Letters from a Gentleman in the North of Scotland to His Friend in London
Author | : Edward Burt |
Publisher | : |
Total Pages | : 394 |
Release | : 1818 |
Genre | : Highlands (Scotland) |
ISBN | : |
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Author | : Edward Burt |
Publisher | : |
Total Pages | : 394 |
Release | : 1818 |
Genre | : Highlands (Scotland) |
ISBN | : |
Author | : Tim Newark |
Publisher | : Constable |
Total Pages | : 468 |
Release | : 2009-10-15 |
Genre | : History |
ISBN | : 1849012318 |
'Highlanders have long been among the most feared soldiers in the world and Tim Newark's book admirably tells their stirring tale. A great read!' Bernard Cornwell On the fields of Waterloo, the deserts of Sudan, the Plains of Abraham and the mountains of Dargai, the trenches of Flanders and the jungles of Burma - the great Highland regiments made their mark. The brave kilted troops with their pipes and drums were legendary, whether leading the charge into the thick of battle or standing fast, the last to leave or fall, fighting against the odds. Acclaimed historian Tim Newark tells the story of the Highlanders through the words of the soldiers themselves, from diaries, letters and journals uncovered from archives in Scotland and around the world. At the Battle of Quebec in 1759, only a few years after their defeat at Culloden, the 78th Highlanders faced down the French guns and turned the battle. At Waterloo, Highlanders memorably fought alongside the Scots Greys against Napoleon's feared Old Guard. In the Crimea, the thin red line stood firm against the charging Russian Hussars and saved the day at Balaclava. Yet the story is also one of betrayal. At Quebec, General Wolfe remarked that, despite the Highlanders' courage, it was 'no great mischief if they fall'. At Dunkirk in May 1940, the 51st Regiment was left to defend the SOE evacuation at St Valery; though following D-Day the Highlanders were at the forefront of the fighting through France. It is all history: over the last decade the historic regiments have been dismantled, despite widespread protest. Praise for The Mafia at War: An engrossing history that reads like a thriller. 'The Godfather' meets 'Band of Brothers'. Andrew Roberts An engrossing account that has the read-on factor of the finest thriller. James Holland Newark tells an extraordinary tale with pace and conviction, and impressively unravels what really happened from the pervasive myths. History Today
Author | : British Museum. Department of Printed Books. Grenville Library |
Publisher | : |
Total Pages | : 540 |
Release | : 1848 |
Genre | : Epic poetry, Greek |
ISBN | : |
Author | : Thomas Grenville |
Publisher | : |
Total Pages | : 532 |
Release | : 1848 |
Genre | : Bibliography |
ISBN | : |
Author | : Nigel Leask |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2020-02-27 |
Genre | : Poetry |
ISBN | : 0192590235 |
Stepping Westward is the first book dedicated to the literature of the Scottish Highland tour of 1720-1830, a major cultural phenomenon that attracted writers and artists like Pennant, Johnson and Boswell, William and Dorothy Wordsworth, Coleridge, Scott, Hogg, Keats, Daniell, and Turner, as well as numerous less celebrated travellers and tourists. Addressing more than a century's worth of literary and visual representations of the Highlands, the book casts new light on how the tour developed a modern literature of place, acting as a catalyst for thinking about improvement, landscape, and the shaping of British, Scottish, and Gaelic identities. It pays attention to the relationship between travellers and the native Gaels, whose world was plunged into crisis by rapid and forced social change. At the book's core lie the best-selling tours of Pennant and Dr Johnson, associated with attempts to 'improve' the intractable Gaidhealtachd in the wake of Culloden. Alongside the Ossian craze and Gilpin's picturesque, their books stimulated a wave of 'home tours' from the 1770s through the romantic period, including writing by women like Sarah Murray and Dorothy Wordsworth. The incidence of published Highland Tours (many lavishly illustrated), peaked around 1800, but as the genre reached exhaustion, the 'romantic Highlands' were reinvented in Scott's poems and novels, coinciding with steam boats and mass tourism, but also rack-renting, sheep clearance, and emigration.
Author | : Philip Butterworth |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2022-02-07 |
Genre | : History |
ISBN | : 1000531783 |
In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre. The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas. The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre. Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).
Author | : William Thomas Lowndes |
Publisher | : |
Total Pages | : 356 |
Release | : 1863 |
Genre | : English literature |
ISBN | : |