Lucky Mud Other Foma
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| Author | : Christina Jarvis |
| Publisher | : Seven Stories Press |
| Total Pages | : 312 |
| Release | : 2022-11-22 |
| Genre | : Biography & Autobiography |
| ISBN | : 1644212269 |
A fascinating deep dive into Kurt Vonnegut’s oeuvre and legacy, illuminating his unique perspective on environmental stewardship and our shared connections as humans, Earthlings, and stardust. Vonnegut’s major apocalyptic trio—Cat’s Cradle, Slapstick, and Galápagos—prompt broad global, national, and species-level thinking about environmental issues through dramatic and fantastic scenarios. This book, Lucky Mud and Other Foma, tells the story of the origins and legacy of what Kurt Vonnegut understood as “planetary citizenship” and explores key roots, influences, literary techniques, and artistic expressions of his interest in environmental activism through his writing. Vonnegut saw writing itself as an act of good citizenship, as a way of “poisoning” the minds of young people “with humanity . . . to encourage them to make a better world.” Often that literary activism meant addressing real social and environmental problems—polluted water, soil, and air; racial and economic injustice; isolating and dehumanizing technologies; and lives and landscapes desolated by war. Vonnegut’s remedies took many forms, from the redemptive power of the arts to artificial extended families to vital communities and engaged democracies. Reminding us of our shared connections as humans, as Earthlings, as stardust, Lucky Mud helps fans, scholars, and book lovers of all kinds experience how Vonnegut’s writings purposely challenge readers to think, create, and love.
| Author | : Christina Jarvis |
| Publisher | : Seven Stories Press |
| Total Pages | : 0 |
| Release | : 2024-07-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 1644213915 |
A fascinating deep dive into Kurt Vonnegut’s oeuvre and legacy, illuminating his unique perspective on environmental stewardship and our shared connections as humans, Earthlings, and stardust. Vonnegut’s major apocalyptic trio—Cat’s Cradle, Slapstick, and Galápagos—prompt broad global, national, and species-level thinking about environmental issues through dramatic and fantastic scenarios. This book, Lucky Mud and Other Foma, tells the story of the origins and legacy of what Kurt Vonnegut understood as “planetary citizenship” and explores key roots, influences, literary techniques, and artistic expressions of his interest in environmental activism through his writing. Jarvis takes us on a deep dive into the Vonnegut archives at the Lily Library in Indiana to review the countless drafts of Vonnegut classics like Cat's Cradle and Breakfast of Champions. Where else can Vonnegut fans learn about "The Rover Boys", an unpublished essay that the teenage Kurt wrote about his cross-country trip with friends? We learn about the scripts Vonnegut tried to sell to network television during his days as a little-known freelancer in the 1950's and how his study of anthropology at the University of Chicago informed The Sirens of Titan and Cat's Cradle. Vonnegut saw writing itself as an act of good citizenship, as a way of “poisoning” the minds of young people “with humanity . . . to encourage them to make a better world.” Often that literary activism meant addressing real social and environmental problems—polluted water, soil, and air; racial and economic injustice; isolating and dehumanizing technologies; and lives and landscapes desolated by war. Vonnegut’s remedies took many forms, from the redemptive power of the arts to artificial extended families to vital communities and engaged democracies. Reminding us of our shared connections as humans, as Earthlings, as stardust, Lucky Mud helps fans, scholars, and book lovers of all kinds experience how Vonnegut’s writings purposely challenge readers to think, create, and love.
| Author | : Kurt Vonnegut |
| Publisher | : Dial Press |
| Total Pages | : 306 |
| Release | : 2009-11-04 |
| Genre | : Fiction |
| ISBN | : 0307567273 |
“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly
| Author | : Chuck Augello |
| Publisher | : McFarland |
| Total Pages | : 224 |
| Release | : 2023-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 147664960X |
This collection of 29 interviews explores the outer reaches of the Kurt Vonnegut universe. Conversations reveal how Robert B. Weide's letter to Kurt led to a long friendship and an acclaimed documentary, how readers in the former Soviet Union fell in love with Vonnegut during the Cold War, how Ryan North and Albert Monteys adapted Slaughterhouse-Five into a graphic novel, how two podcasters introduced him to a new generation of readers, and how Vonnegut's time teaching at the Iowa Writers Workshop helped transform him from an unknown paperback writer into a literary superstar. Also included are eight essays by the author. These cover Vonnegut's thoughts on guns and loneliness, evaluate his posthumous publications, offer a guide to the best Vonnegut videos available online, and ask questions like "Was Kurt Vonnegut secretly a romance writer?" A resource for students, scholars and fans, this book offers windows into Vonnegut's life and art that are often overlooked in standard biographies.
