Lynn Riggs: The Indigenous Plays

Lynn Riggs: The Indigenous Plays
Author: Lynn Riggs
Publisher: Broadview Press
Total Pages: 368
Release: 2024-03-28
Genre: Drama
ISBN: 1770489207

Lynn Riggs: The Indigenous Plays bundles critically edited texts of three thematically allied plays with an extensive primary, secondary, and textual apparatus. The Cherokee Night (1932), comprising seven asynchronous scenes set between 1895 and 1931, is Riggs’s most experimental play. Its Cherokee characters inhabit a history of dispossession and violence, including the dissolution of the Cherokee Nation with Oklahoma statehood in 1907. Their daily survival constitutes the apex of resistance. Not so for the Indigenes of The Year of Pilar (1938), the most radical American Indian text prior to the Native American renaissance that began in the late 1960s. Here, Yucatecan Mayans take a government program of land reform as an opportunity to reclaim their homeland and punish settler-colonialists for centuries of enslavement, torture, and sexual violence. Riggs returns to Indian Territory in The Cream in the Well (1941), set on the eve of Oklahoma statehood. The Cherokee Sawters family responds to the onset of statehood by lamenting lost opportunities and fretting about an uncertain future.

Green Grow the Lilacs

Green Grow the Lilacs
Author: Lynn Riggs
Publisher: Samuel French, Inc.
Total Pages: 172
Release: 1931
Genre: Drama
ISBN: 9780573609626

Drama / 10m, 4f, extras This evocative play charting the rocky romance between headstrong farmgirl Laurey and cocky cowhand Curley in a tale of early America during the settlement of the midwest was the basis of the classic Rodgers and Hammerstein musical Oklahoma! Using the colorful vernacular of the period, Green Grow the Lilacs paints a picture of pioneer farmlife with colorful characters and language, presenting a dramatic challenge to professionals and amateurs alike.

The Cherokee Night and Other Plays

The Cherokee Night and Other Plays
Author: Lynn Riggs
Publisher: University of Oklahoma Press
Total Pages: 370
Release: 2003
Genre: Drama
ISBN: 9780806134703

Special Limited Edition leatherbound hardcover The author of numerous plays and film scripts, including Green Grow the Lilacs, later made into the hit musical Oklahoma!, Lynn Riggs (18991954) is recognized as one of America’s most engaging dramatists and was the only active American Indian dramatist during the first half of the twentieth century. An elegant leatherbound collector’s edition, The Cherokee Night and Other Plays, features his never-before-published play Out of Dust, as well as The Cherokee Night and Green Grow the Lilacs. A mixed-blood Cherokee, Riggs wrote about the people, places, and events of the Oklahoma he knew so well. A cattle rancher’s son, Riggs was born in the Verdigris Valley south of Claremore in Indian Territory. He first gained recognition as a poet in the early 1920s while attending the University of Oklahoma and later moved to New York, where he worked on and around Broadway. In 1927 Riggs was awarded the Guggenheim Fellowship, and while in France on that fellowship, he began writing Green Grow the Lilacs, which Rodgers and Hammerstein made into the Broadway musical Oklahoma! in 1943. By the end of his life, Riggs had written some thirty plays and scripts for fourteen films produced between 1930 and 1955. In their 1939 Handbook of Oklahoma Writers, Mary Hays Marable and Elaine Boylan observe: “Lynn Riggs hitched his wagon to Pegasus and rode into the theatre with an output of poetic and regional plays that has brought him outstanding success.”

Critical Companion to Native American and First Nations Theatre and Performance

Critical Companion to Native American and First Nations Theatre and Performance
Author: Jaye T. Darby
Publisher: Bloomsbury Publishing
Total Pages: 280
Release: 2020-02-06
Genre: Performing Arts
ISBN: 1350035076

This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.

Indigenous North American Drama

Indigenous North American Drama
Author: Birgit Däwes
Publisher: SUNY Press
Total Pages: 246
Release: 2013-01-01
Genre: Literary Criticism
ISBN: 1438446616

Traces the historical dimensions of Native North American drama using a critical perspective.

