Les Beaux Arts Reduits A Un Meme Principe
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Author | : Peter le Huray |
Publisher | : CUP Archive |
Total Pages | : 420 |
Release | : 1988-04-07 |
Genre | : Music |
ISBN | : 9780521359016 |
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Author | : Charles Batteux |
Publisher | : |
Total Pages | : 344 |
Release | : 1746 |
Genre | : Aesthetics |
ISBN | : |
Author | : Charles Batteux |
Publisher | : |
Total Pages | : |
Release | : 2005 |
Genre | : |
ISBN | : 9781412146029 |
Author | : Charles Batteux |
Publisher | : Oxford University Press, USA |
Total Pages | : 232 |
Release | : 2015 |
Genre | : Art |
ISBN | : 019874711X |
The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the 18th century. James O. Young presents the first complete English translation of the work, with full annotations and a comprehensive introduction, which illuminate Batteux's continuing philosophical interest.
Author | : Charles Batteux |
Publisher | : |
Total Pages | : 360 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : Abbé Charles Batteux |
Publisher | : |
Total Pages | : |
Release | : 1747 |
Genre | : |
ISBN | : |
Author | : Charles Batteux |
Publisher | : |
Total Pages | : 383 |
Release | : 1969 |
Genre | : Aesthetics |
ISBN | : |
Author | : Eric Schatzberg |
Publisher | : University of Chicago Press |
Total Pages | : 353 |
Release | : 2018-11-12 |
Genre | : History |
ISBN | : 022658402X |
In modern life, technology is everywhere. Yet as a concept, technology is a mess. In popular discourse, technology is little more than the latest digital innovations. Scholars do little better, offering up competing definitions that include everything from steelmaking to singing. In Technology: Critical History of a Concept, Eric Schatzberg explains why technology is so difficult to define by examining its three thousand year history, one shaped by persistent tensions between scholars and technical practitioners. Since the time of the ancient Greeks, scholars have tended to hold technicians in low esteem, defining technical practices as mere means toward ends defined by others. Technicians, in contrast, have repeatedly pushed back against this characterization, insisting on the dignity, creativity, and cultural worth of their work. The tension between scholars and technicians continued from Aristotle through Francis Bacon and into the nineteenth century. It was only in the twentieth century that modern meanings of technology arose: technology as the industrial arts, technology as applied science, and technology as technique. Schatzberg traces these three meanings to the present day, when discourse about technology has become pervasive, but confusion among the three principal meanings of technology remains common. He shows that only through a humanistic concept of technology can we understand the complex human choices embedded in our modern world.
Author | : Paul Thom |
Publisher | : Rowman & Littlefield |
Total Pages | : 219 |
Release | : 2024-04-08 |
Genre | : Music |
ISBN | : 166691424X |
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.
Author | : |
Publisher | : Odile Jacob |
Total Pages | : 241 |
Release | : |
Genre | : |
ISBN | : 2738182003 |