Lyrical Individualism
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Author | : Andre Colomer |
Publisher | : Columbia University Press |
Total Pages | : 216 |
Release | : 2024-06-18 |
Genre | : Philosophy |
ISBN | : 0231560605 |
In the early twentieth century, André Colomer was perhaps the best-known figure in the anarchist movement. A poet, philosopher, activist, and public speaker, he was enmeshed in the Parisian political and artistic scene at a time of political and cultural revolution. Amid the avant-garde explosions of Cubism, futurism, and surrealism and the ferment of radical politics on left and right, Colomer became anarchism’s leading advocate. He galvanized the Parisian public through his agitational writing and organizing, as well as his involvement in a sensational murder case, while developing a distinctive philosophical account of anarchist individualism. Yet Colomer died in obscurity in Moscow, abandoned by his friends and comrades, and is scarcely known in the English-speaking world today. Lyrical Individualism presents a selection of Colomer’s crucial writings, with a focus on anarchist theory and the philosophy of Henri Bergson. It reveals the richness of Colomer’s philosophical work, particularly his creative engagement with Bergson, Max Stirner, and Friedrich Nietzsche to forge a novel anarchist ideology. Colomer’s writings not only offer valuable insights into interwar anarchism, they also present a distinctive philosophical vision that in many ways anticipates theories and debates animating radical political movements today. This book also showcases his acerbic and pugnacious political commentary on the turbulent events of the 1910s and 1920s. The first translation and publication of Colomer’s work since his untimely death in 1931, Lyrical Individualism allows a range of readers to discover this vital thinker.
Author | : Jaroslav Průšek |
Publisher | : |
Total Pages | : 296 |
Release | : 1980 |
Genre | : Literary Criticism |
ISBN | : |
Examines 20th century (especially post-revolutionary) Chinese literature in reference to the traditions and continuity of classical Chinese literature. The method is of interest to both Sinologists and those interested in methods for critical study of comparative literature.
Author | : Anne F. Janowitz |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 1998-08-06 |
Genre | : Literary Criticism |
ISBN | : 9780521572590 |
Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.
Author | : Andrew Hodgson |
Publisher | : Palgrave Macmillan |
Total Pages | : 337 |
Release | : 2021-02-13 |
Genre | : Literary Criticism |
ISBN | : 9783030309732 |
This book attends to four poets – John Clare, Gerard Manley Hopkins, Edward Thomas, and Ivor Gurney – whose poems are remarkable for their personal directness and distinctiveness. It shows how their writing conveys a potently individual quality of feeling, perception, and experience: each poet responds with unusual commitment to the Romantic idea of art as personal expression. The book looks closely at the vitality and intricacy of the poets’ language, the personal candour of their subject matter, and their sense, obdurate but persuasive, of their own strangeness. As it traces the tact and imagination with which each of the four writers realises the possibilities of individualism in lyric, it affirms the vibrancy of their contributions to nineteenth and twentieth-century poetry.
Author | : |
Publisher | : |
Total Pages | : 706 |
Release | : 1926 |
Genre | : Electronic journals |
ISBN | : |
Author | : George Sand |
Publisher | : BoD – Books on Demand |
Total Pages | : 454 |
Release | : 2023-09-03 |
Genre | : |
ISBN | : 3387019548 |
Author | : George Sand |
Publisher | : |
Total Pages | : 470 |
Release | : 1902 |
Genre | : France |
ISBN | : |
Author | : Жорж Санд |
Publisher | : Litres |
Total Pages | : 460 |
Release | : 2021-12-02 |
Genre | : Fiction |
ISBN | : 5040826915 |
Author | : Margaret Dickie |
Publisher | : University of Pennsylvania Press |
Total Pages | : 212 |
Release | : 2016-11-11 |
Genre | : Literary Criticism |
ISBN | : 1512801658 |
In Lyric Contingencies Margaret Dickie brings Wallace Stevens and Emily Dickinson together to explore the ways in which the lyric genre is eccentric to, even disruptive of, the Emersonian tradition that has shaped American literary history. Dickie contends that although Stevens and Dickinson represent different moments of cultural crises, different genders, and different and private lives, they faced similar problems of expression and similar formal and cultural restraints in their devotion to the lyric genre. Dickie considers those elements of the lyric that set it apart from both prose and narrative poetry: its speaker, its insistence on artifice, and its relation to an audience. By concentrating on these, she examines the radically experimental ways in which Dickinson and Stevens used the genre to question cultural certainties of gender, language, and the nature of the individual.
Author | : Victor Kennedy |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 270 |
Release | : 2017-06-20 |
Genre | : Music |
ISBN | : 1443896209 |
Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.