Mallarme And The Poetics Of Everyday Life
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Author | : Hélène Stafford |
Publisher | : BRILL |
Total Pages | : 244 |
Release | : 2022-06-08 |
Genre | : Social Science |
ISBN | : 9004456015 |
This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Author | : Roger Pearson |
Publisher | : Clarendon Press |
Total Pages | : 296 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780199266746 |
Following his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'
Author | : Christophe Wall-Romana |
Publisher | : Fordham Univ Press |
Total Pages | : 505 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 0823245489 |
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
Author | : Suzanne Singletary |
Publisher | : Taylor & Francis |
Total Pages | : 253 |
Release | : 2016-11-18 |
Genre | : Art |
ISBN | : 1315438712 |
In this first full-length study to position James McNeill Whistler within the trajectory of French modernism, his dialogues with Courbet, Manet, Degas, Monet and Seurat are examined in-depth. Inserting Whistler into the dynamics of the French avant-garde reveals the depth and pervasiveness of his presence and the revolutionary nature of his role in shaping modernism.
Author | : Heather Williams |
Publisher | : Peter Lang |
Total Pages | : 184 |
Release | : 2004 |
Genre | : Foreign Language Study |
ISBN | : 9783039101627 |
In this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.
Author | : Gayle Zachmann |
Publisher | : State University of New York Press |
Total Pages | : 227 |
Release | : 2008-11-05 |
Genre | : Literary Criticism |
ISBN | : 0791477673 |
Countering the conventional image of the deliberately obscure "ivory-tower poet," Frameworks for Mallarmé presents Stéphane Mallarmé as a journalist and critic who was actively engaged with the sociocultural and technological shifts of his era. Gayle Zachmann introduces a writer whose aesthetic was profoundly shaped by contemporary innovations in print and visual culture, especially the nascent art of photography. She analyzes the preeminence of the visual in conjunction with Mallarmé's quest for "scientific" language, and convincingly links the poet's production to a nineteenth-century understanding of cognition that is articulated in terms of optical perception. The result is a distinctly modern recuperation of the Horatian doctrine of ut pictura poesis in Mallarmé's poetry and his circumstantial writings.
Author | : R. Howard Bloch |
Publisher | : Liveright Publishing |
Total Pages | : 384 |
Release | : 2016-11-08 |
Genre | : Literary Criticism |
ISBN | : 1631490869 |
In the tradition of The Swerve comes this thrilling, detective-like work of literary history that reveals how a poem created the world we live in today. It was, improbably, the forerunner of our digital age: a French poem about a shipwreck published in 1897 that, with its mind-bending possibilities of being read up and down, backward and forward, even sideways, launched modernism. Stéphane Mallarmé’s "One Toss of the Dice," a daring, twenty-page epic of ruin and recovery, provided an epochal “tipping point,” defining the spirit of the age and anticipating radical thinkers of the twentieth century, from Albert Einstein to T. S. Eliot. Celebrating its intrinsic influence on our culture, renowned scholar R. Howard Bloch masterfully decodes the poem still considered among the most enigmatic ever written. In Bloch’s shimmering portrait of Belle Époque Paris, Mallarmé stands as the spiritual giant of the era, gathering around him every Tuesday a luminous cast of characters including Émile Zola, Victor Hugo, Claude Monet, André Gide, Claude Debussy, Oscar Wilde, and even the future French prime minister Georges Clemenceau. A simple schoolteacher whose salons and prodigious literary talent won him the adoration of Paris’s elite, Mallarmé achieved the reputation of France’s greatest living poet. He was so beloved that mourners crowded along the Seine for his funeral in 1898, many refusing to depart until late into the night, leaving Auguste Renoir to ponder, “How long will it take for nature to make another such a mind?” Over a century later, the allure of Mallarmé’s linguistic feat continues to ignite the imaginations of the world’s greatest thinkers. Featuring a new, authoritative translation of the French poem by J. D. McClatchy, One Toss of the Dice reveals how a literary masterpiece launched the modernist movement, contributed to the rise of pop art, influenced modern Web design, and shaped the perceptual world we now inhabit. And as Alex Ross remarks in The New Yorker, "If you can crack [Mallarmé’s] poems, it seems, you can crack the riddles of existence." In One Toss of the Dice, Bloch finally, and brilliantly, dissects one of literary history’s greatest mysteries to reveal how a poem made us modern.
Author | : J. Acquisto |
Publisher | : Springer |
Total Pages | : 210 |
Release | : 2013-02-18 |
Genre | : Literary Criticism |
ISBN | : 1137329289 |
This volume of essays seeks to establish a dialogue between poetry and philosophy where each could be said to read the other and announces important new paths for a reinvigorated study of lyric poetry in the decades to come.
Author | : Damian Catani |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 300 |
Release | : 2003 |
Genre | : History |
ISBN | : |
The Poet in Society dispels the traditional image of Mallarmé as an ivory-tower elitist poet by demonstrating his involvement in social and political issues. It argues for a re-evaluation of Mallarmé as a writer who is both socially aware and socially committed, and who responds to the prevailing consumerist and political discourses of his society by elaborating a social project designed to cater to the psychological needs of all community members. The Poet in Society is important not only in specifically Mallarméan terms, but also in terms of the increasingly intense debate on the crisis of values in the era of early modern capitalism.
Author | : Guido Mazzoni |
Publisher | : Harvard University Press |
Total Pages | : 265 |
Release | : 2022-04-19 |
Genre | : Literary Criticism |
ISBN | : 0674249038 |
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.