashgate Research Companion to Black Sociology provides the most up to date exploration and analysis of research focused on Blacks in America. Beginning with an examination of the project of Black Sociology, it offers studies of recent events, including the ‘Stand Your Ground’ killing of Trayvon Martin, the impact of Hurricane Katrina on emerging adults, and efforts to change voting requirements that overwhelmingly affect Blacks, whilst engaging with questions of sexuality and family life, incarceration, health, educational outcomes and racial wage disparities. Inspired by W.E.B. Du Bois’s charge of engaging in objective research that has a positive impact on society, and organised around the themes of Social Inequities, Blacks and Education, Blacks and Health and Future Directions, this timely volume brings together the latest interdisciplinary research to offer a broad overview of the issues currently faced by Blacks in United States. A timely, significant research guide that informs readers on the social, economic and physical condition of Blacks in America, and proposes directions for important future research. The Ashgate Research Companion will appeal to policy makers and scholars of Africana Studies, Sociology, Cultural Studies, Anthropology and Politics, with interests in questions of race and ethnicity, gender and sexuality, social inequalities, health and education.
Author | : Lou Taylor |
Publisher | : Manchester University Press |
Total Pages | : 356 |
Release | : 2004-05-07 |
Genre | : Antiques & Collectibles |
ISBN | : 9780719066399 |
'Establishing Dress History' will appeal not only to students and academics bt all those those with an interest in the history of dress and fashion. The title fuses together two areas of current academic interest, dress design and history, and current museum studies approaches.
Author | : Naren Chitty |
Publisher | : Taylor & Francis |
Total Pages | : 509 |
Release | : 2016-11-03 |
Genre | : Political Science |
ISBN | : 1317369378 |
The Routledge Handbook of Soft Power is the first volume to offer a comprehensive and detailed picture of soft power and associated forms of public diplomacy. The terms soft power and public diplomacy have enormous currency in media and policy discourse, yet despite all the attention the terms remain conceptually ambiguous for analysts of international influence. The consequence is that the terms have survived as powerful, yet criticized, frames for influence. Divided into two main parts, Part I outlines theoretical problems, methodological questions, the cultural imperative and the technological turn within the study of soft power and Part II focuses on bringing the theory into practice through detailed discussion of key case studies from across the Americas, Europe, the Middle East, Africa and Asia. This innovative handbook provides a definitive resource for students and scholars seeking to familiarize themselves with cutting-edge debates and future research on soft power and will be of interest to those studying and researching in areas such as international relations, public diplomacy and international communication.
Author | : Rick Fawn |
Publisher | : Cambridge University Press |
Total Pages | : 274 |
Release | : 2009-04-30 |
Genre | : Business & Economics |
ISBN | : 9780521759885 |
A collection of leading international scholars examine the concept of regions from a range of perspectives and assess leading contemporary examples.