Contemporary Paintings of Malaysia
Author | : Balai Seni Lukis Negara (Malaysia) |
Publisher | : |
Total Pages | : 132 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
Download Malaysian Contemporary Art full books in PDF, epub, and Kindle. Read online free Malaysian Contemporary Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Balai Seni Lukis Negara (Malaysia) |
Publisher | : |
Total Pages | : 132 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
Author | : Muliyadi Mahamood |
Publisher | : Utusan Publications |
Total Pages | : 108 |
Release | : 2007 |
Genre | : Art, Malaysian |
ISBN | : 9789676119926 |
Author | : |
Publisher | : |
Total Pages | : 931 |
Release | : 2010 |
Genre | : Art, Malaysian |
ISBN | : 9789675775000 |
Author | : Serenella Ciclitira |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9788857222509 |
'Malaysian Eye' provides a wide-ranging survey of contemporary art in Malaysia, showcasing 75 of the most cutting-edge Malaysian contemporary artists and their works. It provides a panoramic view of the situation of contemporary art in the country
Author | : June Yap |
Publisher | : Strategic Information and Research Development Centre |
Total Pages | : 318 |
Release | : |
Genre | : Art |
ISBN | : 6297575053 |
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia. In short, which history rarely is, Retrospective is about the art of historicisation and the historicisation of art.
Author | : Ahmadrashidi bin Hasan |
Publisher | : |
Total Pages | : 128 |
Release | : 2015 |
Genre | : Art, Malaysian |
ISBN | : |
Author | : James H. Springer |
Publisher | : Gerakbudaya Enterprise |
Total Pages | : 246 |
Release | : |
Genre | : Art |
ISBN | : 9670311586 |
In February 2014, an international colony of young, freewheeling and footloose artists held a group exhibition that would stand as a pivotal turning point for the future of George Town, Penang. It was an exhibition destined to make the artists household names, infamous for boldly swinging into parties and installing challenging art onto Southeast Asian walls. It would also spell the return of George Town to a worldwide destination, a city relegated to backwater ashes rising to heights shared by heritage, culture, and cosmopolitanism. In this personal exposé, James H. Springer documents the lives and times of artists during the period of 2010 to 2016, telling the story of George Town’s gentrification through their own influential experiences. Through childhood memories, artistic inspirations, fluctuating relationships and artwork – learn how these young artists lay a new path for George Town going into unpredictable times. During what could arguably be described as Malaysia’s most troubling political era, Springer describes how the flourishing of art in George Town gave its population a much needed respite from federal government tomfoolery. In addition, George Town’s rising art scene gave Penang State a leg up in economic prosperity, creating an unheard of level of opportunity that would either be capitalised on or squandered. Malaysia’s Canvas lays bare the reality of being an artist in a developing country and the change it can inspire, with no holds barred.