Latsploitation, Exploitation Cinemas, and Latin America
| Author | : Victoria Ruetalo |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2009 |
| Genre | : |
| ISBN | : 1135848777 |
Latsploitation Exploitation Cinemas And Latin America
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Latsploitation, Exploitation Cinemas, and Latin America
| Author | : Victoria Ruétalo |
| Publisher | : Routledge |
| Total Pages | : 604 |
| Release | : 2009-05-07 |
| Genre | : Social Science |
| ISBN | : 1135848769 |
Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived ‘low’ cultural status. It argues that Latin American exploitation cinema makes an important aesthetic and social contribution to the larger body of Latin American cinema – often competing with Hollywood and more mainstream national cinemas in terms of popularity.
A Companion to Latin American Cinema
| Author | : Maria M. Delgado |
| Publisher | : John Wiley & Sons |
| Total Pages | : 560 |
| Release | : 2017-04-24 |
| Genre | : Performing Arts |
| ISBN | : 1118552881 |
A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists
Pushing Past the Human in Latin American Cinema
| Author | : Carolyn Fornoff |
| Publisher | : State University of New York Press |
| Total Pages | : 433 |
| Release | : 2021-06-01 |
| Genre | : Performing Arts |
| ISBN | : 1438484054 |
Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.
The Routledge Companion to Cult Cinema
| Author | : Ernest Mathijs |
| Publisher | : Routledge |
| Total Pages | : 1002 |
| Release | : 2019-11-22 |
| Genre | : Performing Arts |
| ISBN | : 1317362233 |
The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible). Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever; exploitation films; genre cinema; multiple media formats cult cinema is expressed through; issues of cultural, national, and gender representations; elements of the production culture of cult cinema; and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones. The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East, and Latin America, making it an innovative and important resource for researchers and students alike.
Blood Circuits
| Author | : Jonathan Risner |
| Publisher | : SUNY Press |
| Total Pages | : 278 |
| Release | : 2018-08-01 |
| Genre | : History |
| ISBN | : 1438470754 |
Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism. Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various cinematic pleasures it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (19761983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina. Blood Circuits is an important and much-needed contribution to the fields of Latin American cinema and popular culture, and genre film studies with a focus on horror cinema. It offers original and innovative directions that will pave the way for new studies in different areas of film studies: the internationalization of horror that unfolds a problematic relationship between the United States and the Global South, the use of punk horror as a form of affect, and the development of new kinds of pleasures and displeasures in the spectator. Victoria Ruétalo, coeditor of Latsploitation, Exploitation Cinemas, and Latin America
Cinema Between Latin America and Los Angeles
| Author | : Colin Gunckel |
| Publisher | : Rutgers University Press |
| Total Pages | : 189 |
| Release | : 2019-02-08 |
| Genre | : Art |
| ISBN | : 1978801246 |
Historically, Los Angeles has been central to the international success of Latin American cinema and became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. This book examines the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema.
Ana M. López
| Author | : Ana M. López |
| Publisher | : State University of New York Press |
| Total Pages | : 766 |
| Release | : 2023-02-01 |
| Genre | : Performing Arts |
| ISBN | : 1438491107 |
Ana M. López is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and genres—from early cinema to the present; from Brazil, Cuba, and Mexico to diasporic and Latinx cinemas in the United States; from documentary to melodrama to politically militant film. López's groundbreaking essays have transformed Latin American film studies, opening up new approaches, theoretical frameworks, and lines of investigation while also extending beyond cinema to analyze its connections with television, radio, and broader cultural phenomena. Bringing together twenty-five essays from throughout her career, including three that have been translated into English for this volume, Ana M. López is divided into three sections: the transnational turn in Latin American film studies; analysis of genre and modes; and debates surrounding race, ethnicity, and gender. Expertly curated and edited by Laura Podalsky and Dolores Tierney, the volume includes introductory material throughout to map and situate López's key interventions and to aid students and scholars less familiar with her work.
The Precarious in the Cinemas of the Americas
| Author | : Constanza Burucúa |
| Publisher | : Springer |
| Total Pages | : 308 |
| Release | : 2018-05-29 |
| Genre | : Performing Arts |
| ISBN | : 3319768077 |
Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
Capital and popular cinema
| Author | : Valentina Vitali |
| Publisher | : Manchester University Press |
| Total Pages | : 307 |
| Release | : 2016-05-01 |
| Genre | : Performing Arts |
| ISBN | : 1784997773 |
Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics.
