Literati Storytelling In Late Medieval China
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| Author | : Manling Luo |
| Publisher | : University of Washington Press |
| Total Pages | : 259 |
| Release | : 2015-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 0295805609 |
Scholar-officials of late medieval China were not only enthusiastic in amateur storytelling, but also showed unprecedented interest in recording stories on different aspects of literati life. These stories appeared in diverse forms, including narrative poems, “tales of the marvelous,” “records of the strange,” historical miscellanies, and transformation texts. Through storytelling, literati explored their own changing place in a society that was making its final transition from hereditary aristocracy to a meritocracy ostensibly open to all. Literati Storytelling shows how these writings offer crucial insights into the reconfiguration of the Chinese elite, which monopolized literacy, social prestige, and political participation in imperial China.
| Author | : Robert Ford Campany |
| Publisher | : University of Hawaii Press |
| Total Pages | : 209 |
| Release | : 2015-09-30 |
| Genre | : Literary Collections |
| ISBN | : 0824853512 |
Between 300 and 600 C.E., Chinese writers compiled thousands of accounts of the strange and the extraordinary. Some described weird spirits, customs, and flora and fauna in distant lands. Some depicted individuals of unusual spiritual or moral achievement. But most told of ordinary people’s encounters with ghosts, demons, or gods; sojourns in the land of the dead; eerily significant dreams; and uncannily accurate premonitions. The selection of such stories presented here provides an alluring introduction to early medieval Chinese storytelling and opens a doorway to the enchanted world of thought, culture, and religious belief of that era. Known as zhiguai, or “accounts of anomalies,” they convey a great deal about how people saw the cosmos and their place in it. The tales were circulated because they were entertaining but also because their compilers meant to document the mysterious workings of spirits, the wonders of exotic places, and the nature of the afterlife. A collection of more than two hundred tales, A Garden of Marvels offers an authoritative yet accessible introduction to zhiguai writings, particularly those never before translated or adequately researched. This volume will likely find its way to bedside tables as well as into classrooms and libraries, just as collections of zhiguai did in early medieval times.
| Author | : |
| Publisher | : Columbia University Press |
| Total Pages | : 292 |
| Release | : 2018-05-29 |
| Genre | : Fiction |
| ISBN | : 0231547056 |
Chinese culture of the Six Dynasties period (220–589) saw a blossoming of stories of the fantastic. Zhiguai, “records of the strange” or “accounts of anomalies,” tell of encounters with otherness, in which inexplicable and uncanny phenomena interrupt mundane human affairs. They depict deities, ghosts, and monsters; heaven, the underworld, and the immortal lands; omens, metamorphoses, and trafficking between humans and supernatural beings; and legendary figures, strange creatures, and natural wonders in the human world. Hidden and Visible Realms, traditionally attributed to Liu Yiqing, is one of the most significant zhiguai collections, distinguished by its varied contents, elegant writing style, and fascinating stories. It is also among the earliest collections heavily influenced by Buddhist beliefs, values, and concerns. Beyond the traditional zhiguai narratives, it includes tales of karmic retribution, reincarnation, and Buddhist ghosts, hell, and magic. In this annotated first complete English translation, Zhenjun Zhang gives English-speaking readers a sense of the wealth and wonder of the zhiguai canon. Hidden and Visible Realms opens a window into the lives, customs, and religious beliefs and practices of early medieval China and the cultural history of Chinese Buddhism. In the introduction, Zhang explains the key themes and textual history of the work.
| Author | : Alister D. Inglis |
| Publisher | : State University of New York Press |
| Total Pages | : 471 |
| Release | : 2023-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438492561 |
Love stories formed a major part of the classical short story genre in China from as early as the eighth century, when men of letters began to write about romantic encounters. In later centuries, such stories provided inspiration for several new literary genres. While much scholarly attention has been focused on the short story of both the medieval and late imperial eras, comparatively little work has been attempted on the interim stage, the Song and Yuan dynasties, which spanned some five hundred years from the tenth to the fourteenth centuries. Yet this was a crucial developmental period for many forms of narrative literature—so much so that any understanding of late imperial narrative should be informed by the earlier tradition. The first study of its kind in English, The Chinese Love Story from the Tenth to the Fourteenth Century traces the development of the love story throughout this important yet overlooked era. Using Tang dynasty stories as a point of comparison, Alister D. Inglis examines and appraises key new themes, paying special attention to period hallmarks, gender portrayal, and textuality. Inglis demonstrates that, contrary to received scholarly wisdom, this was a highly innovative period during which writers and storytellers laid a fertile foundation for the literature of late imperial China.
