Lart Artisanal De La Chine
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Author | : Ken-ichi Sasaki |
Publisher | : NUS Press |
Total Pages | : 330 |
Release | : 2011-01-01 |
Genre | : Art |
ISBN | : 9971695006 |
While the artistic traditions of the various countries of East, Southeast and South Asia display distinctive aesthetic features, this volume examines the qualities of each area, and seeks commonalities that define the aesthetics of a broader Asian civilization. Contributors includes specialists in philosophy, literature, art history, religion and the comparative study of cultures. Some of them are writing from within their own cultural traditions while others approach their subjects as outside observers. The book is divided into five sections, dealing with Japanese, Korean, Chinese, Indian and Southeast Asian aesthetics. Individual chapters provide in-depth investigations of specific traditions, embracing both classical as well as modern aesthetic forms. The author suggest that Japanese culture is characterized by an openness to diverse cultural influences, Korean culture by "peninsularity," Chinese culture by parallels with the West, Indian culture by "rasa" (a kind of "cosmic" feeling that is distinct from one who feels), and Southeast Asian culture by dilemmas of modernization. The volume as a whole integrates these studies, clarifying essential elements of each aesthetic culture and drawing on this material to characterize an Asian civilization that transcends individual countries and cultures.
Author | : Jean-Baptiste Grosier |
Publisher | : |
Total Pages | : 490 |
Release | : 1820 |
Genre | : China |
ISBN | : |
Author | : |
Publisher | : TheBookEdition |
Total Pages | : |
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ISBN | : 2958142515 |
Author | : Anthony J. Barbieri-Low |
Publisher | : University of Washington Press |
Total Pages | : 401 |
Release | : 2021-10-07 |
Genre | : Art |
ISBN | : 0295749881 |
Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chinese culture. With Artisans in Early Imperial China, Anthony Barbieri-Low combines historical, epigraphic, and archaeological analysis to refocus our gaze from the glittering objects and monuments of China onto the men and women who made them. Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history.
Author | : |
Publisher | : |
Total Pages | : 146 |
Release | : 1900 |
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Author | : Leora Auslander |
Publisher | : Univ of California Press |
Total Pages | : 512 |
Release | : 2023-04-28 |
Genre | : History |
ISBN | : 0520920945 |
Louis XIV, regency, rococo, neoclassical, empire, art nouveau, and historicist pastiche: furniture styles march across French history as regimes rise and fall. In this extraordinary social history, Leora Auslander explores the changing meaning of furniture from the mid-seventeenth to the early twentieth century, revealing how the aesthetics of everyday life were as integral to political events as to economic and social transformations. Enriched by Auslander's experience as a cabinetmaker, this work demonstrates how furniture served to represent and even generate its makers' and consumers' identities.
Author | : C. Chu |
Publisher | : Springer |
Total Pages | : 271 |
Release | : 2014-11-18 |
Genre | : History |
ISBN | : 1137353651 |
This volume is the product of scholars of various backgrounds, specialties and agendas bringing forth their most treasured findings regarding the Chinese Catholic Church. The chapters in this book covering the church from 1900 to the present trace the development of the Church in China from many historical and disciplinary vantage points.
Author | : Thomas Coomans |
Publisher | : Leuven University Press |
Total Pages | : 297 |
Release | : 2024-05-02 |
Genre | : Religion |
ISBN | : 946270144X |
The ‘spatial turn’ of missionary places Situated at the crossroads of missionary history, imperial history and colonial architecture, this volume examines the architectural staging and spatial implications of the worldwide expansion of Christianity in the nineteenth and twentieth centuries. By focusing on specific architectural fragments, analysing the intersection of Christian edifices in colonial and traditional urban settings or unravelling the social understanding of missionary places, each chapter strives to understand the agency of missionary spaces. Bringing together scholars from different disciplines and fields, this book aims to centre those missionary spaces by approaching them not merely as décor around and within which the missionary encounter was acted, but by making them part and parcel of it. Through its approach, Missionary Spaces provides a new paradigm for scrutinising the ‘spatial turn’ for missionary histories and contributes to the increased attention across the humanities to space, place, and location since the late 1990s. Space does not occur as an historical given, but as a social construction to be analysed, while at the same time having explanatory value of its own. This book focuses on Africa and the Chinese Region with contributions on Burundi, China, Congo, Egypt, Ghana, Kenya, and Taiwan.
Author | : |
Publisher | : BRILL |
Total Pages | : 390 |
Release | : 2017-04-18 |
Genre | : Religion |
ISBN | : 9004330380 |
Chinese people have been instrumental in indigenizing Christianity. Sinizing Christianity examines Christianity's transplantation to and transformation in China by focusing on three key elements: Chinese agents of introduction; Chinese redefinition of Christianity for the local context; and Chinese institutions and practices that emerged and enabled indigenisation. As a matter of fact, Christianity is not an exception, but just one of many foreign ideas and religions, which China has absorbed since the formation of the Middle Kingdom, Buddhism and Islam are great examples. Few scholars of China have analysed and synthesised the process to determine whether there is a pattern to the ways in which Chinese people have redefined foreign imports for local use and what insight Christianity has to offer. Contributors are: Robert Entenmann, Christopher Sneller, Yuqin Huang, Wai Luen Kwok, Thomas Harvey, Monica Romano, Thomas Coomans, Chris White, Dennis Ng, Ruiwen Chen and Richard Madsen.
Author | : Patrick Moules |
Publisher | : Troubador Publishing Ltd |
Total Pages | : 1152 |
Release | : 2020-07-28 |
Genre | : Performing Arts |
ISBN | : 1838592695 |
Written in both English and French, The 9.5mm Vintage Film Encyclopaedia provides a single-volume, comprehensive catalogue of all known 9.5mm film releases, including: Films: Comprising 12,460 individual entries, this A-Z reference index provides the main listing for each film and its origin where known, along with additional information including cast and crew, and cross references to other relevant material. People: This index of all known actors and film crew, comprising over 12,000 names, provides a listing which is cross referenced to the main entry for each original film they worked on. Numbers: Pathé-Baby/Pathéscope and other distributors’ catalogue numbers, film length, release dates (where known) and the series in which the films were organised, are set out in detail. With a foreword from eminent film historian and filmmaker, Keith Brownlow, this extensively researched text explains the importance of the 9.5mm film, from its beginnings in the early 1920s to becoming synonymous with Home Cinema throughout Europe. Readers will also find a brief technical explanation on how 9.5mm films were produced, along with relevant images.