A Companion to the Lancelot-Grail Cycle

A Companion to the Lancelot-Grail Cycle
Author: Carol Dover
Publisher: DS Brewer
Total Pages: 300
Release: 2003
Genre: Literary Criticism
ISBN: 9780859917834

The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social, historical, literary, and manuscript contexts. In addition to addressing critical issues in the five texts that make up the Cycle, the contributors convey to modern readers the appeal that the text must have had for its medieval audiences, and the richness of composition that made it compelling. This volume will become standard reading for scholars, students, and more general readers interested in the Lancelot-Grail Cycle, medieval romance, Malory studies, and the Arthurian legends. Contributors: RICHARD BARBER, EMMANUELE BAUMGARTNER, FANNI BOGDANOW, FRANK BRANDSMA, MATILDA T. BRUCKNER, CAROL J. CHASE, ANNIE COMBES, HELEN COOPER, CAROL R. DOVER, MICHAEL HARNEY, DONALD L. HOFFMAN, DOUGLAS KELLY, ELSPETH KENNEDY, NORRIS J. LACY, ROGER MIDDLETON, HAQUIRA OSAKABE, HANS-HUGO STEINHOFF, ALISON STONES, RICHARD TRACHSLER. CAROL DOVER is associate professor of French and director of undergraduate studies, Georgetown University, Washington DC.

The Cambridge Companion to Medieval French Literature

The Cambridge Companion to Medieval French Literature
Author: Simon Gaunt
Publisher: Cambridge University Press
Total Pages:
Release: 2008-04-10
Genre: Literary Criticism
ISBN: 9781139827874

Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.

The Grail Legend in Modern Literature

The Grail Legend in Modern Literature
Author: John Barry Marino
Publisher: DS Brewer
Total Pages: 198
Release: 2004
Genre: Literary Collections
ISBN: 9781843840220

The Grail legends have in modern times been appropriated by a number of different scholarly schools of thought; their approaches are analysed here.

Love, War, and the Grail

Love, War, and the Grail
Author: Helen Nicholson
Publisher: BRILL
Total Pages: 296
Release: 2001
Genre: History
ISBN: 9789004120143

Includes genealogical charts of kings and noblemen associated with the search for the grail.

Joseph d'Arimathie

Joseph d'Arimathie
Author: Robert (de Boron)
Publisher: PIMS
Total Pages: 598
Release: 1995
Genre: Literary Collections
ISBN: 9780888441201

The Curse of Eve, the Wound of the Hero

The Curse of Eve, the Wound of the Hero
Author: Peggy McCracken
Publisher: University of Pennsylvania Press
Total Pages: 191
Release: 2010-11-24
Genre: Literary Criticism
ISBN: 0812202759

In The Curse of Eve, the Wound of the Hero, Peggy McCracken explores the role of blood symbolism in establishing and maintaining the sex-gender systems of medieval culture. Reading a variety of literary texts in relation to historical, medical, and religious discourses about blood, and in the context of anthropological and religious studies, McCracken offers a provocative examination of the ways gendered cultural values were mapped onto blood in the Middle Ages. As McCracken demonstrates, blood is gendered when that of men is prized in stories about battle and that of women is excluded from the public arena in which social and political hierarchies are contested and defined through chivalric contest. In her examination of the conceptualization of familial relationships, she uncovers the privileges that are grounded in gendered definitions of blood relationships. She shows that in narratives about sacrifice a father's relationship to his son is described as a shared blood, whereas texts about women accused of giving birth to monstrous children define the mother's contribution to conception in terms of corrupted, often menstrual blood. Turning to fictional representations of bloody martyrdom and of eucharistic ritual, McCracken juxtaposes the blood of the wounded guardian of the grail with that of Christ and suggests that the blood from the grail king's wound is characterized in opposition to that of women and Jewish men. Drawing on a range of French and other literary texts, McCracken shows how the dominant ideas about blood in medieval culture point to ways of seeing modern values associated with blood in a new light, and how modern representations in turn suggest new perspectives on medieval perceptions.