Mandarin Squares
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Author | : Valery M. Garrett |
Publisher | : Oxford University Press, USA |
Total Pages | : 100 |
Release | : 1990 |
Genre | : Art |
ISBN | : |
Mandarin squares, the embroidered insignia sewn on to the robes of the ruling mandarin classes in China's Qing dynasty (1644-1911) are prized collectors' pieces. This fully illustrated introduction begins with an account of the Chinese system of government and the selection of mandarins. Thesecond half traces the origin and development of mandarin squares and describes the symbolism and embroidery techniques of the insignia.
Author | : Walther G. von Krenner |
Publisher | : McFarland |
Total Pages | : 181 |
Release | : 2016-05-01 |
Genre | : Art |
ISBN | : 1476619581 |
This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Tracing the lion's early use in Mesopotamian art and its cultural symbolism in Greece and Rome, this study includes stylized foxes, tigers, badgers and cats, as well as fanciful creatures like dragons, humanoid birds, water imps, demons and other chimerical beasts. Stories and descriptions are provided along with numerous photographs and drawings, making this work an invaluable resource for art collectors and anyone interested in East Asian culture and history.
Author | : Michael Dillon |
Publisher | : Psychology Press |
Total Pages | : 404 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780700704392 |
This new reference work contains approximately 1500 entries covering Chinese civilisation from Peking Man to the present day. Subjects include history, politics, art, archaeology, and literature to name but a few.
Author | : |
Publisher | : |
Total Pages | : 314 |
Release | : 1924 |
Genre | : China |
ISBN | : |
Author | : Roberta Helmer Stalberg |
Publisher | : Routledge |
Total Pages | : 291 |
Release | : 2022-05-17 |
Genre | : Social Science |
ISBN | : 100058271X |
This book, first published in 1981, provides a comprehensive appraisal of China’s crafts. Its historical approach and numerous illustrations not only reveal the ancient origins of many of China’s arts, but also offer the means for evaluating modern crafts in light of past achievements.
Author | : Keith L. Pratt |
Publisher | : Psychology Press |
Total Pages | : 598 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780700704644 |
Containing approximately 1500 entries covering Korean civilisation from early times to the present day this dictionary looks at subjects including history, politics, art, archaeology, literature.
Author | : William Watson |
Publisher | : Yale University Press |
Total Pages | : 300 |
Release | : 2007-01-01 |
Genre | : Art |
ISBN | : 0300107358 |
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.
Author | : Deborah A. Bekken |
Publisher | : University of Chicago Press |
Total Pages | : 363 |
Release | : 2018-02-01 |
Genre | : History |
ISBN | : 022645617X |
At the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
Author | : Michael Sullivan |
Publisher | : Univ of California Press |
Total Pages | : 358 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780520218765 |
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
Author | : Richard J. Smith |
Publisher | : Rowman & Littlefield |
Total Pages | : 625 |
Release | : 2015-10-23 |
Genre | : History |
ISBN | : 1442221941 |
The Qing dynasty (1636–1912)—a crucial bridge between “traditional” and “modern” China—was remarkable for its expansiveness and cultural sophistication. This engaging and insightful history of Qing political, social, and cultural life traces the complex interaction between the Inner Asian traditions of the Manchus, who conquered China in 1644, and indigenous Chinese cultural traditions. Noted historian Richard J. Smith argues that the pragmatic Qing emperors presented a “Chinese” face to their subjects who lived south of the Great Wall and other ethnic faces (particularly Manchu, Mongolian, Central Asian, and Tibetan) to subjects in other parts of their vast multicultural empire. They were attracted by many aspects of Chinese culture, but far from being completely “sinicized” as many scholars argue, they were also proud of their own cultural traditions and interested in other cultures as well. Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity. Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.