Le Roman De La Rose Ou De Guillaume De Dole
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Author | : Regina Psaki |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2019-05-29 |
Genre | : Literary Collections |
ISBN | : 042962722X |
Published in 1995: The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.
Author | : Robert Mullally |
Publisher | : Routledge |
Total Pages | : 153 |
Release | : 2017-07-05 |
Genre | : Performing Arts |
ISBN | : 1351545760 |
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.
Author | : John W. Baldwin |
Publisher | : JHU Press |
Total Pages | : 408 |
Release | : 2002-03-18 |
Genre | : History |
ISBN | : 9780801869129 |
Modern historians have generally approached the study of medieval society through chronicles, charters, and other documents composed in Latin by members of the clergy. Although these records may be satisfactory for studying the affairs of ecclesiastics, kings, and high barons, they are inadequate for assessing the major preoccupations of the aristocracy—living extravagantly, fighting, making love, entertaining, eating and dressing ostentatiously, and, generally, earning the disapproval of the clergy. In Aristocratic Life in Medieval France, the respected medieval scholar John Baldwin undertakes a study of this segment of society using, for the first time in nearly a century, the vernacular romances written exclusively for the amusement of aristocratic audiences. Rather than attempting to encompass all of Middle Age Europe, this study selects two writers, Jean Renart and Gerbert de Montreuil, and their four romances. It focuses with depth and specificity on the discrete area of northern France during a precise period, 1190–1230. Since Jean and Gerbert framed their fictional stories with contemporary and realistic features that could be recognized by their audiences, their works provide a wealth of detail on aristocratic living. Employing such literary techniques as "reality effects" and "horizons of expectations," Baldwin successfully discerns the historical content in these romance narratives.
Author | : Joseph Harris |
Publisher | : Harvard University Press |
Total Pages | : 334 |
Release | : 1991 |
Genre | : Literary Criticism |
ISBN | : 9780674060456 |
Francis James Child, compiler and editor of English and Scottish Popular Ballads, established the scholarly study of folk ballads in the English-speaking world. His successors at Harvard University, notably George Lyman Kittredge, Milman Parry, and Albert B. Lord, discovered new ways of relating ideas about sung narrative to the study of epic poetry and what has come to be called - oral literature. In this volume, 16 scholars from Europe and the United States offer original essays in the spirit of these pioneers. The topics of their studies include well-known Child ballads in their British and American forms; aspects of the oral literatures of France, Ireland, Scandinavia, medieval England, ancient Greece, and modern Egypt; and recent literary ballads and popular songs. Many of the essays evince a concern with the theoretical underpinnings of the study of folklore and literature, orality and literacy; and as a whole the volume re-establishes the European ballad in the wider context of oral literature. Among the contributors are Albert B. Lord, Bengt R. Jonsson, Gregory Nagy, David Buchan, Vesteinn Olason, and Karl Reichl.
Author | : Katherine C. Little |
Publisher | : Oxford University Press |
Total Pages | : 269 |
Release | : 2018-10-17 |
Genre | : Literary Criticism |
ISBN | : 0192514369 |
Medieval romances with their magic fountains, brave knights, and beautiful maidens have come to stand for the Middle Ages more generally. This close connection between the medieval and the romance has had consequences for popular conceptions of the Middle Ages, an idealized fantasy of chivalry and hierarchy, and also for our understanding of romances, as always already archaic, part of a half-forgotten past. And yet, romances were one of the most influential and long-lasting innovations of the medieval period. To emphasize their novelty is to see the resources medieval people had for thinking about their contemporary concern and controversies, whether social order, Jewish/ Christian relations, the Crusades, the connectivity of the Mediterranean, women's roles as mothers, and how to write a national past. This volume takes up the challenge to 'think romance', investigating the various ways that romances imagine, reflect, and describe the challenges of the medieval world.
Author | : Alcuin Blamires |
Publisher | : Clarendon Press |
Total Pages | : 288 |
Release | : 1998-08-27 |
Genre | : Literary Criticism |
ISBN | : 019103729X |
Misogyny is of course not the whole story of medieval discourse on women: medieval culture also envisaged a case for women. But hitherto studies of profeminine attitudes in that periods culture have tended to concentrate on courtly literature or on female visionary writings or on attempts to transcend misogyny by major authors such as Christine de Pizan and Chaucer. This book sets out to demonstrate something different: that there existed from early in the Middle Ages a corpus of substantial traditions in defence of women, on which the more familiar authors drew, and that this corpus itself consolidated strands of profeminine thought that had been present as far back as the patristic literature of the fourth century. The Case for Women surveys extant writings formally defending women in the Middle Ages; breaks new ground by identifying a source for profeminine argument in biblical apocrypha; offers a series of explorations of the background and circulation of central arguments on behalf of women; and seeks to situate relevant texts by Christine de Pizan, Chaucer, Abelard, and Hrotsvitha in relation to these arguments. Topics covered range from the privileges of women, and pro-Eve polemic, to the social and moral strengths attributed to women, and to the powerful modelsfrequently disruptive of patriarchal complacencypresented by Old and New Testament women. The contribution made by these emphases (which are not to be confused with feminism in a modern sense) to medieval constructions of gender is throughout critically assessed, and the book concludes by asking how far defenders were controlled by, or able to query, assumptions about what was natural (and therefore imagined inflexible) in gender theory.