The Routledge Handbook of North American Indigenous Modernisms

The Routledge Handbook of North American Indigenous Modernisms
Author: Kirby Brown
Publisher: Taylor & Francis
Total Pages: 464
Release: 2022-09-19
Genre: Literary Criticism
ISBN: 1000638324

The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field. Incorporating an international scope of essays, this volume reaches beyond traditional national or euroamerican boundaries to locate North American Indigenous modernities and modernisms in a hemispheric context. Covering key theoretical approaches and topics, this volume includes: Diverse explorations of Indigenous cultural and intellectual production in treatments of dance, poetry, vaudeville, autobiography, radio, cinema, and more Investigation of how we think about Indigenous lives, literatures, and cultural productions in North America from the late nineteenth and early twentieth centuries Surveys of critical geographies of Indigenous literary and cultural studies, including refocused and reframed exploration of the diverse cultures, knowledges, traditions, geographies, experiences, and formal innovations that inform Indigenous literary, intellectual, and cultural productions The Routledge Handbook of North American Indigenous Modernisms presents fresh insight to modernist studies, acknowledging and reconciling the occluded histories of Indigenous erasure, and inviting both students and scholars to expand their understanding of the field.

America in the Round

America in the Round
Author: Donatella Galella
Publisher: University of Iowa Press
Total Pages: 333
Release: 2019-03-15
Genre: Performing Arts
ISBN: 1609386256

2020 Barnard Hewitt Award, honorable mention Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.

Haunted by Home

Haunted by Home
Author: Phyllis Cole Braunlich
Publisher: University of Oklahoma Press
Total Pages: 252
Release: 2002-11-01
Genre: Biography & Autobiography
ISBN: 9780806135106

Phyllis Cole Braunlich sketches the life story of Lynn Riggs (18991954), the playwright best known as the author of Green Grow the Lilacs, the play that formed the basis for the Rodgers and Hammerstein musical Oklahoma! Today Riggs is recognized as one of the twentieth century’s most innovative playwrights. Santa Fe, Hollywood, New York, and Chapel Hill: these were the cities that Lynn Riggs, “father of the folk play,” called home, along with eastern Oklahoma, the scene of his memorable re-creations of Oklahoma Territory before statehood. Riggs traveled widely to make his living and his fame, and along the way he earned the friendship of many avant-garde writers and successful theatre people of his time. This biography is also a chronicle of literary and café society on both coasts and in New Mexico during the 1920s, ‘30s, and ‘40s.

Indigenous Firsts

Indigenous Firsts
Author: Yvonne Wakim Dennis
Publisher: Visible Ink Press
Total Pages: 861
Release: 2022-10-25
Genre: History
ISBN: 1578598060

