Magic Lantern Empire
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Author | : John Phillip Short |
Publisher | : Cornell University Press |
Total Pages | : 249 |
Release | : 2012-11-01 |
Genre | : History |
ISBN | : 080146823X |
Magic Lantern Empire examines German colonialism as a mass cultural and political phenomenon unfolding at the center of a nascent, conflicted German modernity. John Phillip Short draws together strands of propaganda and visual culture, science and fantasy to show how colonialism developed as a contested form of knowledge that both reproduced and blurred class difference in Germany, initiating the masses into a modern market worldview. A nuanced account of how ordinary Germans understood and articulated the idea of empire, this book draws on a diverse range of sources: police files, spy reports, pulp novels, popular science writing, daily newspapers, and both official and private archives. In Short's historical narrative-peopled by fantasists and fabulists, by impresarios and amateur photographers, by ex-soldiers and rank-and-file socialists, by the luckless and bored along the margins of German society-colonialism emerges in metropolitan Germany through a dialectic of science and enchantment within the context of sharp class conflict. He begins with the organized colonial movement, with its expert scientific and associational structures and emphatic exclusion of the "masses." He then turns to the grassroots colonialism that thrived among the lower classes, who experienced empire through dime novels, wax museums, and panoramas. Finally, he examines the ambivalent posture of Germany's socialists, who mounted a trenchant critique of colonialism, while in their reading rooms workers spun imperial fantasies. It was from these conflicts, Short argues, that there first emerged in the early twentieth century a modern German sense of the global.
Author | : John Phillip Short |
Publisher | : Cornell University Press |
Total Pages | : 249 |
Release | : 2012-11-15 |
Genre | : History |
ISBN | : 0801468221 |
Magic Lantern Empire examines German colonialism as a mass cultural and political phenomenon unfolding at the center of a nascent, conflicted German modernity. John Phillip Short draws together strands of propaganda and visual culture, science and fantasy to show how colonialism developed as a contested form of knowledge that both reproduced and blurred class difference in Germany, initiating the masses into a modern market worldview. A nuanced account of how ordinary Germans understood and articulated the idea of empire, this book draws on a diverse range of sources: police files, spy reports, pulp novels, popular science writing, daily newspapers, and both official and private archives. In Short’s historical narrative—peopled by fantasists and fabulists, by impresarios and amateur photographers, by ex-soldiers and rank-and-file socialists, by the luckless and bored along the margins of German society—colonialism emerges in metropolitan Germany through a dialectic of science and enchantment within the context of sharp class conflict. He begins with the organized colonial movement, with its expert scientific and associational structures and emphatic exclusion of the "masses." He then turns to the grassroots colonialism that thrived among the lower classes, who experienced empire through dime novels, wax museums, and panoramas. Finally, he examines the ambivalent posture of Germany’s socialists, who mounted a trenchant critique of colonialism, while in their reading rooms workers spun imperial fantasies. It was from these conflicts, Short argues, that there first emerged in the early twentieth century a modern German sense of the global.
Author | : Adam A. Blackler |
Publisher | : Penn State Press |
Total Pages | : 282 |
Release | : 2022-08-19 |
Genre | : History |
ISBN | : 0271093811 |
At the turn of the twentieth century, depictions of the colonized world were prevalent throughout the German metropole. Tobacco advertisements catered to the erotic gaze of imperial enthusiasts with images of Ovaherero girls, and youth magazines allowed children to escape into “exotic domains” where their imaginations could wander freely. While racist beliefs framed such narratives, the abundance of colonial imaginaries nevertheless compelled German citizens and settlers to contemplate the world beyond Europe as a part of their daily lives. An Imperial Homeland reorients our understanding of the relationship between imperial Germany and its empire in Southwest Africa (present-day Namibia). Colonialism had an especially significant effect on shared interpretations of the Heimat (home/homeland) ideal, a historically elusive perception that conveyed among Germans a sense of place through national peculiarities and local landmarks. Focusing on colonial encounters that took place between 1842 and 1915, Adam A. Blackler reveals how Africans confronted foreign rule and altered German national identity. As Blackler shows, once the façade of imperial fantasy gave way to colonial reality, German metropolitans and white settlers increasingly sought to fortify their presence in Africa using juridical and physical acts of violence, culminating in the first genocide of the twentieth century. Grounded in extensive archival research, An Imperial Homeland enriches our understanding of German identity, allowing us to see how a distant colony with diverse ecologies, peoples, and social dynamics grew into an extension of German memory and tradition. It will be of interest to German Studies scholars, particularly those interested in colonial Africa.
Author | : Erik Grimmer-Solem |
Publisher | : Cambridge University Press |
Total Pages | : 669 |
Release | : 2019-09-26 |
Genre | : History |
ISBN | : 1108483828 |
The First World War marked the end point of a process of German globalization that began in the 1870s. Learning Empire looks at German worldwide entanglements to recast how we interpret German imperialism, the origins of the First World War, and the rise of Nazism.
Author | : Elisa deCourcy |
Publisher | : Routledge |
Total Pages | : 174 |
Release | : 2020-11-23 |
Genre | : Art |
ISBN | : 1000209873 |
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.
