Literary Associations of the English Lakes: Westmoreland, Windermere and the haunts of Wordsworth
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 272 |
Release | : 1894 |
Genre | : Lake District (England) |
ISBN | : |
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Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 272 |
Release | : 1894 |
Genre | : Lake District (England) |
ISBN | : |
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 314 |
Release | : 1906 |
Genre | : Authors, English |
ISBN | : |
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 272 |
Release | : 1894 |
Genre | : Lake District (England) |
ISBN | : |
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 0 |
Release | : |
Genre | : History |
ISBN | : 9781022307117 |
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 320 |
Release | : 1906 |
Genre | : Authors, English |
ISBN | : |
Author | : Hardwicke Drummond Rawnsley |
Publisher | : |
Total Pages | : 272 |
Release | : 1894 |
Genre | : Lake District (England) |
ISBN | : |
Author | : Charles Edward Cutts Birch Appleton |
Publisher | : |
Total Pages | : 568 |
Release | : 1894 |
Genre | : Literature |
ISBN | : |
Author | : Martina Wagner-Egelhaaf |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 2857 |
Release | : 2019-01-29 |
Genre | : Biography & Autobiography |
ISBN | : 3110381486 |
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.
Author | : Lucia McMahon |
Publisher | : University of Virginia Press |
Total Pages | : 380 |
Release | : 2022-10-21 |
Genre | : Social Science |
ISBN | : 0813947871 |
Elizabeth Smith, a learned British woman born in the momentous year 1776, gained transnational fame posthumously for her extensive intellectual accomplishments, which encompassed astronomy, botany, history, poetry, and language studies. As she navigated her place in the world, Smith made a self-conscious decision to keep her many talents hidden from disapproving critics. Therefore, her rise to fame began only in 1808, when her posthumous memoir appeared. In this elegantly written biography, Lucia McMahon reconstructs the places and social constellations that enabled Smith’s learning and adventures in England, Wales, and Ireland, and traces her transatlantic fame and literary afterlife across Britain and the United States. Through re-telling Elizabeth Smith’s fascinating life story and retracing her posthumous transatlantic fame, McMahon reveals a larger narrative about women’s efforts to enact learned and fulfilling lives, and the cultural reactions such aspirations inspired in the early nineteenth century. Although Smith was cast as "exceptional" by her contemporaries and modern scholars alike, McMahon argues that her scholarly achievements, travel explorations, and posthumous fame were all emblematic of the age in which she lived. Offering insights into Romanticism, picturesque tourism, celebrity culture, and women’s literary productions, McMahon asks the provocative question, "How many seemingly exceptional women must we uncover in the historical record before we are no longer surprised?"