A celebration of achievement, accomplishments, and courage! Native American Medal of Honor recipients, Heisman Trophy recipients, U.S. Olympians, a U.S. vice president, Congressional representatives, NASA astronauts, Pulitzer Prize recipients, U.S. poet laureates, Oscar winners, and more. The first Native magician, all-Native comedy show, architects, attorneys, bloggers, chefs, cartoonists, psychologists, religious leaders, filmmakers, educators, physicians, code talkers, and inventors. Luminaries like Jim Thorpe, King Kamehameha, Debra Haaland, and Will Rogers, along with less familiar notables such as Native Hawaiian language professor and radio host Larry Lindsey Kimura and Cree/Mohawk forensic pathologist Dr. Kona Williams. Their stories plus the stories of 2000 people, events and places are presented in Indigenous Firsts: A History of Native American Achievements and Events, including … Suzanne Van Cooten, Ph.D., Chickasaw Nation, the first Native female meteorologist in the country Caleb Cheeshahteaumuck, Wampanoag from Martha’s Vineyard, graduate of Harvard College in 1665 Debra Haaland, the Pueblo of Laguna, U.S. Congresswoman and Secretary of the Interior Sam Campos, the Native Hawaiian who developed the Hawaiian superhero Pineapple Man Thomas L. Sloan, Omaha, was the first Native American to argue a case before the U.S. Supreme Court William R. Pogue, Choctaw, astronaut Johnston Murray, Chickasaw, the first person of Native American descent to be elected governor in the United States, holding the office in Oklahoma from 1951 to 1955 The Cherokee Phoenix published its first edition February 21, 1828, making it the first tribal newspaper in North America and the first to be published in an Indigenous language The National Native American Honor Society was founded by acclaimed geneticist Dr. Frank C. Dukepoo , the first Hopi to earn a Ph.D. Louis Sockalexis, Penobscot, became the first Native American in the National Baseball League in 1897 as an outfielder with the Cleveland Spiders Jock Soto, Navajo/Puerto Rican, the youngest-ever man to be the principal dancer with the New York City Ballet The Seminole Tribe of Florida was the first Nation to own and operate an airplane manufacturing company Warrior's Circle of Honor, the National Native American Veterans Memorial in Washington, DC, on the grounds of the Smithsonian’s National Museum of the American Indian The Iolani Palace, constructed 1879–1882, the home of the Hawaiian royal family in Honolulu Loriene Roy, Anishinaabe, White Earth Nation, professor at the University of Texas at Austin’s School of Information, former president of the American Library Association Ben Nighthorse Campbell, Northern Cheyenne, U.S. representative and U.S. senator from Colorado Hanay Geiogamah, Kiowa /Delaware, founded the American Indian Theatre Ensemble Gerald Vizenor, White Earth Nation, writer, literary critic, and journalist for the Minneapolis Tribune Ely S. Parker (Hasanoanda, later Donehogawa), Tonawanda Seneca, lieutenant colonel in the Union Army, serving as General Ulysses S. Grant’s military secretary Fritz Scholder, Luiseno, painter inducted into the California Hall of Fame The Native American Women Warriors, the first all Native American female color guard Lori Arviso Alvord, the first Navajo woman to become a board-certified surgeon Kay “Kaibah” C. Bennett, Navajo, teacher, author, and the first woman to run for the presidency of the Navajo Nation Sandra Sunrising Osawa, Makah Indian Nation, the first Native American to have a series on commercial television The Choctaw people’s 1847 donation to aid the Irish people suffering from the great famine Otakuye Conroy-Ben, Oglala Lakota, first to earn an environmental engineering Ph.D. at the University of Arizona Diane J. Willis, Kiowa, former President of the Society of Pediatric Psychology and founding editor of the Journal of Pediatric Psychology Shelly Niro, Mohawk, winner of Canada’s top photography prize, the Scotiabank Photography Award Loren Leman, Alutiiq/Russian-Polish, was the first Alaska Native elected lieutenant governor Kim TallBear, Sisseton-Wahpeton Oyate, the first recipient of the Canada Research Chair in Indigenous Peoples, Technoscience, and Environment Carissa Moore, Native Hawaiian, won the Gold Medal in Surfing at the 2020 Tokyo Olympics Will Rogers, Cherokee, actor, performer, humorist was named the first honorary mayor of Beverly Hills Foods of the Southwest Indian Nations by Lois Ellen Frank, Kiowa, was the first Native American cookbook to win the James Beard Award Diane Humetewa, Hopi, nominated by President Barack Obama, became the first Native American woman to serve as a federal judge Susie Walking Bear Yellowtail, Crow, the first Native American nurse to be inducted into the American Nursing Association Hall of Fame Indigenous Firsts honors the ongoing and rich history of personal victories and triumphs, and with more than 200 photos and illustrations, this information-rich book also includes a helpful bibliography and an extensive index, adding to its usefulness. This vital collection will appeal to anyone interested in America’s amazing history and its resilient and skilled Indigenous people.

The Queerness of Native American Literature

The Queerness of Native American Literature
Author: Lisa Tatonetti
Publisher: U of Minnesota Press
Total Pages: 384
Release: 2014-11-30
Genre: Social Science
ISBN: 1452943273

With a new and more inclusive perspective for the growing field of queer Native studies, Lisa Tatonetti provides a genealogy of queer Native writing after Stonewall. Looking across a broad range of literature, Tatonetti offers the first overview and guide to queer Native literature from its rise in the 1970s to the present day. In The Queerness of Native American Literature, Tatonetti recovers ties between two simultaneous renaissances of the late twentieth century: queer literature and Native American literature. She foregrounds how Indigeneity intervenes within and against dominant interpretations of queer genders and sexualities, recovering unfamiliar texts from the 1970s while presenting fresh, cogent readings of well-known works. In juxtaposing the work of Native authors—including the longtime writer–activist Paula Gunn Allen, the first contemporary queer Native writer Maurice Kenny, the poet Janice Gould, the novelist Louise Erdrich, and the filmmakers Sherman Alexie, Thomas Bezucha, and Jorge Manuel Manzano—with the work of queer studies scholars, Tatonetti proposes resourceful interventions in foundational concepts in queer studies while also charting new directions for queer Native studies. Throughout, she argues that queerness has been central to Native American literature for decades, showing how queer Native literature and Two-Spirit critiques challenge understandings of both Indigeneity and sexuality.