Making Callaloo in Detroit
Author | : Lolita Hernandez |
Publisher | : Wayne State University Press |
Total Pages | : 184 |
Release | : 2014-05-01 |
Genre | : Fiction |
ISBN | : 0814339700 |
All readers of fiction will enjoy this lush collection.
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Author | : Lolita Hernandez |
Publisher | : Wayne State University Press |
Total Pages | : 184 |
Release | : 2014-05-01 |
Genre | : Fiction |
ISBN | : 0814339700 |
All readers of fiction will enjoy this lush collection.
Author | : Charles H. Rowell |
Publisher | : Macmillan |
Total Pages | : 464 |
Release | : 2002-01-12 |
Genre | : Fiction |
ISBN | : 0312290217 |
A collection of poetry and fiction by African-American authors who have been previously published in the literary journal "Callaloo."
Author | : Kelly Fordon |
Publisher | : Wayne State University Press |
Total Pages | : 185 |
Release | : 2020-04-07 |
Genre | : Fiction |
ISBN | : 0814347533 |
Short stories that manage to feel both fantastical and disturbingly familiar. If you thought the suburbs were boring, think again. Kelly Fordon's I Have the Answer artfully mixes the fabulist with the workaday and illuminates relationships and characters with crisp, elegant prose and dark wit. The stories in Fordon's latest collection are disquieting, humorous, and thought-provoking. They might catch you off guard, but are always infused with deep humanity and tenderness. In these thirteen short stories, Fordon presents people dealing with the grayness of reality and longing for transcendence. Characters within these stories are often as surprised by their own behavior as that of their neighbor's. In "Jungle Life," the narrator attempts to clarify and document the stories of his father, a war veteran, before he descends into dementia. In "Where's the Baby?" a woman reflects on her difficult childhood as she grudgingly cares for her more successful, yet exasperating sister. In "In the Dog House," a woman visits an estate sale and sifts through the layers of lifetimes past while grappling with her long-standing jealousy of a mysterious neighbor. In "The Shorebirds and The Shaman," a woman who has just lost her husband winds up at a kooky weekend retreat role-playing her way out of debilitating grief. Award-winning author Desiree Cooper has called the stories in I Have the Answer"pitch perfect . . . Fordon takes us to the precipice where trauma and triumph are equal possibilities. The people in these stories are so hauntingly real that long after I put the book down, I found myself wondering what had become of them." Readers of contemporary fiction and short stories will enjoy mulling over the complicated feelings this collection evokes.
Author | : Sarah Lawson Welsh |
Publisher | : Rowman & Littlefield |
Total Pages | : 305 |
Release | : 2019-07-02 |
Genre | : Literary Criticism |
ISBN | : 1783486627 |
How do diasporic writers negotiate their identities through and with food? What tensions emerge between the local and the global, between the foodways of the past and of the present? How are concepts of culinary ‘tradition’ and ‘authenticity’ articulated in Caribbean cookery writing? Drawing on a rich and varied tradition of Caribbean writings, Food, Text & Culture in the Anglophone Caribbean shows how the creation of food and the creation of narrative are intimately linked cultural practices which can tell us much about each other. Historically, Caribbean writers have explored, defined and re-affirmed their different cultural, ethnic, caste, class and gender identities by writing about what, when and how they eat. Images of feeding, feasting, fasting and other food rituals and practices, as articulated in a range of Caribbean writings, constitute a powerful force of social cohesion and cultural continuity. Moreover, food is often central to the question of what it means to be Caribbean, especially in diasporic and globalized contexts. Suitable for undergraduates, postgraduates and scholars, the book offers the first study of food and writing in an Anglophone Caribbean context.
