Louisiana Portraits
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| Author | : |
| Publisher | : University of Louisiana |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 9781946160058 |
From the "Introduction": I first stood on Louisiana soil in Lafayette during May of 1982. There, I found myself standing at the crossroads of another culture. Shortly after, I heard about a Clifton Chenier gig scheduled for the next day at the Grant Street Dancehall. Clifton was very ill and could not perform that night, so Rockin' Dopsie filled in. That evening someone gave me Ambrose Thibodeaux's name and address written on a paper napkin. This is how it went every trip I took"€"acquiring names of musicians scribbled on little pieces of paper or cardboard beer coasters. . . . . This is my story"€"how I discovered Cajun music and its musicians. Several times I went back; time and again I was surprised by the cultural endurance of this relatively small group of people. Both old and young keep their history alive through a simple bond"€"the culture, the language, and the songs of their ancestors. . . . This is not a historical document about these people and their music, and it is far from complete when it comes to even musicians. These images instead record my journey into a culture that continually captivates me.
| Author | : |
| Publisher | : University of Georgia Press |
| Total Pages | : 260 |
| Release | : 1993-02-01 |
| Genre | : Art |
| ISBN | : 9780820315355 |
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
| Author | : Bobby Leon Roberts |
| Publisher | : University of Arkansas Press |
| Total Pages | : 376 |
| Release | : 1987 |
| Genre | : Arkansas History Civil War, 1861-1865 Pictorial works. United States History Civil War, 1861-1865 Pictorial works |
| ISBN | : 9781610753159 |
This book tells stories of the individual: his heroism, his fear, his boredom. With over 250 photographs, five maps, and related documents, Moneyhon and Roberts make immediate the physical and spiritual suffering of the ordinary recruit in his fight for his country and its land. - Publisher.
| Author | : |
| Publisher | : Pelican Publishing |
| Total Pages | : 136 |
| Release | : 1971 |
| Genre | : Painters |
| ISBN | : 9781455609659 |
The W.E. Groves Collection contains some fifteen hundred paintings, prints, and watercolors, daguerreotypes and miniatures, including 155 portraits and 217 landscapes pertaining to Louisiana. From these Wiesendanger has selected the material in this book. Lightning Print on Demand Title
| Author | : Michael Juul Holm |
| Publisher | : Koenig Books |
| Total Pages | : 327 |
| Release | : 2017 |
| Genre | : Photography, Artistic |
| ISBN | : 9783960982166 |
Rineke Dijkstra (b. 1959) is one of the most prominent and internationally acclaimed artists working within the genre of photography and video portraiture. Her large-scale photographs show a rare sense of humanity, empathy and intimacy without any trace of sentimentality or indiscretion. Dijkstra typically captures her subjects at moments of transition or vulnerability, thus focusing on the thematics of identity. Though absolutely modern, even timeless, her portraiture brings to mind the great masters of the Golden Age of Dutch art. 'I try to capture something of the personality of these people,' Rineke Dijkstra explains, 'but at the same time extract something universal relating to humanity in general. There has to be enough space to make your own stories; to interpret a picture the way you want.'
| Author | : C. D. Wright |
| Publisher | : Copper Canyon Press |
| Total Pages | : 114 |
| Release | : 2007 |
| Genre | : Poetry |
| ISBN | : 1556592582 |
Emerging from society's most hidden and reviled structures is a poetry of majestic, riveting intensity.
