Literary Sensations
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Author | : Anthony Uhlmann |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 340 |
Release | : 2008-12-18 |
Genre | : Literary Collections |
ISBN | : 1443802522 |
“I never travel without my diary. One should always have something sensational to read in the train” (Oscar Wilde). Literature has always treated the sensational: crime, passion, violence, trauma, catastrophe. It has frequently caused, or been at the centre of scandal, censorship and moral outrage. But literature is also intricately connected with sensation in ways that are less well understood. It mediates between the sensory world, perception and cognition through rich modes of thought allied with perceptions and emotions and makes sense of profound questions that transcend the merely rational. And at its boundaries, literature engages with the uncanny realm in which knowledge, presentiment or feeling is prior to articulation in words. This book reviews the sensational dimension of literature according to themes that have too often been left to one side. Literary theory has often privileged perception over sensation, cognition over raw experience, in focusing on semantics rather than sense. The essays in this volume cover literature and sensation in all its facets, drawing upon a range of approaches from evolutionary theory, theories of mind, perception, philosophy and aesthetics. The works considered are drawn from various literary periods and genres, from the nineteenth century to contemporary prose and poetry, including experiments in new media. Literature and Sensation offers detailed and subtle readings of literature according to the sensations they represent, incite, or evoke in us, and will be of interest to readers of literary theory, ethics and aesthetics, and theorists of new media art.
Author | : David Sweeney Coombs |
Publisher | : University of Virginia Press |
Total Pages | : 294 |
Release | : 2019-11-19 |
Genre | : Literary Criticism |
ISBN | : 0813943434 |
The nineteenth-century sciences cleaved sensory experience into two separate realms: the bodily physics of sensation and the mental activity of perception. This division into two discrete categories was foundational to Victorian physics, physiology, and experimental psychology. As David Sweeney Coombs reveals, however, it was equally important to Victorian novelists, aesthetes, and critics, for whom the distinction between sensation and perception promised the key to understanding literature’s seemingly magical power to conjure up tastes, sights, touches, and sounds from the austere medium of print. In Victorian literature, science, and philosophy, the parallel between reading and perceiving gave rise to momentous debates about description as a mode of knowledge as well as how, and even whether, reading about the world differs from experiencing it firsthand. Examining novels and art criticism by George Eliot, Thomas Hardy, Vernon Lee, and Walter Pater alongside scientific works by Hermann von Helmholtz, William James, and others, this book shows how Victorian literature offers us ways not just to touch but to grapple with the material realities that Clifford Geertz called the "hard surfaces of life."
Author | : Shelley Streeby |
Publisher | : Univ of California Press |
Total Pages | : 401 |
Release | : 2002-05-10 |
Genre | : Literary Criticism |
ISBN | : 0520223144 |
"American Sensations is an erudite and sweeping cultural history of the sensationalist literatures and mass cultures of the American 1848. It is the finest book yet written on the U.S.-Mexican War, and how it was central to the making and unmaking of U.S. mass culture, class, and racial formation."—José David Saldívar, author of Border Matters: Remapping American Cultural Studies "A major work that will challenge current paradigms of nineteenth-century literature and culture. American Sensations brilliantly succeeds in remapping the volatile and shifting terrain of both national identity and literary history in the mid-nineteenth century."—Amy Kaplan, co-editor of Cultures of United States Imperialism
Author | : Annette Kern-Stähler |
Publisher | : Oxford University Press |
Total Pages | : 540 |
Release | : 2023-07-20 |
Genre | : Literary Criticism |
ISBN | : 019284377X |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
Author | : Alissa Quart |
Publisher | : Basic Books |
Total Pages | : 270 |
Release | : 2008-12-17 |
Genre | : Psychology |
ISBN | : 0786740965 |
Generation Y has grown up in an age of the brand, bombarded by name products. In Branded, Alissa Quart illuminates the unsettling new reality of marketing to teenagers, as well as the quieter but no less worrisome forms of teen branding: the teen consultants who work for corporations in exchange for product; the girls obsessed with cosmetic surgery who will do anything to look like women on TV; and those teens simply obsessed with admission into a name-brand college. We also meet the pockets of kids attempting to turn the tables on the cocksure corporations that so cynically strive to manipulate them. Chilling, thought-provoking, even darkly amusing, Branded brings one of the most disturbing and least talked about results of contemporary business and culture to the fore-and ensures that we will never look at today's youth the same way again.