Author | : Laura Hulthen Thomas |
Publisher | : Wayne State University Press |
Total Pages | : 198 |
Release | : 2017-05-15 |
Genre | : Fiction |
ISBN | : 0814343155 |
Idealistic characters fight to hold onto a life that is slipping out of their grasp. Newton's Laws of Motion describe how bodies work to balance forces outside their control. For the men and women in States of Motion, imbalance is a way of life. Set in Michigan small towns both real and fictional, the stories in Laura Hulthen Thomas’s collection take place against a backdrop of economic turmoil and the domestic cost of the war on terror. As familiar places, privilege, and faith disappear, what remains leaves these broken characters wondering what hope is left for them. These stories follow blue collars and white, cops and immigrants, and mothers and sons as they defend a world that is quickly vanishing. The eight stories in States of Motion follow tough, quixotic characters struggling to reinvent themselves even as they cling to what they’ve lost. A grieving father embraces his town’s suspicions of him as the sole suspect in his daughter’s disappearance. A driving instructor struggles to care for his abusive mother between training lessons with two flirtatious teens. A behavioral researcher studying the fear response must face her own fears when her childhood attacker returns to ask for her forgiveness. Conditioned by their traumatic pasts to be both sympathetic and numb to suffering, the characters in these stories clutch at a chance to find peace on the other side of terror. From the isolated roadways of Michigan’s countryside to the research labs of a major university, the way forward is both one last hope and a deep-seated fear. The profoundly emotional stories in States of Motion will interest any reader of contemporary literary fiction.
Author | : Cynthia A. Young |
Publisher | : Duke University Press |
Total Pages | : 332 |
Release | : 2006-11-01 |
Genre | : History |
ISBN | : 9780822336914 |
Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the “long 1960s.” Nearly thirty countries in Africa, Asia, and Latin America declared formal independence in the 1960s alone. Arguing that the significance of this wave of decolonization to U.S. activists has been vastly underestimated, Young describes how literature, films, ideologies, and political movements that originated in the Third World were absorbed by U.S. activists of color. She shows how these transnational influences were then used to forge alliances, create new vocabularies and aesthetic forms, and describe race, class, and gender oppression in the United States in compelling terms. Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.
Author | : Darryl Dickson-Carr |
Publisher | : Columbia University Press |
Total Pages | : 292 |
Release | : 2005-10-14 |
Genre | : Literary Collections |
ISBN | : 9780231510691 |
From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.
Author | : Ashraf H. A. Rushdy |
Publisher | : Univ of North Carolina Press |
Total Pages | : 224 |
Release | : 2003-01-14 |
Genre | : Literary Criticism |
ISBN | : 0807875589 |
Slavery is America's family secret, a partially hidden phantom that continues to haunt our national imagination. Remembering Generations explores how three contemporary African American writers artistically represent this notion in novels about the enduring effects of slavery on the descendants of slaves in the post-civil rights era. Focusing on Gayl Jones's Corregidora (1975), David Bradley's The Chaneysville Incident (1981), and Octavia Butler's Kindred (1979), Ashraf Rushdy situates these works in their cultural moment of production, highlighting the ways in which they respond to contemporary debates about race and family. Tracing the evolution of this literary form, he considers such works as Edward Ball's Slaves in the Family (1998), in which descendants of slaveholders expose the family secrets of their ancestors. Remembering Generations examines how cultural works contribute to social debates, how a particular representational form emerges out of a specific historical epoch, and how some contemporary intellectuals meditate on the issue of historical responsibility--of recognizing that the slave past continues to exert an influence on contemporary American society.
Author | : Christine Ramsay |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 375 |
Release | : 2011-10-07 |
Genre | : Social Science |
ISBN | : 1554583756 |
Making It Like a Man: Canadian Masculinities in Practice is a collection of essays on the practice of masculinities in Canadian arts and cultures, where to “make it like a man” is to participate in the cultural, sociological, and historical fluidity of ways of being a man in Canada, from the country’s origins in nineteenth-century Victorian values to its immersion in the contemporary post-modern landscape. The book focuses on the ways Canadian masculinities have been performed and represented through five broad themes: colonialism, nationalism, and transnationalism; emotion and affect; ethnic and minority identities; capitalist and domestic politics; and the question of men’s relationships with themselves and others. Chapters include studies of well-known and more obscure figures in the Canadian arts and culture scenes, such as visual artist Attila Richard Lukacs; writers Douglas Coupland, Barbara Gowdy, Simon Chaput, Thomas King, and James De Mille; filmmakers Clement Virgo, Norma Bailey, John N. Smith, and Frank Cole; as well as familiar and not-so-familiar tokens of Canadian masculinity such as the hockey hero, the gangsta rapper, the immigrant farmer, and the drag king. Making It Like a Man is the first book of its kind to explore and critique historical and contemporary masculinities in Canada with a special focus on artistic and cultural production and representation. It is concerned with mapping some of the uniquely Canadian places and spaces in the international field of masculinity studies, and will be of interest to academic and culturally informed audiences.