Author | : John Griffiths |
Publisher | : Taylor & Francis |
Total Pages | : 949 |
Release | : 2022-07-30 |
Genre | : History |
ISBN | : 1351035290 |
From 1830, if not before, the Empire began to permeate the domestic culture of Empire nations in many ways. From consumables, to the excitement of colonial wars, celebrations relating to events in the history of Empire, and the construction of Empire Day in the early Edwardian period, most citizens were encouraged to think of themselves not only as citizens of a nation but of an Empire. Much of the popular culture of the period presented Empire as a force for ‘civilisation’ but it was often far from the truth and rather, Empire was a repressive mechanism designed ultimately to benefit white settlers and the metropolitan economy. This four volume collection on Empire and Popular Culture contains a wide array of primary sources, complimented by editorial narratives which help the reader to understand the significance of the documents contained therein. It is informed by the recent advocacy of a ‘four-nation’ approach to Empire containing documents which view Empire from the perspective of England, Scotland Ireland and Wales and will also contain material produced for Empire audiences, as well as indigenous perspectives. The sources reveal both the celebratory and the notorious sides of Empire.
Author | : Sarah Dellmann |
Publisher | : Indiana University Press |
Total Pages | : 409 |
Release | : 2020-08-18 |
Genre | : Art |
ISBN | : 0861969553 |
Slides for the magic or optical lantern were a major tool for knowledge transfer in the second half of the 19th and early 20th centuries. Schools, universities, the church and many public and private institutions all over the world relied on the lantern for illustrated lectures and demonstrations. This volume brings together scholarly research on the educational uses of the optical lantern in different disciplines by international specialists, representing the state of the art of magic lantern research today. In addition, it contains a lab section with contributions by archivists and curators and performers reflecting on ways to preserve, present and re-use this immensely rich cultural heritage today. Authors of this collection of essays will include Richard Crangle, Sarah Dellmann, Ine van Dooren, Claire Dupré La Tour, Jenny Durrant, Francisco Javier Frutos Esteban, Anna Katharina Graskamp, Emily Hayes, Erkki Huhtamo, Martyn Jolly, Joe Kember, Frank Kessler, Machiko Kusahara, Sabine Lenk, Vanessa Otero, Carmen López San Segundo, Ariadna Lorenzo Sunyer, Daniel Pitarch, Jordi Pons, Montse Puigdeval, Angélique Quillay, Angel Quintana Morraja, Nadezhda Stanulevich, Jennifer Tucker, Kurt Vanhoutte, Márcia Vilarigues, Joseph Wachelder, Artemis Willis, Lee Wing Ki, Irene Suk Mei Wong, and Nele Wynants.
Author | : H. Carey |
Publisher | : Springer |
Total Pages | : 356 |
Release | : 2008-11-13 |
Genre | : History |
ISBN | : 0230228720 |
A sparkling new collection on religion and imperialism, covering Ireland and Britain, Australia, Canada, the Cape Colony and New Zealand, Botswana and Madagascar. Bursting with accounts of lively characters and incidents from around the British world, this collection is essential reading for all students of religious and imperial history.
Author | : Willeke Sandler |
Publisher | : Oxford University Press |
Total Pages | : 485 |
Release | : 2018-08-09 |
Genre | : History |
ISBN | : 019069792X |
With the end of the First World War, Germany became a "post-colonial" power. The Treaty of Versailles in 1919 transformed Germany's overseas colonies in Africa and the Pacific into League of Nations Mandates, administered by other powers. Yet a number of Germans rejected this "post-colonial" status, arguing instead that Germany was simply an interrupted colonial power and would soon reclaim these territories. With the Nazi seizure of power in 1933, irredentism seemed once again on the agenda, and these colonialist advocates actively and loudly promoted their colonial cause in the Third Reich. Examining the domestic activities of these colonialist lobbying organizations, Empire in the Heimat demonstrates the continued place of overseas colonialism in shaping German national identity after the end of formal empire. In the Third Reich, the Deutsche Kolonialgesellschaft and the Reichskolonialbund framed Germans as having a particular aptitude for colonialism and the overseas territories as a German Heimat. As such, they sought to give overseas colonialism renewed meaning for both the present and the future of Nazi Germany. They brought this message to the German public through countless publications, exhibitions, rallies, lectures, photographs, and posters. Their public activities were met with a mix of occasional support, ambivalence, or even outright opposition from some Nazi officials, who privileged the Nazi regime's European territorial goals over colonialists' overseas goals. Colonialists' ability to navigate this obstruction and intervention reveals both the limitations and the spaces available in the public sphere under Nazism for such "special interest" discourses.
Author | : John M. MacKenzie |
Publisher | : Manchester University Press |
Total Pages | : 286 |
Release | : 2017-03-01 |
Genre | : History |
ISBN | : 1526119544 |
It has been said that the British Empire, on which the sun never set, meant little to the man in the street. Apart from the jingoist eruptions at the death of Gordon or the relief of Mafeking he remained stonily indifferent to the imperial destiny that beckoned his rulers so alluringly. Strange, then that for three-quarters of a century it was scarcely possible to buy a bar of soap or a tin of biscuits without being reminded of the idea of Empire. Packaging, postcards, music hall, cinema, boy's stories and school books, exhibitions and parades, all conveyed the message that Empire was an adventure and an ennobling responsibility. Army and navy were a sure shield for the mother country and the subject peoples alike. Boys' brigades and Scouts stiffened the backbone of youth who flocked to join. In this illuminating study John M. Mackenzie explores the manifestations of the imperial idea, from the trappings of royalty through writers like G. A. Henty to the humble cigarette card. He shows that it was so powerful and pervasive that it outlived the passing of Empire itself and, as events such as the Falklands 'adventure' showed, the embers continue to smoulder.