Court and Humour in the French Renaissance

Court and Humour in the French Renaissance
Author: Sarah Alyn Stacey
Publisher: Peter Lang
Total Pages: 276
Release: 2009
Genre: History
ISBN: 9783039105595

This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.

Language and Rhythm in Plautus

Language and Rhythm in Plautus
Author: Benjamin Fortson
Publisher: Walter de Gruyter
Total Pages: 314
Release: 2008-12-10
Genre: Literary Criticism
ISBN: 3110210029

The plays of Plautus have long been recognized as a unique mine of information about the spoken Latin of the 3rd and 2nd centuries BC. But detailed and up-to-date linguistic treatments of the Plautine meters and other phenomena in his plays have hitherto been lacking. This book seeks to remedy that gap by presenting a series of case-studies to glean information about the synchronic grammar of Plautine Latin, in particular the rhythmic organization of Latin speech and the effects of syntactic processes on Latin prosodic phonology. Some of the topics, such as enjambement and the aphaeresis of “est”, have never before received such treatment, while others, such as Meyer’s and Luchs’s laws, split resolutions, and iambic shortening, are provided a firmer linguistic footing, and fuller discussion of allied issues, than hitherto. Topics in Italic syntax (such as the syntactic structure of adpositional phrases and their history) and in Indo-European morphophonology (such as the prosodic status of finite verbs) are dealt with as well, as is an investigation into the effects of pragmatics on the rhythmic organization of phrases. The book will be of interest to classicists, comparative philologists, and general linguists.

Ancient Greek and Latin in the linguistic context of the Ancient Mediterranean

Ancient Greek and Latin in the linguistic context of the Ancient Mediterranean
Author: Carlotta Viti
Publisher: Narr Francke Attempto Verlag
Total Pages: 508
Release: 2024-09-23
Genre: Literary Criticism
ISBN: 3823305212

Latein und Griechisch werden in diesem Sammelband unter dem Aspekt des Sprachkontakts untersucht, ein Thema, das in unserer globalen und multiethnischen Gesellschaft besonders aktuell ist. Spezialist:innen verschiedener Universitäten und Länder nehmen in Ihren Beiträgen unter anderem die linguistische Variation der griechischen Dialekte, den griechisch-lateinischen Bilinguismus, den Sprachkontakt im alten Italien, Mittleren Osten und Mittelmeer sowie Übersetzungen und Glossen in den Blick. Landkarten und Bilder alter Inschriften und Manuskripte bereichern die Diskussion. Aus interdisziplinärer Perspektive wird außerdem die Linguistik des Lateinischen und des Griechischen in ihrem Zusammenhang mit Epigraphik, Philologie, Textkritik und grammatischer Theorie untersucht. Neben Latein und Griechisch werden Daten zahlreicher alter und moderner Sprachen mit einbezogen.

Slave Theater in the Roman Republic

Slave Theater in the Roman Republic
Author: Amy Richlin
Publisher: Cambridge University Press
Total Pages: 581
Release: 2017-12-28
Genre: Literary Criticism
ISBN: 1108206980

Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.

Classified Catalogue

Classified Catalogue
Author: Carnegie Library of Pittsburgh
Publisher:
Total Pages: 1124
Release: 1914
Genre: Classified catalogs (Dewey decimal)
ISBN: