Lustmord
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Author | : Maria Tatar |
Publisher | : Princeton University Press |
Total Pages | : 227 |
Release | : 2020-07-21 |
Genre | : Literary Criticism |
ISBN | : 0691216215 |
In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.
Author | : Charles Werner Haxthausen |
Publisher | : U of Minnesota Press |
Total Pages | : 291 |
Release | : 1990 |
Genre | : History |
ISBN | : 1452908176 |
Essays discuss how Berlin and its culture have been portrayed in literature, poetry, film, cabaret, and the visual arts
Author | : Annette Burfoot |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 354 |
Release | : 2011-04-07 |
Genre | : Social Science |
ISBN | : 0889205264 |
The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.
Author | : Nicholas Royle |
Publisher | : Bloomsbury Publishing |
Total Pages | : 312 |
Release | : 2017-03-10 |
Genre | : Literary Criticism |
ISBN | : 1137060956 |
Deconstructions: A User's Guide is a new and unusual kind of book. At once a reference work and a series of inventive essays opening up new directions for deconstruction, it is intended as an authoritative and indispensable guide. With a helpful introduction and specially commissioned essays by leading figures in the field, Deconstructions offers lucid and compelling accounts of deconstruction in relation to a wide range of topics and discourses. Subjects range from the obvious (feminism, technology, postcolonialism) to the less so (drugs, film, weaving). Backed up by an unusually detailed index, this User's Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called 'the West'.
Author | : Katharina von Ankum |
Publisher | : Univ of California Press |
Total Pages | : 252 |
Release | : 2023-09-01 |
Genre | : Literary Criticism |
ISBN | : 9780520917606 |
Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to women's experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s. Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City, the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on women's critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.
Author | : |
Publisher | : PediaPress |
Total Pages | : 253 |
Release | : |
Genre | : |
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Author | : Andrew Webber |
Publisher | : MHRA |
Total Pages | : 212 |
Release | : 1990 |
Genre | : History |
ISBN | : 9780947623333 |
Author | : Martin L. Davies |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2003-08-22 |
Genre | : Religion |
ISBN | : 0857710990 |
International scholars explore the ways in which knowledge actually operates, showing the limitations of now outmoded disciplines. Coming from fields as diverse as anthropology, philosophy, literature, aesthetics and art practice, together they break down the boundaries between entrenched domains of knowledge. Studies of objects which confound traditional definitions - including a mechanical cow invented by an Irish farmer, and the curious case of a mechanical monk - show how a close look at an individual object can, paradoxically, open up dynamic new "reconceptions" of traditional systems of knowledge. With social uses of knowledge currently a matter of public debate, this should be a timely text.
Author | : Ambika Natarajan |
Publisher | : Berghahn Books |
Total Pages | : 307 |
Release | : 2023-05-12 |
Genre | : History |
ISBN | : 180073994X |
In nineteenth century Cisleithanian Austria, poor, working-class women underwent mass migrations from the countryside to urban centers for menial or unskilled labor jobs. Through legal provisions on women’s work in the Habsburg Empire, there was an increase in the policing and surveillance of what was previously a gender-neutral career, turning it into one dominated by thousands of female rural migrants. Servants of Culture provides an account of Habsburg servant law since the eighteenth century and uncovers the paternalistic and maternalistic assumptions and anxieties which turned the interest of socio-political players in improving poor living and working conditions into practices that created restrictive gender and class hierarchies. Through pioneering analysis of the agendas of medical experts, police, socialists, feminists, legal reformers, and even serial killers, this volume puts forth a neglected history of the state of domestic service discourse at the turn of the 19th century and how it shaped and continues to shape the surveillance of women.
Author | : Patrice Petro |
Publisher | : Rutgers University Press |
Total Pages | : 236 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9780813529967 |
The beginning of this century has brought with it a host of assumptions about the newness of our technologies, globalized economies, and transnational media practices. Our own time is a period marked by experiences of fragmentation, sensation, and shock. The essays here are joined by a common concern to chart another side to modernity--precisely after the shock of the new--when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the everyday. Patrice Petro explores how the mechanisms of modernism, German cinema, and feminist film theory have evolved, and she discusses the directions in which they are headed. Petro's essays--some published here for the first time--raise such questions as: What roles do television and other media play in film studies? What is the place of feminist film theory in our conceptions of film history? How is German film theory situated within international film theory? Rather than continue to sensationalize sensation, Aftershocks of the New aims to lower the volume of debates over the place of cinema within the culture of modernity. And it accomplishes this by locating them within a more complex matrix of contending sensibilities, voices, and impulses.