| Author | : |
| Publisher | : University of Washington Press |
| Total Pages | : 239 |
| Release | : 2015-07-01 |
| Genre | : Literary Collections |
| ISBN | : 0295806044 |
This collection of short stories, anecdotes, and poems was likely compiled during the 13th century. Tales of romantic love—including courtship, marriage, and illicit affairs—unify the collection and make it an essential primary source for literary and social history, since official Chinese history sources did not usually discuss family conflict or sexual matters. This volume, the first complete translation of The Drunken Man’s Talk (Xinbian zuiweng tanlu) in any language, includes an introduction that explores the literary significance of the work as well as annotations explaining the symbolism and allusions found in the stories.
| Author | : Robert Ford Campany |
| Publisher | : SUNY Press |
| Total Pages | : 540 |
| Release | : 1996-01-01 |
| Genre | : History |
| ISBN | : 9780791426593 |
This is the first comprehensive, Western-language study of the important Chinese genre of writing known as "accounts of the anomalies" (zhiguai) in its formative period. The book sets forth a new view of the nature and origins of the genre.
| Author | : |
| Publisher | : University of Washington Press |
| Total Pages | : 992 |
| Release | : 2012-09-01 |
| Genre | : Literary Collections |
| ISBN | : 0295800712 |
Stories to Awaken the World, the first complete translation of Xingshi hengyan, completes the publication in English of the famous three-volume set of Feng Menglong's popular Chinese-vernacular stories. These tales, which come from a variety of sources (some dating back centuries before their compilation in the seventeenth century), were assembled and circulated by Feng, who not only saved them from oblivion but raised the status of vernacular literature and provided material for authors of the great Ming (1368-1644) and Qing (1644-1911) novels to draw upon. This trilogy has been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women - merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, thieves and imposters - the stories provide a vivid panorama of the bustling world of late imperial China. The longest volume in the Sanyan trilogy, Stories to Awaken the World is presented in full here, including sexually explicit elements often omitted from Chinese editions. Shuhui Yang and Yunqin Yang have provided a rare treat for English readers: an unparalleled view of the art of traditional Chinese short fiction. As with the first two collections in the trilogy, Stories Old and New and Stories to Caution the World, their excellent renditions of the forty stories in this collection are eminently readable, accurate, and lively. They have included all of the poetry that is scattered throughout the stories, as well as Feng Menglong's interlinear and marginal comments, which convey the values shared among the Chinese cultural elite, point out what original readers of the collection were being asked to appreciate in the writer's art, and reveal Feng's moral engagement with the social problems of his day. The Yangs's translations rank among the very finest English versions of Chinese fiction from any period. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
| Author | : Mia Yinxing Liu |
| Publisher | : University of Hawaii Press |
| Total Pages | : 262 |
| Release | : 2019-07-31 |
| Genre | : Performing Arts |
| ISBN | : 0824859871 |
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 280 |
| Release | : 2018-06-05 |
| Genre | : History |
| ISBN | : 9004368639 |
Memory is not an inert container but a dynamic process. It can be structured by ritual, constrained by textual genre, and shaped by communities’ expectations and reception. Urging a particular view of the past on readers is a complex rhetorical act. The collective reception of portrayals of the past often carries weighty implications for the present and future. The essays collected in this volume investigate various aspects of memory in medieval China (ca. 100-900 CE) as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs. They illuminate ways in which the memory of individual persons, events, dynasties, and literary styles was constructed and revised through processes of writing and reading. Contributors include: Sarah M. Allen, Robert Ashmore, Robert Ford Campany, Jack W. Chen, Alexei Ditter, Meow Hui Goh, Christopher M. B. Nugent, Xiaofei Tian, Wendy Swartz, Ping Wang.
| Author | : Chi Him Chiu |
| Publisher | : |
| Total Pages | : 203 |
| Release | : 2005 |
| Genre | : Fiction |
| ISBN | : 9781599266640 |
The fifty-nine stories in this book, many translated here for the first time and presented in chronological order, span 2,117 years, from the Han Dynasty (206 B.C to A.D. 220) to the Qing Dynasty (1644 to 1911). Legendary or historical, the characters play out their lives in imaginary or real landscapes that detail significant events in ancient Chinese history. For both aficionados and those new to Chinese classical literature, these tales will entertain as well as give an understanding of the background of later literary works.