Author | : Katharine A. Craik |
Publisher | : Cambridge University Press |
Total Pages | : 255 |
Release | : 2013-02-07 |
Genre | : Literary Criticism |
ISBN | : 1107028000 |
Shakespearean Sensations explores the ways Shakespeare and his contemporaries imagined literature affecting audiences' bodies, minds and emotions.
Author | : Ann Cvetkovich |
Publisher | : Duke University Press |
Total Pages | : 303 |
Release | : 2012-11-05 |
Genre | : Health & Fitness |
ISBN | : 0822352389 |
In Depression: A Public Feeling, Ann Cvetkovich combines memoir and critical essay in search of ways of writing about depression as a cultural and political phenomenon that offer alternatives to medical models. She describes her own experience of the professional pressures, creative anxiety, and political hopelessness that led to intellectual blockage while she was finishing her dissertation and writing her first book. Building on the insights of the memoir, in the critical essay she considers the idea that feeling bad constitutes the lived experience of neoliberal capitalism. Cvetkovich draws on an unusual archive, including accounts of early Christian acedia and spiritual despair, texts connecting the histories of slavery and colonialism with their violent present-day legacies, and utopian spaces created from lesbian feminist practices of crafting. She herself seeks to craft a queer cultural analysis that accounts for depression as a historical category, a felt experience, and a point of entry into discussions about theory, contemporary culture, and everyday life. Depression: A Public Feeling suggests that utopian visions can reside in daily habits and practices, such as writing and yoga, and it highlights the centrality of somatic and felt experience to political activism and social transformation.
Author | : |
Publisher | : |
Total Pages | : 740 |
Release | : 1904 |
Genre | : Books |
ISBN | : |
Author | : Kimberly Harrison |
Publisher | : Ohio State University Press |
Total Pages | : 302 |
Release | : 2006 |
Genre | : Literary Collections |
ISBN | : 0814210317 |
"Wildly popular with Victorian readers, sensation fiction was condemned by most critics for scandalous content and formal features that deviated from respectable Victorian realism. Victorian Sensations is the first collection to examine sensation fiction as a whole, showing it to push genre boundaries and resist easy classification. Comprehensive in scope, this collection includes twenty original essays employing various critical approaches to cover a range of topics that will interest many readers." "Essays are organized thematically into three sections: issues of genre; sensational representations of gender and sexuality; and the texts' complex readings of diverse social and cultural phenomena such as class, race, and empire. The introduction reviews the critical reception of sensation fiction to situate these new essays within a larger scholarly context."--BOOK JACKET.
Author | : Thalma Lobel |
Publisher | : Simon and Schuster |
Total Pages | : 256 |
Release | : 2014-04-29 |
Genre | : Psychology |
ISBN | : 1451699204 |
Like the revolutionary bestsellers Predictably Irrational and Emotional Intelligence, Sensation is an exciting, completely new view of human behavior—a new psychology of physical intelligence (or embodied cognition)—that explains how the body unconsciously affects our everyday decisions and choices, written by one of the world’s leading psychologists. From colors and temperatures to heavy objects and tall people, a whole symphony of external stimuli exerts a constant influence on the way your mind works. Yet these effects have been hidden from you—until now. Drawing on her own work as well as from research across the globe, Dr. Thalma Lobel reveals how shockingly susceptible we are to sensory input from the world around us. An aggressive negotiator can be completely disarmed by holding a warm cup of tea or sitting in a soft chair. Clean smells promote moral behavior, but people are more likely to cheat on a test right after having taken a shower. Red-colored type causes us to fail exams, but red dresses make women sexier and teams wearing red jerseys win more games. We take questionnaires attached to heavy clipboards more seriously and believe people who like sweets to be nicer. Ultimately, the book’s message is startling: Though we claim ownership of our decisions, judgments, and values, they derive as much from our outside environment as from inside our minds. Now, Sensation empowers you to evaluate those outside forces in order to make better decisions in every facet of your personal and professional lives.