Second visit to Italy (concluded), 1828-1830

Second visit to Italy (concluded), 1828-1830
Author: Charles Mathews
Publisher:
Total Pages: 362
Release: 1879
Genre: Actors
ISBN:

Charles James Mathews was a British actor, son of actor Charles Mathews. Born in Liverpool, upon leaving school he was articled as the architect Augustus Charles Pugin's apprentice and worked in this profession for some years. His first public appearance on the stage was made on 7 December 1835, at the Olympic Theatre in London in his own play "The Humpbacked Lover." As an actor, Mathews held an unrivalled place in his unique vein of light eccentric comedy, thanks to an easy grace combined with "imperturbable solemnity", a combination which amused people. He was one of the few British actors to be successful in French-speaking roles in France, and enjoyed popularity in the United States, touring there three times. He managed several theatres during his career, yet despite theatrical innovations was never financially successful. He embarked on a world tour at age 66 and continued to act until within a few weeks of his death. After his death, Mathews's family entrusted Charles Dickens with a box marked "Materials for the book," which were used to assemble the chapters labeled 'Autobiography' and 'Correspondence' by the editor.

Not Shakespeare

Not Shakespeare
Author: Richard W. Schoch
Publisher: Cambridge University Press
Total Pages: 236
Release: 2002-01-03
Genre: Drama
ISBN: 9780521800150

Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the nineteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in this study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies.

My Lifetime

My Lifetime
Author: John Hollingshead
Publisher:
Total Pages: 282
Release: 1895
Genre:
ISBN: