Losing The Plot
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Author | : Elizabeth Coleman |
Publisher | : Allen & Unwin |
Total Pages | : 391 |
Release | : 2019-04-15 |
Genre | : Fiction |
ISBN | : 1760871036 |
Funny, charming and captivating, with a plot within a plot, and a girl who is looking for love in all the wrong places. 'I loved it! It's got a kind of Bridget Jones feel and such a page turner. Great fun but with such beautiful heart. I've already cast the film/series in my head!' Rebecca Gibney 'A warm and very funny read.' Who, 4 stars Vanessa Rooney is a thirty-something dental hygienist who finds herself a single mum with a hole in her heart where her husband had been. Somehow she finds the courage to fulfil her childhood dream of writing a romance novel but soon discovers that her novel has been plagiarised by her idol, celebrity author Charlotte Lancaster. Vanessa reluctantly sues Charlotte with the help of suburban solicitor Dave Rendall, who's nursing some unfulfilled dreams of his own. When gun QC Marcus Stafford agrees to join their legal team, Vanessa feels like her perfect man has stepped right out of the pages of her book and into her life. As all hell breaks loose publicly and privately, Vanessa confronts a painful past and realises what Dave already knew - that she's an intelligent, funny, amazing woman and Marcus Stafford is, well, a tosspot. Vanessa finally understands that what she wanted wasn't what she needed, but has this realisation come too late?
Author | : Leon de Kock |
Publisher | : NYU Press |
Total Pages | : 395 |
Release | : 2016-09-01 |
Genre | : Literary Criticism |
ISBN | : 186814965X |
In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot – the mapping and making of social betterment – appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens. This, De Kock argues, is reproduced in much postapartheid writing. And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.
Author | : Dean Baker |
Publisher | : Dean Baker |
Total Pages | : 213 |
Release | : 2020-07-29 |
Genre | : Fiction |
ISBN | : |
They say everyone has a book inside them; well Rick Bateman has a whole library bursting to get out. Told in amusing style, through letters, emails and diary entries, Rick quits his lucrative sales job to devote his daylight hours to writing The Great Novel. But as the weeks go by and the rejection letters start flooding in, Rick’s bruised ego elicits increasingly vehement rants on everything from the publishing industry to reality TV stars. Doggedly persistent, Rick begins to drastically ramp up the wow factor in his ideas which become ever more ridiculous and increasingly plagiaristic. Losing the plot asks the questions: How far would you go to achieve a dream? And how far is too far?
Author | : Pardis Dabashi |
Publisher | : University of Chicago Press |
Total Pages | : 306 |
Release | : 2023 |
Genre | : American literature |
ISBN | : 0226829251 |
"It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner-writers known for their moviegoing affinities and connections to early film-Dabashi uses the relationship between literature and the cinema to reveal a profound longing for plot in modernist fiction. Dabashi links the moviegoing practices of Larsen, Barnes, and Faulkner to the tensions in their works, tensions between the formal properties of the novels and the characters in them. In making a distinction between what the novel is doing and what their characters desire, these authors ponder how it is one thing to withhold plot as a gesture of modernist aesthetics, and quite another to be denied the comfort of plot's architecture in one's living and breathing existence"--
Author | : Annaleise Byrd |
Publisher | : Walker Books Australia |
Total Pages | : 109 |
Release | : 2024-03-06 |
Genre | : Juvenile Fiction |
ISBN | : 1760656453 |
When did things get so Grimm? A hilarious tale of readers finding themselves immersed in a story - literally! To save the football team, Basil Beedon is roped into listening to reluctant reader and star footballer Terry Clegg read fairytales out loud. Every. Single. Saturday. But when Terry brings over a battered copy of The Complete Fairy Tales of the Brothers Grimm, and haltingly begins reading Hansel and Gretel, the pair find themselves transported inside the book, having fallen through a plot hole. They meet Gretel, who can’t stop crying, but only because she ‘is written that way’ and endeavour to help find Hansel (who is stuck in a bottle). The bureaucratic world is run by FANCY (the Fairytale Alliance Network of Character Yunions), where Gretel is part of the subset SUPER FANCY (Stereotypical Unempowered Princesses and Extraneous Royalty). She and the boys are accused of breaching SLIP and SLIDE (Safety Laws of Interworld Portals/ Secrecy Laws of Interworld Demystification Experiences). Using a combination of Basil’s bookishness and Terry’s sporting skills, the boys must outwit their opponents, as Basil realises he has always underestimated princesses, and Terry realises that books are growing on him!
