Literary Techniques in Old Tamil Caṅkam Poetry

Literary Techniques in Old Tamil Caṅkam Poetry
Author: Eva Wilden
Publisher: Otto Harrassowitz Verlag
Total Pages: 468
Release: 2006
Genre: Language Arts & Disciplines
ISBN: 9783447053358
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The present study is a step towards an historical and philologicaldescription of the founding literary tradition of Southern India. This so-called Cankam literature was composed around the beginning of the common era in a language today known as "Classical Tamil". Ten anthologies of its poetry have survived. Its literary techniques and their presuppositions are presented here in detail on the basis of an analysis of one of these anthologies, the Kur-untokai, which is a collection of 401 short love poems. While the introduction and the last chapter, on poetic style, are also meant for the general student of literature, the second and third chapters will be of interest mainly to specialists. These deal with syntax (especially particle syntax) and with the poetological background of the poetry. The formal features described include the use of formulae; the organisation of a poetic universe in terms of themes, topoi and motifs; syntactic types, such as circular construction; rhetorical fi gures, such as metaphors, similes and insets; poetic ambiguity achieved through the use of a symbolic code; puns; and intertextual allusions.

Tamil

Tamil
Author: David Shulman
Publisher: Harvard University Press
Total Pages: 417
Release: 2016-09-26
Genre: History
ISBN: 0674974654
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Spoken by eighty million people in South Asia and a diaspora that stretches across the globe, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue for so many speakers. David Shulman presents a comprehensive cultural history of Tamil—language, literature, and civilization—emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography. Two stories animate Shulman’s narrative. The first concerns the evolution of Tamil’s distinctive modes of speaking, thinking, and singing. The second describes Tamil’s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil’s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today. Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. “Tamil” can mean both “knowing how to love”—in the manner of classical love poetry—and “being a civilized person.” It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.

Material Devotion in a South Indian Poetic World

Material Devotion in a South Indian Poetic World
Author: Leah Elizabeth Comeau
Publisher: Bloomsbury Publishing
Total Pages: 233
Release: 2020-03-19
Genre: Religion
ISBN: 1350122904
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Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.

The Princeton Handbook of World Poetries

The Princeton Handbook of World Poetries
Author: Roland Greene
Publisher: Princeton University Press
Total Pages: 718
Release: 2016-11-22
Genre: Literary Criticism
ISBN: 1400880637
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An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index

Language of the Snakes

Language of the Snakes
Author: Andrew Ollett
Publisher: Univ of California Press
Total Pages: 324
Release: 2017-10-03
Genre: Foreign Language Study
ISBN: 0520296222
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At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.

The Princeton Encyclopedia of Poetry and Poetics

The Princeton Encyclopedia of Poetry and Poetics
Author: Stephen Cushman
Publisher: Princeton University Press
Total Pages: 1678
Release: 2012-08-26
Genre: Literary Criticism
ISBN: 1400841429
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The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

The Bloomsbury Research Handbook of Emotions in Classical Indian Philosophy

The Bloomsbury Research Handbook of Emotions in Classical Indian Philosophy
Author: Maria Heim
Publisher: Bloomsbury Publishing
Total Pages: 346
Release: 2021-04-08
Genre: Philosophy
ISBN: 1350167789
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Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.

Ar Or

Ar Or
Author:
Publisher:
Total Pages: 636
Release: 2007
Genre: Africa
ISBN:
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Included section "Book reviews"

Kāvya in South India

Kāvya in South India
Author: Herman Tieken
Publisher: BRILL
Total Pages: 278
Release: 2021-12-28
Genre: History
ISBN: 9004486097
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Old Tamil Caṅkam poetry consists of eight anthologies of short poems on love and war, and a treatise on grammar and poetics. The main part of this corpus has generally been dated to the first centuries AD and is believed to be the product of a native Tamil culture. The present study argues that the poems do not describe a contemporary society but a society from the past or one not yet affected by North-Indian Sanskrit culture. Consequently the main argument for the current early dating of Caṅkam poetry is no longer valid. Furthermore, on the basis of a study of the historical setting of the heroic poems and of the role of Tamil as a literary language in the Caṅkam corpus, it is argued that the poetic tradition was developed by the Pāṇṭiyas in the ninth or tenth century. This volume deals with the identification of the various genres of Caṅkam poetry with literary types from the Sanskrit Kāvya tradition. Counterparts have been found exclusively among Prākrit and Apabhraṁśa texts, which indicate that in Caṅkam poetry Tamil has been specifically assigned the role of a Prākrit. As such, the present study reveals the processes and attitudes involved in the development of a vernacular language into a literary idiom.