Letters From A Life Volume 3 1946 1951
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| Author | : Benjamin Britten |
| Publisher | : Faber & Faber |
| Total Pages | : 781 |
| Release | : 2011-07-07 |
| Genre | : Music |
| ISBN | : 0571279937 |
The third volume of the annotated selected letters of composer Benjamin Britten covers the years 1946-51, during which he wrote many of his best-known works, founded and developed the English Opera Group and the Aldeburgh Festival, and toured widely in Europe and the United States as a pianist and conductor.Correspondents include librettists Ronald Duncan (The Rape of Lucretia), Eric Crozier (Albert Herring, Saint Nicolas, The Little Sweep) and E. M. Forster (Billy Budd); conductor Ernest Ansermet and composer Lennox Berkeley; publishers Ralph Hawkes and Erwin Stein of Boosey & Hawkes; and the celebrated tenor Peter Pears, Britten's partner. Among friends in the United States are Christopher Isherwood, Elizabeth Mayer and Aaron Copland, and there is a significant meeting with Igor Stravinsky.This often startling and innovative period is vividly evoked by the comprehensive and scholarly annotations, which offer a wide range of detailed information fascinating for both the Britten specialist and the general reader.Donald Mitchell contributes a challenging introduction exploring the interaction of life and work in Britten's creativity, and an essay examining for the first time, through their correspondence, the complex relationship between the composer and the writer Edward Sackville-West.
| Author | : Michelle Fillion |
| Publisher | : University of Illinois Press |
| Total Pages | : 226 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 0252035658 |
Difficult Rhythm examines E. M. Forster's irrepressible interest in music, providing plentiful examples of how the eminent British author's fiction resonates with music. Musicologist Michelle Fillion analyzes his critical writings, short stories, and novels, including A Room with a View, which alludes to Beethoven, Wagner, and Schumann, and Howards End, which explicitly alerts readers how fiction can adopt musical forms and ideas. This volume also includes, for the first time in print, Forster's notes on Beethoven's piano sonatas. Documenting his knowledge of music, his musical favorites and friends, and his attitudes toward various composers, performances, and competing musical theories, this engaging book traces the musical influences of luminaries such as Wagner, Beethoven, Tchaikovsky, and Britten on Forster's life and work.
| Author | : Kate Guthrie |
| Publisher | : Univ of California Press |
| Total Pages | : 307 |
| Release | : 2021-07-13 |
| Genre | : Music |
| ISBN | : 0520975898 |
From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music. This book examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. It traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential. The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.
| Author | : Chester L. Alwes |
| Publisher | : Oxford University Press |
| Total Pages | : 473 |
| Release | : 2016-08-03 |
| Genre | : Music |
| ISBN | : 0199377014 |
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
| Author | : Martin Sheppard |
| Publisher | : Pen and Sword Military |
| Total Pages | : 353 |
| Release | : 2022-02-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1399090011 |
The morning of the Battle of Balaklava, on 25 October 1854, saw a desperate charge against a greatly superior Russian force. Epitomised by the reckless courage of the British cavalry in the face of heavy odds, the charge was a complete success, putting the Russians to flight. This charge was not that of the Light Brigade, which took place later the same day, but that of the Heavy Brigade, under the command of General James Scarlett. Caught by surprise, Scarlett dressed the three hundred men nearest to him, placed himself well ahead of them and charged uphill to an extraordinary and unlikely victory. The Charge of the Heavy Brigade, a resounding success, has unjustly been overshadowed by the blunders that led to the heroic defeat of the Charge of the Light Brigade. James Scarlett himself has also been unfairly ignored due the focus on the enmity between the Earls of Cardigan and Lucan. The strategic significance of the Heavy Brigade’s victory, preventing the Russians capturing the key British base, the port of Balaklava, has been overlooked, as has General Scarlett’s decisive part in thwarting Russia’s best chance of winning the Crimean War. Although his heroic leadership at Balaklava was undoubtedly the most important event in James Scarlett’s life, he had a long and distinguished military career before and after the Crimean War. Based on his own previously unpublished letters, including a long description of his day at Balaklava, General Sir James Scarlett is the first book focused on a remarkable soldier.
| Author | : |
| Publisher | : |
| Total Pages | : 318 |
| Release | : 2004 |
| Genre | : Criticism, Textual |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 716 |
| Release | : 2004 |
| Genre | : Arts |
| ISBN | : |
| Author | : Mark Bostridge |
| Publisher | : A&C Black |
| Total Pages | : 202 |
| Release | : 2013-06-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1441151869 |
2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event. Britten's Century considers various aspects of Britten's life and work. The book is written by biographers, performers and music critics. Here is a wealth of subject matter - Britten's operatic output, his orchestral works, his contribution to the revival of English song. Biographically, this book moves on beyond the relationship with Peter Pears and the salacious speculation about his infatuation with various boys, to a consideration of Britten's experience as a homosexual man living in a largely homophobic society. Another area here which is often overlooked is the view of Britten from outside the British Isles - the USA and Italy, where his operas have long been extremely popular.
| Author | : Timothy L. S. Sprigge |
| Publisher | : Routledge |
| Total Pages | : 299 |
| Release | : 2013-07-04 |
| Genre | : Philosophy |
| ISBN | : 1136294015 |
First published in 1999. The purpose of this series is to provide a contemporary assessment and history of the entire course of philosophical thought. Each book constitutes a detailed, critical introduction to the work of a philosopher of major influence and significance. The arguments of the philosophers take on many differing forms. Those of George Santayana bear little similarity to what we find today in the Journal of Philosophy: indeed, some have been misled by his imagery and splendid prose style to believe that no arguments are being made at all in Santayana’s many books. Timothy Sprigge’s gift is an ability to draw clear ties between these writings and important contemporary issues, and to show that Santayana makes a contribution to today’s arguments.
| Author | : Paul Kildea |
| Publisher | : Penguin UK |
| Total Pages | : 870 |
| Release | : 2013-01-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 0141924306 |
Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London.
