Fight Pictures

Fight Pictures
Author: Dan Streible
Publisher: Univ of California Press
Total Pages: 418
Release: 2008-04-11
Genre: Performing Arts
ISBN: 0520250753

In 1897 a filmed prize-fight became one of cinema's first major attractions, and such films continued to enjoy great popularity for many years to come. This work chronicles the story of how legitimate bouts, fake fights, comic sparring matches, and other forms of boxing came to dominate the screens of the silent-era.

Hearings

Hearings
Author: United States. Congress Senate
Publisher:
Total Pages: 1888
Release: 1939
Genre:
ISBN:

The Kid on the Sandlot

The Kid on the Sandlot
Author: Stephen R. Lowe
Publisher: Popular Press
Total Pages: 196
Release: 1995
Genre: Social Science
ISBN: 9780879726768

It is, however a story that scholars have written about only on the periphery and of which most sports fans know little.

Monthly Catalog, United States Public Documents

Monthly Catalog, United States Public Documents
Author: United States. Superintendent of Documents
Publisher:
Total Pages: 2012
Release: 1939
Genre: Government publications
ISBN:

February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index

The Greatest Fight of Our Generation

The Greatest Fight of Our Generation
Author: Lewis A. Erenberg
Publisher: Oxford University Press
Total Pages: 289
Release: 2007
Genre: Biography & Autobiography
ISBN: 0195319990

Held on June 22, 1938, in Yankee Stadium, the second Louis-Schmeling fight sparked excitement around the globe. For all its length--the fight lasted but two minutes--it remains one of the most memorable events in boxing history and, indeed, one of the most significant sporting events ever. In this superb account, Lewis A. Erenberg offers a vivid portrait of Joe Louis, Max Schmeling, their individual careers, and their two epic fights, shedding light on what these fighters represented to their nations, and why their second bout took on such international importance. Erenberg shows how in the first fight Schmeling shocked everyone with a dramatic twelfth-round knockout of Louis, becoming a German national hero and a (unwilling) symbol of Aryan superiority. In fact, the second fight was seen around the world in symbolic terms--as a match between Nazism and American democracy. Erenberg discusses how Louis' dramatic first-round victory was a devastating blow to Hitler, who turned on Schmeling and, during the war, had the boxer (then serving as a paratrooper) sent on a series of dangerous missions. Louis, meanwhile, went from being a hero of his race--"Our Joe"--to the first black champion embraced by all Americans, black and white, an important step forward in United States race relations. Erenberg also describes how, after the war, the two boxers became symbols of German-American reconciliation. With Schmeling as a Coca Cola executive, and Louis down on his luck, the former foes became friends, and when Louis died, Schmeling helped pay for his funeral. Here then is a stirring and insightful account of one of the great moments in boxing history, a confrontation that provided global theater on an epic scale.

The Boxing Film

The Boxing Film
Author: Travis Vogan
Publisher: Rutgers University Press
Total Pages: 208
Release: 2020-10-16
Genre: Performing Arts
ISBN: 1978801378

As one of popular culture’s most popular arenas, sports are often the subject of cinematic storytelling. But boxing films are special. There are more movies about boxing, by a healthy margin, than any other sport, and boxing accompanied and aided the medium’s late nineteenth-century emergence as a popular mass entertainment. Many of cinema’s most celebrated directors—from Oscar Micheaux to Martin Scorsese—made boxing films. And while the production of other types of sports movies generally corresponds with the current popularity of their subject, boxing films continue to be made regularly even after the sport has wilted from its once-prominent position in the sports hierarchy of the United States. From Edison’s Leonard-Cushing Fight to The Joe Louis Story, Rocky, and beyond, this book explores why boxing has so consistently fascinated cinema and popular media culture by tracing how boxing movies inform the sport’s meanings and uses from the late nineteenth century to the early twenty-first century.