Making The Transformational Moment In Film
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| Author | : Dan Fleming |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Cinematography |
| ISBN | : 9781615930609 |
This book is a unique exploration of the transformational process that turns film's raw material into deeply moving and provocative experiences. It takes key moments in films as examples of this process and examines how the moment is staged, how visual composition is used, how narrative is structured, how colour, light and music are handled, and how to get inside what it is like to be a fictional character that we really care about. The book also focuses on the deeply personal nature of the filmmaker's creative process, taking the international film director Vincent Ward as an example. Vincent Ward has been described as "one of film's great image-makers." The book looks into the deep sources of this ability, and by doing so provides new insights into the nature of creativity in film. The book is illustrated with a wealth of film images that are used to analyse in depth how scenes are actually constructed, including computer-generated 3-D simulations of staging, camera positioning, and movement. The sections on colour, light, and music explore how intense audio-visual experiences are produced. A section on 'what it is like' offers a new approach to understanding why we care about the people we watch on the screen.
| Author | : Martin P. Rossouw |
| Publisher | : BRILL |
| Total Pages | : 333 |
| Release | : 2021-05-31 |
| Genre | : Philosophy |
| ISBN | : 900446087X |
What is ‘the good’ of the film experience? And how does the budding field of ‘film as philosophy’ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the ‘film as philosophy’ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects – potential transformations of thought and experience – as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema – a cinemakeover – which casts a distinct vision of film spectatorship as a practice of self-transformation. "Recasting much of the existing debate, Martin Rossouw’s [...] emphasis on film’s power for enacting ethical transformation, rather than theoretical insight or discovery, gives a much-needed shot in the arm to a topic whose development has stalled in recent years. [...] This highly original book offers a unique and provocative contribution to the scholarship. Rossouw is a persistent questioner, often demonstrating sharp philosophical instincts." -Shawn Loht, Philosophy in Review, Vol. 43 no. 1 (February 2023). "At once a comprehensive record and a ceaseless meta-critique, Rossouw’s Transformational Ethics of Film is a thorough and bittersweet investigation into the aspiration and limits of this strand of film-philosophy scholarship [...]. [...] Rossouw’s detailed commitment to this critical exercise both provides a bountiful resource for film ethics scholarship, bringing organized clarity to an otherwise scattered but nonetheless commanding school of thought, and presents a potentially radical prospect for the position of meta-hermeneutics in the world of art theory." -Daniel E. Smith, New Review of Film and Television Studies, Vol. 22 no. 2 (July 2024).
| Author | : Johnson Cheu |
| Publisher | : McFarland |
| Total Pages | : 243 |
| Release | : 2019-06-13 |
| Genre | : Performing Arts |
| ISBN | : 1476667330 |
From his first appearance as Mork from Ork on the 1970s sitcom Happy Days, Robin Williams was heralded as a singular talent. In the pre-cable television era, he was one of the few performers to successfully transition from TV to film. An Oscar-winning actor and preternaturally quick-witted comedian, Williams became a cultural icon, leaving behind a large and varied body of work when he unexpectedly took his own life in 2014. This collection of new essays brings together a range of perspectives on Williams and his oeuvre, including beloved hits like Mrs. Doubtfire, Good Morning, Vietnam, Good Will Hunting, The Fisher King, Dead Poets Society and Aladdin. Contributors explore his earlier work (Mork and Mindy, The World According to Garp) and his political and satirical films (Moscow on the Hudson, Toys). Williams's darker, less well-known fare, such as Being Human, One Hour Photo, Final Cut and Boulevard, is also covered. Williams's artistry has become woven into the fabric of our global media culture.