Author | : Michel Stanesco |
Publisher | : BRILL |
Total Pages | : 257 |
Release | : 1988-06-01 |
Genre | : History |
ISBN | : 9004246584 |
Preliminary Material -- INTRODUCTION: UN REGARD GLACE: L'AVENTURE CHEVALERESQUE COMME «JUSTIFICATION» DE CLASSE -- CHAPITRE PREMIER: L'EFFET DE ROMAN LA FASCINATION DU MODELE ROMANESQUE -- CHAPITRE II: UN 'PILIER DU MONDE' -- CHAPITRE III: LE RITUEL SYMBOLIQUE DE L'ADOUBEMENT -- CHAPITRE IV: LA PASSION DU TOURNOI ET SES INTERDITS -- CHAPITRE V: LE PLAISIR DES ARMES -- CHAPITRE VI: LA PERSPECTIVE DE LA MIMESIS -- CHAPITRE VII: JEUX D'AMOUR, JEUX D'ECHECS -- CHAPITRE VIII: LE CEREMONIAL DU JEU -- CHAPITRE IX: LES «MISTERES» DU PAS DE L'ARBRE D'OR ET LE CHEVALIER PRISONNIER -- CHAPITRE X: JEU ET RITUEL -- CHAPITRE XI: 'ENTRE SOMMEILLANT ET ESVEILLE' -- D'UNE TECHNIQUE CHEVALERESQUE A UNE EXPERIENCE POETIQUE -- CHAPITRE XII: L'EMPRISE DU VISUEL -- CHAPITRE XIII: LE HERAUT D'ARMES ET LA TRADITION LITTERAIRE CHEVALERESQUE -- CHAPITRE XIV: LA FETE CHEVALERESQUE -- CHAPITRE XV: LE TROUBLE-FETE -- CHAPITRE XVI: LE GOTHIQUE FLAMBOYANT ET L'ESPRIT BAROQUE: ESQUISSE THEORIQUE D'UNE EXPERIENCE ESTHETIQUE -- CHAPITRE XVII: LE PARADOXE DU JEU CHEVALERESQUE -- CONCLUSION -- BIBLIOGRAPHIE -- INDEX DES AUTEURS ET DES OEUVRES.
Author | : Jacques Le Goff |
Publisher | : University of Chicago Press |
Total Pages | : 308 |
Release | : 1992-12-15 |
Genre | : Education |
ISBN | : 9780226470856 |
To write this history of the imagination, Le Goff has recreated the mental structures of medieval men and women by analyzing the images of man as microcosm and the Church as mystical body; the symbols of power such as flags and oriflammes; and the contradictory world of dreams, marvels, devils, and wild forests. "Le Goff is one of the most distinguished of the French medieval historians of his generation . . . he has exercised immense influence."—Maurice Keen, New York Review of Books "The whole book turns on a fascinating blend of the brutally materialistic and the generously imaginative."—Tom Shippey, London Review of Books "The richness, imaginativeness and sheer learning of Le Goff's work . . . demand to be experienced."—M. T. Clanchy, Times Literary Supplement
Author | : Evelyn Birge Vitz |
Publisher | : Boydell & Brewer |
Total Pages | : 342 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780859915380 |
This book proposes a fundamental revision of the history of early French romance: it argues that oral and performed traditions were far more important in the development of romance than scholars have recognised. Starting with issues of orality and literacy, it is argued that the form in which romances were composed was not the invention of clerics but was, rather, an oral form. The second part of the book looks at performance, and shows that romances such as those of Chretien invited voiced presentation; moreover, they were frequently recited from memory, sung, and acted out in dramatic fashion. Romances can, and should, still be performed today.
Author | : E. Jane Burns |
Publisher | : University of Pennsylvania Press |
Total Pages | : 335 |
Release | : 2014-07-09 |
Genre | : History |
ISBN | : 0812291247 |
Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtly lovers among them. In Courtly Love Undressed, E. Jane Burns unfolds the rich display of costly garments worn by amorous partners in literary texts and other cultural documents in the French High Middle Ages. Burns "reads through clothes" in lyric, romance, and didactic literary works, vernacular sermons, and sumptuary laws to show how courtly attire is used to negotiate desire, sexuality, and symbolic space as well as social class. Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man. The symbolic identification of the court itself as a hybrid crossing place between Europe and the East also emerges through Burns's reading of literary allusions to the trade, travel, and pilgrimage that brought luxury cloth to France.