| Author | : Teju Cole |
| Publisher | : Random House |
| Total Pages | : 353 |
| Release | : 2017-06-13 |
| Genre | : Photography |
| ISBN | : 0399591079 |
In this innovative synthesis of words and images, the award-winning author of Open City and photography critic for The New York Times Magazine combines two of his great passions. One of Time’s Top 10 Non-Fiction Books of the Year • One of Smithsonian.com’s Ten Best Photography Books of the Year When it comes to Teju Cole, the unexpected is not unfamiliar: He’s an acclaimed novelist, an influential essayist, and an internationally exhibited photographer. In Blind Spot, readers follow Cole’s inimitable artistic vision into the visual realm as he continues to refine the voice, eye, and intellectual obsessions that earned him such acclaim for Open City. Here, journey through more than 150 of Cole’s full-color original photos, each accompanied by his lyrical and evocative prose, forming a multimedia diary of years of near-constant travel: from a park in Berlin to a mountain range in Switzerland, a church exterior in Lagos to a parking lot in Brooklyn; landscapes and interiors, beautiful or quotidian, that inspire Cole’s memories, fantasies, and introspections. Ships in Capri remind him of the work of writers from Homer to Edna O’Brien; a hotel room in Wannsee brings back a disturbing dream about a friend’s death; a home in Tivoli evokes a transformative period of semi-blindness, after which “the photography changed. . . . The looking changed.” As exquisitely wrought as the work of Anne Carson or Chris Marker, Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature. Praise for Blind Spot “Common things [are] made radiant by the quality of Cole’s looking. . . . In this new, luminous book, Cole shows himself to be really one of the best at seeing.”—The Guardian “This lyrical essay in photographs paired with texts explores the mysteries of the ordinary.”—The New York Times Books Review (Editors’ Choice) “Stunning . . . feels like the fulfillment of an intellectual project that has defined most of [Cole’s] career.”—Slate “Dazzling . . . cerebral yet intimate . . . combines personal essay, history, biography, journalism, and photography into a seamless package, capturing human dignity and grace through careful, clear-eyed reverence.”—Vice “An eclectically brilliant distillation of what photography can do, and why it remains an important art form.”—San Francisco Chronicle
| Author | : E. J. Bellocq |
| Publisher | : Random House (NY) |
| Total Pages | : 0 |
| Release | : 1996 |
| Genre | : New Orleans (La.) |
| ISBN | : 9780679449751 |
An expanded and revised edition of the famous book of portraits of prostitutes in turn-of-the-century New Orleans, the inspiration for the Louis Malle film Pretty Baby. This new edition includes 52 tritone photos printed in a large format. The text from the original edition--by John Szarjowski, former director of photography at the Museum of Modern Art--is reprinted here, along with a new Introduction by Susan Sontag.
| Author | : Ryan Orgera |
| Publisher | : LSU Press |
| Total Pages | : 318 |
| Release | : 2014-10-13 |
| Genre | : Travel |
| ISBN | : 0807157783 |
In Louisiana, every bite of food and each turn of phrase is an expression of cultural literacy. Correctly pronouncing "Tchoupitoulas" or "Atchafalaya," knowing the difference between the first Governor Long and the second one, being able to spot the artwork of Caroline Durieux, and honoring the distinction between a Creole and a Cajun roux serve not just as markers of familiarity; they represent acts of preservation. The Louisiana Field Guide: Understanding Life in the Pelican State expands on this everyday communion of history, delving into the cultural patchwork that makes the Gumbo State both thoroughly American and absolutely singular. An authoritative lineup of contributors reintroduces Louisiana through the lenses of environment, geography, history, politics, religion, culture, language, sports, literature, film, music, architecture, food, and art. Whether describing the archi-tectural details of the Ursuline Convent in the French Quarter or sharing the family history of Bourgeois' Meat Market just outside of Thibodaux, the essays in The Louisiana Field Guide present a fresh and expansive look at the enchanting and perplexing Pelican State. At once an accessible primer and a rich omnibus, this volume explores the well-known destinations and far-flung corners of Louisiana, from Cameron Parish to Congo Square, offering an enlightening companion guide for visitors and a trust-worthy reference for residents.
| Author | : Jennifer Van Horn |
| Publisher | : Yale University Press |
| Total Pages | : 344 |
| Release | : 2022-01-01 |
| Genre | : Art |
| ISBN | : 0300257635 |
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