| Author | : Eckhart Tolle |
| Publisher | : Hampton Roads Publishing |
| Total Pages | : 53 |
| Release | : 2008-11-28 |
| Genre | : Juvenile Fiction |
| ISBN | : 1612831656 |
For the first time ever, bestselling author Eckhart Tolle brings the core of his teachings to children, ages 7 to 100. Beautifully illustrated and artfully expressed, this charming story will bring joy to children and their parents for decades to come. Milton, who is about eight years old, is experiencing bullying on the school playground at the hands of a boy named Carter. Because he is being picked on, Milton no longer enjoys going to school. In fact, he dreads each morning because of his fear of Carter. By discovering the difference between Then, When, and the Now, Milton is able to shed his fear of being bullied. Living in the Now, he no longer dreads encountering Carter--and this changes everything. Milton's Secret will not only appeal to the millions of adult readers of Tolle's other books, but also to any parent who wants to introduce their children to the core of Tolle's teachings: Living in the Now is the quickest path to ending fear and suffering.
| Author | : Skip Press |
| Publisher | : Penguin |
| Total Pages | : 365 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9780028639444 |
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
| Author | : Jack Grapes |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 2017-07 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780941017251 |
Method Writing is a powerful approach to finding your deep voice and activating the creative process. Based on a series of concepts and exercises Grapes has used in his writing workshops over the last 30-plus years, Method Writing does more than describe techniques: it takes you step-by-step through a process that will empower your writing and make it unique.
| Author | : Georgina Brewis |
| Publisher | : Policy Press |
| Total Pages | : 200 |
| Release | : 2021-09-14 |
| Genre | : Social Science |
| ISBN | : 1447357205 |
ePDF and ePUB available Open Access under CC-BY-NC licence. During the consolidation of the welfare state in the 1940s, and its reshaping in the 2010s, the boundaries between the state, voluntary action, the family and the market were called into question. This interdisciplinary book explores the impact of these ‘transformational moments’ on the role, position and contribution of voluntary action to social welfare. It considers how different narratives have been constructed, articulated and contested by public, political and voluntary sector actors, making comparisons within and across the 1940s and 2010s. With a unique analysis of recent and historical material, this important book illuminates contemporary debates about voluntary action and welfare.
| Author | : Gillian McIver |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 647 |
| Release | : 2017-03-23 |
| Genre | : Art |
| ISBN | : 1474246206 |
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
| Author | : Mervyn Cooke |
| Publisher | : Cambridge University Press |
| Total Pages | : 439 |
| Release | : 2016-12-08 |
| Genre | : Music |
| ISBN | : 1107094518 |
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
| Author | : Mette Hjort |
| Publisher | : John Wiley & Sons |
| Total Pages | : 586 |
| Release | : 2022-03-03 |
| Genre | : Performing Arts |
| ISBN | : 1119677122 |
A singular collection of original essays exploring the varied intersections of motion pictures and public value A Companion to Motion Pictures and Public Value presents a cross-disciplinary investigation of the past, present, and possible future contributions of the moving image to the public good. This unique volume explores the direct and indirect public value developed through motion pictures of different types, genres, and screening sites. Essays by world-renowned scholars from diverse disciplines present original conceptual work, philosophical arguments, historical discussion, empirical research, and specific case studies. Divided into seven thematically organized sections, the Companion identifies the various kinds of values that motion pictures can deliver, amongst them artistic, ethical, environmental, cultural, political, cognitive, and spiritual value. Each section includes an introduction in which the editors outline main themes and highlight connections between individual chapters. Throughout the text, probing essays interrogate the issue of public value as it relates to the cinema and provide insight into how motion pictures play a positive role in human life and society. Featuring original research essays on a pioneering topic, this innovative reference text: Brings together work by expert authors in disciplines such as Philosophy, Political Science, Cultural Studies, Film Studies, Sociology, and Environmental Studies Discusses a variety of institutional landscapes, policy formations, and types and styles of filmmaking Provides wide and inclusive coverage of cinema’s relation to public value in Africa, Asia, China, Europe, the Middle East, and the Americas Explores the role of motion pictures in community formation, nation building, and the construction of good societies Covers new and emerging topics such as cinema-based fields focused on health and wellbeing A Companion to Motion Pictures and Public Value is an ideal textbook for advanced undergraduate and graduate courses in Film, Media, and Cultural Studies, and is a valuable resource for scholars across a variety of disciplines