Author | : Lizzy Mason |
Publisher | : |
Total Pages | : 337 |
Release | : 2019 |
Genre | : Juvenile Fiction |
ISBN | : 1616959878 |
On one terrible night, 17-year-old Harley's life changes forever. At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike, who then drunkenly attempts to drive Audrey home, crashing and leaving Audrey in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend has a drinking problem. She finds herself reconnecting with Raf, a neighbour and childhood friend. He starts to show Harley a path forward that she never would have believed possible - one guided by honesty, forgiveness, and redemption.
Author | : Abbi Glines |
Publisher | : Simon & Schuster Books for Young Readers |
Total Pages | : 352 |
Release | : 2019-07-02 |
Genre | : Young Adult Fiction |
ISBN | : 1534403906 |
The fourth book in the #1 New York Times bestselling Field Party series—a southern soap opera with football, cute boys, and pick-up trucks—from USA TODAY bestselling author Abbi Glines. Tallulah Liddell had been defined by her appearance for as long as she could remember. Overweight and insecure, she preferred to fly under the radar, draw as little attention to herself so no one can hurt her. The only boy who did seem to ever notice her was her longtime crush, Nash Lee. But when he laughs at a joke aimed at Tallulah the summer before their senior year, Tallulah’s love dissipates, and she becomes determined to lose weight, to no longer be an object of her classmates’—and especially Nash’s—ridicule. Nash Lee has it all—he’s the star running back of Lawton’s football team, being scouted by division one colleges, and on track to have a carefree senior year. But when an accident leaves him with a permanent limp, all of Nash’s present and future plans are destroyed, leaving him bitter, angry, and unrecognizable from the person he used to be. Facing a new school year with her new body, Tallulah is out to seek revenge on Nash’s cruelty. All does not go according to plan, though, and Tallulah and Nash unexpectedly find themselves falling for each other. But with all the pain resting in each of their hearts, can their love survive?
Author | : Matthew Bowles |
Publisher | : Matthew Bowles |
Total Pages | : 304 |
Release | : 2013-04-30 |
Genre | : Fiction |
ISBN | : |
"The Plot is in charge of us all. He decides everything we do. Everything that ever happens is because of the Plot! There's no avoiding it!"Owen has joined a band of thieves, uncertain of where his life is supposed to be going. Just when he thinks he's sorted it out, his life descends into chaos once more. However, the great god Plot is the decider of destiny and the world's dictator. When Owen learns the Plot is responsible for his unfortunate life, Owen sets out to seek revenge in a ridiculous journey across the whole of time and space, with help from both different times and different planets.But will he defeat Plot, or will the Plot defeat him?
Author | : Ewan Morrison |
Publisher | : Saraband |
Total Pages | : 405 |
Release | : 2021-03-01 |
Genre | : Fiction |
ISBN | : 191339316X |
A New York Times Editor’s Pick. Shortlisted for the Bookmark Festival Book of the Year and the McIlvanney Prize "I wasn’t sure there could be a great pandemic novel. Here it is." Ian Rankin My name is Haley Cooper Crowe and I am in lockdown in a remote location I can’t tell you about. It’s five years after the pandemic, and for most people life has returned to normal—but not for Haley Cooper Crowe and her brother Ben. Children of divorce, they live with their mother, but their dad believes there’s a new, much deadlier virus spreading out of control, and that he can only save his kids by kidnapping them and hiding them in his remote prepper hideaway. Once confined to their off-grid “safe house”, Haley and Ben are completely cut off from civilisation. Will they make it out alive? How can they save their mother? How can they discover what’s happening on the outside? Propulsive, electrifying, tense, and often visceral and funny, How to Survive Everything is one teenage girl’s guide to navigating the imminent collapse of her world, family and sanity.
Author | : Jean Hanff Korelitz |
Publisher | : Celadon Books |
Total Pages | : 273 |
Release | : 2021-05-11 |
Genre | : Fiction |
ISBN | : 1250790743 |
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 ** "Insanely readable." —Stephen King Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it. Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then . . . he hears the plot. Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that—a story that absolutely needs to be told. In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says. As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?