| Author | : Miglena Nikolchina |
| Publisher | : Other Press, LLC |
| Total Pages | : 166 |
| Release | : 2020-10-06 |
| Genre | : Literary Criticism |
| ISBN | : 1635421314 |
The nexus of psychoanalytic, literary, and philosophical approaches in this book focuses on an intertextual reading of Woolf and Kristeva in order to address the enigma of the persistent suppression of women's contributions to culture. In spite of the efforts of feminist theory and history to turn the tide, this process is with us still. "I am the first of a new genus" (Mary Wollstonecraft). "When I looked around, I saw and heard of none like me" (Mary Shelley). "I look everywhere for grandmothers and find none" (Elizabeth Barrett Browning). "Why isn't there a tradition of the mothers?" (Virginia Woolf). "Women have 'no past, no history'" (Simone de Beauvoir). "I look for myself throughout the centuries and I don't see myself anywhere" (Helene Cixous). As Woolf noted, "strange spaces of silence" separate the solitary female utterances throughout history. The brutal vicissitudes of the contemporary reception of feminist thinkers, crushed between traditional academia and an anti-intellectualism that describes itself as activism, are symptoms of the fact that the conditions, which produced the "strange spaces of silence" and made the repetitive generic loneliness from Wollstonecraft to Cixous possible, are still operative. They have found their way into the present age as "reactionary conformity that manages to discredit any notion of feminine specificity or freedom that is not based on seduction–which means not based on reproduction and consumption" (Kristeva). The intertextual approach to Kristeva and Woolf brings to light "matricide" as the silent engine behind the stammering of female temporality. "Matricide" is offered as an entrance to the conceptualization of the cultural ramifications of a language that wavers between hypnotic passion and murder. As Joan Scott has demonstrated, the oscillations between phantasies of uniqueness and phantasies of fusion are characteristic of women's movements. Matricide in Language claims that these fantasies are subtended by imaginary matricide and that they can explain the extreme discursive practices that are characteristic of the debate in and around feminism.
| Author | : Rachel Eisendrath |
| Publisher | : New York Review of Books |
| Total Pages | : 161 |
| Release | : 2021-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 1681375443 |
A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.
| Author | : Mark McGurl |
| Publisher | : Verso Books |
| Total Pages | : 337 |
| Release | : 2021-10-19 |
| Genre | : Literary Criticism |
| ISBN | : 183976385X |
National Book Critics Circle Award Finalist Best Book of Fall (Esquire) and a Most Anticipated Book of 2021 (Lit Hub) What Has Happened to Fiction in the Age of Platform Capitalism? Since it was first launched in 1994, Amazon has changed the world of literature. The “Everything Store” has not just transformed how we buy books; it has affected what we buy, and even what we read. In Everything and Less, acclaimed critic Mark McGurl explores this new world where writing is no longer categorized as high or lowbrow, literature or popular fiction. Charting a course spanning from Henry James to E. L. James, McGurl shows that contemporary writing has less to do with writing per se than with the manner of its distribution. This consumerist logic—if you like this, you might also like ...—has reorganized the fiction universe so that literary prize-winners sit alongside fantasy, romance, fan fiction, and the infinite list of hybrid genres and self-published works. This is an innovation to be cautiously celebrated. Amazon’s platform is not just a retail juggernaut but an aesthetic experiment driven by an unseen algorithm rivaling in the depths of its effects any major cultural shift in history. Here all fiction is genre fiction, and the niches range from the categories of crime and science fiction to the more refined interests of Adult Baby Diaper Lover erotica. Everything and Less is a hilarious and insightful map of both the commanding heights and sordid depths of fiction, past and present, that opens up an arresting conversation about why it is we read and write fiction in the first place.
| Author | : Sherryl Vint |
| Publisher | : MIT Press |
| Total Pages | : 226 |
| Release | : 2021-02-16 |
| Genre | : Literary Criticism |
| ISBN | : 0262361965 |
How science fiction has been a tool for understanding and living through rapid technological change. The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. It focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.
| Author | : Paul Auster |
| Publisher | : Seven Stories Press |
| Total Pages | : 417 |
| Release | : 2017-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 1609807782 |
An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.
| Author | : Tom Roston |
| Publisher | : Abrams |
| Total Pages | : 182 |
| Release | : 2021-11-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 1683359240 |
The story of Kurt Vonnegut and Slaughterhouse-Five, an enduring masterpiece on trauma and memory Kurt Vonnegut was twenty years old when he enlisted in the United States Army. Less than two years later, he was captured by the Germans in the single deadliest US engagement of the war, the Battle of the Bulge. He was taken to a POW camp, then transferred to a work camp near Dresden, and held in a slaughterhouse called Schlachthof Fünf where he survived the horrific firebombing that killed thousands and destroyed the city. To the millions of fans of Vonnegut’s great novel Slaughterhouse-Five, these details are familiar. They’re told by the book’s author/narrator, and experienced by his enduring character Billy Pilgrim, a war veteran who “has come unstuck in time.” Writing during the tumultuous days of the Vietnam conflict, with the novel, Vonnegut had, after more than two decades of struggle, taken trauma and created a work of art, one that still resonates today. In The Writer’s Crusade, author Tom Roston examines the connection between Vonnegut’s life and Slaughterhouse-Five. Did Vonnegut suffer from Post-Traumatic Stress Disorder? Did Billy Pilgrim? Roston probes Vonnegut’s work, his personal history, and discarded drafts of the novel, as well as original interviews with the writer’s family, friends, scholars, psychologists, and other novelists including Karl Marlantes, Kevin Powers, and Tim O’Brien. The Writer’s Crusade is a literary and biographical journey that asks fundamental questions about trauma, creativity, and the power of storytelling.
